As a genre that expressed women＇s dark protests, fantasies and the fear, female Gothic was not theorized until the late 1960s, and before its theorization, this convention was adopted by many women writers in their w...As a genre that expressed women＇s dark protests, fantasies and the fear, female Gothic was not theorized until the late 1960s, and before its theorization, this convention was adopted by many women writers in their works. Charlotte Perkins Gilman＇s The yellow wallpaper is one of the many examples. As the epitome of female gothic, The yellow wallpaper utilized the female gothic conventions--the grotesque symbol of yellow wallpaper, the hysteric narrative format and the archetype image of madwoman, to express women＇s status of her time--their repression, rebellion and quest for the ＂true self＂.展开更多
Elaine Showalter＇s A Literature of Their Own： British Women Novelists From Bront~ to Lessing is a pioneering masterpiece in feminism studies. The book impresses the reader with Showalter＇s groundwork to revive the ...Elaine Showalter＇s A Literature of Their Own： British Women Novelists From Bront~ to Lessing is a pioneering masterpiece in feminism studies. The book impresses the reader with Showalter＇s groundwork to revive the interest in long-forgotten women writers in British literature history. Showalter＇s work is indeed a kind of rediscovery, mapping widely rather than mining deeply the territory of women＇s writing. In a sense, feminist criticism came of age with this book.展开更多
It may be argued that one of the recurring themes in the fiction of Toni Morrison is the problem of emotional suffering. Indeed, a line of her characters endure a series of traumatic past experiences, the consequences...It may be argued that one of the recurring themes in the fiction of Toni Morrison is the problem of emotional suffering. Indeed, a line of her characters endure a series of traumatic past experiences, the consequences of which are strongly echoed in their present lives and often foreshadow their future. Thus, this article discusses some of the characteristic literary-fantastic manifestations of grief and grieving in Morrison＇s novels, seen as internal and external expressions of the protagonists＇ mental pain. First, the text outlines the major grief-generating conditions for Morrison＇s heroes in general, and then it focuses on the various modes in which their feelings of grief and grieving are communicated. Second, the study exposes the characters＇ psychological strife and the influence it exerts both on themselves and their surroundings. Third and last, the paper concludes with an attempt to establish some typical patterns of grief and grieving common to Morrison＇s fictional figures. In order to reflect a variety of grief-stricken individuals populating Morrison＇s world, the analysis examines a group of three female characters. Taken all together, the selected examples serve to exhibit the complexity of the problem in question, as well as to illustrate the different shades of human sorrow.展开更多
The period from 1680 to 1730 witnessed the creation of a wealth of women＇s fiction that has long been ignored or dismissed by historians and literary critics. Although the women writers in question were best sellers ...The period from 1680 to 1730 witnessed the creation of a wealth of women＇s fiction that has long been ignored or dismissed by historians and literary critics. Although the women writers in question were best sellers at the time, they were still not accepted within the traditional literary categories. This paper intends to doubt the appropriateness of the term ＂amatory＂ as a description of women＇s writing at the time as it is not proper to entitle them as ＂amatory＂ fiction only for the reason that they adopt similar amatory plot and write fictions about love.展开更多
文摘As a genre that expressed women＇s dark protests, fantasies and the fear, female Gothic was not theorized until the late 1960s, and before its theorization, this convention was adopted by many women writers in their works. Charlotte Perkins Gilman＇s The yellow wallpaper is one of the many examples. As the epitome of female gothic, The yellow wallpaper utilized the female gothic conventions--the grotesque symbol of yellow wallpaper, the hysteric narrative format and the archetype image of madwoman, to express women＇s status of her time--their repression, rebellion and quest for the ＂true self＂.
文摘Elaine Showalter＇s A Literature of Their Own： British Women Novelists From Bront~ to Lessing is a pioneering masterpiece in feminism studies. The book impresses the reader with Showalter＇s groundwork to revive the interest in long-forgotten women writers in British literature history. Showalter＇s work is indeed a kind of rediscovery, mapping widely rather than mining deeply the territory of women＇s writing. In a sense, feminist criticism came of age with this book.
文摘It may be argued that one of the recurring themes in the fiction of Toni Morrison is the problem of emotional suffering. Indeed, a line of her characters endure a series of traumatic past experiences, the consequences of which are strongly echoed in their present lives and often foreshadow their future. Thus, this article discusses some of the characteristic literary-fantastic manifestations of grief and grieving in Morrison＇s novels, seen as internal and external expressions of the protagonists＇ mental pain. First, the text outlines the major grief-generating conditions for Morrison＇s heroes in general, and then it focuses on the various modes in which their feelings of grief and grieving are communicated. Second, the study exposes the characters＇ psychological strife and the influence it exerts both on themselves and their surroundings. Third and last, the paper concludes with an attempt to establish some typical patterns of grief and grieving common to Morrison＇s fictional figures. In order to reflect a variety of grief-stricken individuals populating Morrison＇s world, the analysis examines a group of three female characters. Taken all together, the selected examples serve to exhibit the complexity of the problem in question, as well as to illustrate the different shades of human sorrow.
文摘The period from 1680 to 1730 witnessed the creation of a wealth of women＇s fiction that has long been ignored or dismissed by historians and literary critics. Although the women writers in question were best sellers at the time, they were still not accepted within the traditional literary categories. This paper intends to doubt the appropriateness of the term ＂amatory＂ as a description of women＇s writing at the time as it is not proper to entitle them as ＂amatory＂ fiction only for the reason that they adopt similar amatory plot and write fictions about love.
