Orwell＇s text The Road to Wigan Pier, henceforth referred to as RWP, is problematic due to the ambiguity of its status as a literary genre. The text is subversive on many levels, namely on the level of form. In order...Orwell＇s text The Road to Wigan Pier, henceforth referred to as RWP, is problematic due to the ambiguity of its status as a literary genre. The text is subversive on many levels, namely on the level of form. In order to show some aspects of the author＇s challenge of the conventional norms and methods of literary writing, a comparison between the writer＇s original diary of the journey to the industrial North of England, the main site of the coal mines, and the present book could be of great import. This reveals the author＇s genuine intellectual ability to manipulate and rearrange the events and scenes of the story on the discourse level. The author＇s manipulation and rearrangement of the story （the journey）, events and scenes, clearly reveals his potential literary creativity and imagination. Orwell has deployed many strategies to fulfil this purpose. Each strategy is actually a contribution to the author＇s overall argument and at the same time it constitutes a further aspect of subversion. The first aspect of subversion lies on the level of form itself. The form of the book is effectively very challenging. Contrary to the conventional view of the fictional novel, the study of Orwell＇s text based on Grrard Genette＇s model reveals his challenge of the basic novelistic parameters. The novelistic ingredients such as setting, characterisation, and plot development have been treated in a subverting way. Though not totally discarded, they have been manipulated for the purpose of the author＇s general argument, which is Socialism. For instance, characters in the novel are treated as types, that is, representatives of their class. Besides, the order of scenes and events has been rearranged for the purpose of foregrounding representative scenes like the description of the Brookers＇ lodging-house. The author＇s treatment of the material of the text is primarily based on his personal experience as an outside observer during his journey to the North. Therefore, the exploration of the novel from a structuralist perspective based on Genette＇s model does not merely aim at the pure application of some literary and critical approaches to Orwell＇s text. This may be misleading since the investigation may fall in superficiality and simplicity. But the strategy deployed is actually a further contribution to the author＇s general argument and a manifestation of the novel＇s status as a creative and subversive text.展开更多
Currently, Bachelor thesis of Japanese major＇s main problems is related to the topics of the irrational, writing both impetuous attitude, which led to poor quality of the article, is worrying. There are many causes o...Currently, Bachelor thesis of Japanese major＇s main problems is related to the topics of the irrational, writing both impetuous attitude, which led to poor quality of the article, is worrying. There are many causes of the problem, and you can relax from the writing language requirements, the timing of mentor, and guiding additional academic writing courses in a bid to solve them.展开更多
The present study constitutes a critical appraisal of the deconstructive reading of Rousseau＇s Confessions that Derrida undertakes in the second part of Of Grammatology. In this examination, the author will first lis...The present study constitutes a critical appraisal of the deconstructive reading of Rousseau＇s Confessions that Derrida undertakes in the second part of Of Grammatology. In this examination, the author will first list some of the significations into which Derrida disperses （forced, as he asserts himself, by an ＂inassimilable residue＂ in the text itself） the meaning that he has already construed as apparently simple during the first moment of deconstructive reading （i.e., ＂the doubling commentary＂）; the author will then go on to enquire into the operations which enable Derrida to arrive at these self-conflicting significations. The main aim of this essay is to demonstrate that it is not language alone that disables the philosophy of Rousseau and enables the philosophy of Derrida. When Derrida attempts to support his philosophy through an analysis of Rousseau＇s theory of language and the alleged contradictions in Rousseau＇s texts, he misinterprets basic tenets of these texts in order to make them conform to the presuppositions of the deconstructive approach. The ＂reversal＂ and ＂displacement＂ of metaphysical conceptuality in the text of the Confessions is made possible after the text has had meanings transposed into it from a plurality of other texts. Derrida attributes to the text significations he discovers by construing, explicating and over-reading passages that occur elsewhere in Rousseau＇s total oeuvre （especially in the Essay on the Origin of Languages）.展开更多
African-American writers during the 19th century wrote in the shadow of the prominent romance, sentimental, and domestic fiction. Harriet Wilson＇s Our Nig （1859） reflects an ＂alternative social character＂, for th...African-American writers during the 19th century wrote in the shadow of the prominent romance, sentimental, and domestic fiction. Harriet Wilson＇s Our Nig （1859） reflects an ＂alternative social character＂, for the female protagonist suffers racism in the free North, because she is a mulatto child. Through depicting the life of free blacks, who supposedly lives a better life than Southern slaves, Wilson exposes how she has actually lived and sensed life in antebellum America. According to Raymond Williams （2011）, there are two kinds of literary writings. The first represents the general tendency of the age, and he calls it ＂dominant social character＂; representing the majority content of both the public writing and speaking. But, another different literary writing lives in its shadow; one that usually leads the conflicts of the time. It is the ＂alternative social character＂; the literature of the victims of repression and marginalization, produced by the lower class, women, and blacks. They reflected how they were dehumanized, and exposed their suffering and abasement. They also aimed to prove individualism. The novel reveals how racism in the North could be worse than the slavery of the South. This paper shows Wilson deviation from the ＂her brethren＂ in writing her novel. It unveils significant truths concerning black women＇s status in antebellum America. It discusses how the author attempts to correct certain misconceptions through her female character展开更多
文摘Orwell＇s text The Road to Wigan Pier, henceforth referred to as RWP, is problematic due to the ambiguity of its status as a literary genre. The text is subversive on many levels, namely on the level of form. In order to show some aspects of the author＇s challenge of the conventional norms and methods of literary writing, a comparison between the writer＇s original diary of the journey to the industrial North of England, the main site of the coal mines, and the present book could be of great import. This reveals the author＇s genuine intellectual ability to manipulate and rearrange the events and scenes of the story on the discourse level. The author＇s manipulation and rearrangement of the story （the journey）, events and scenes, clearly reveals his potential literary creativity and imagination. Orwell has deployed many strategies to fulfil this purpose. Each strategy is actually a contribution to the author＇s overall argument and at the same time it constitutes a further aspect of subversion. The first aspect of subversion lies on the level of form itself. The form of the book is effectively very challenging. Contrary to the conventional view of the fictional novel, the study of Orwell＇s text based on Grrard Genette＇s model reveals his challenge of the basic novelistic parameters. The novelistic ingredients such as setting, characterisation, and plot development have been treated in a subverting way. Though not totally discarded, they have been manipulated for the purpose of the author＇s general argument, which is Socialism. For instance, characters in the novel are treated as types, that is, representatives of their class. Besides, the order of scenes and events has been rearranged for the purpose of foregrounding representative scenes like the description of the Brookers＇ lodging-house. The author＇s treatment of the material of the text is primarily based on his personal experience as an outside observer during his journey to the North. Therefore, the exploration of the novel from a structuralist perspective based on Genette＇s model does not merely aim at the pure application of some literary and critical approaches to Orwell＇s text. This may be misleading since the investigation may fall in superficiality and simplicity. But the strategy deployed is actually a further contribution to the author＇s general argument and a manifestation of the novel＇s status as a creative and subversive text.
文摘Currently, Bachelor thesis of Japanese major＇s main problems is related to the topics of the irrational, writing both impetuous attitude, which led to poor quality of the article, is worrying. There are many causes of the problem, and you can relax from the writing language requirements, the timing of mentor, and guiding additional academic writing courses in a bid to solve them.
文摘The present study constitutes a critical appraisal of the deconstructive reading of Rousseau＇s Confessions that Derrida undertakes in the second part of Of Grammatology. In this examination, the author will first list some of the significations into which Derrida disperses （forced, as he asserts himself, by an ＂inassimilable residue＂ in the text itself） the meaning that he has already construed as apparently simple during the first moment of deconstructive reading （i.e., ＂the doubling commentary＂）; the author will then go on to enquire into the operations which enable Derrida to arrive at these self-conflicting significations. The main aim of this essay is to demonstrate that it is not language alone that disables the philosophy of Rousseau and enables the philosophy of Derrida. When Derrida attempts to support his philosophy through an analysis of Rousseau＇s theory of language and the alleged contradictions in Rousseau＇s texts, he misinterprets basic tenets of these texts in order to make them conform to the presuppositions of the deconstructive approach. The ＂reversal＂ and ＂displacement＂ of metaphysical conceptuality in the text of the Confessions is made possible after the text has had meanings transposed into it from a plurality of other texts. Derrida attributes to the text significations he discovers by construing, explicating and over-reading passages that occur elsewhere in Rousseau＇s total oeuvre （especially in the Essay on the Origin of Languages）.
文摘African-American writers during the 19th century wrote in the shadow of the prominent romance, sentimental, and domestic fiction. Harriet Wilson＇s Our Nig （1859） reflects an ＂alternative social character＂, for the female protagonist suffers racism in the free North, because she is a mulatto child. Through depicting the life of free blacks, who supposedly lives a better life than Southern slaves, Wilson exposes how she has actually lived and sensed life in antebellum America. According to Raymond Williams （2011）, there are two kinds of literary writings. The first represents the general tendency of the age, and he calls it ＂dominant social character＂; representing the majority content of both the public writing and speaking. But, another different literary writing lives in its shadow; one that usually leads the conflicts of the time. It is the ＂alternative social character＂; the literature of the victims of repression and marginalization, produced by the lower class, women, and blacks. They reflected how they were dehumanized, and exposed their suffering and abasement. They also aimed to prove individualism. The novel reveals how racism in the North could be worse than the slavery of the South. This paper shows Wilson deviation from the ＂her brethren＂ in writing her novel. It unveils significant truths concerning black women＇s status in antebellum America. It discusses how the author attempts to correct certain misconceptions through her female character
