理解文学文本层面及其余衍层

本文拟在梳理英加登和韦勒克的文学文本层面论基础上,吸收近年媒介及修辞研究的成果,对汉语文学文本层面提出一种新划分,进而就其中余衍层作出分析。认为汉语文学文本可以有五个层面:媒型层、兴辞层、兴象层、意兴层和余衍层。余衍层是余兴与衍兴交融的层面。余兴来自读者对文本中兴味的品评,衍兴是在读者阅读中衍生的感兴。文学文本虽然可以在读者阅读中创造完整的审美自主世界,但由于读者阅读过程中感兴的触发与叠加等作用,这个审美自主世界随即会被打破而与读者的生活世界体验交融在一起。读者的理智素养会让他从这种艺术与生活交融的体验状态中走出,但这次阅读产生的余效毕竟会长留读者心中。

Julia Lovell as a Faithful Rewriter in Translating Chinese Literary Text： The Version of A Dictionary of Maqiao as a Case in Point

As a professional translator, Chinese history lecturer and academic writer, Julia Lovell has made a lot of contributions in translating modem Chinese literary works into English. But the field of translation studies has not given due attention to her so far. Based on her own practice and understanding of translation, she presented the notion of faithful recreation as her translation principle. This article sheds light on how she implemented her translation notion in the process of her translation, taking her version of A Dictionary of Maqiao as a case to examine the effectiveness of her work under the guidance of faithful recreation. The discussion mainly focuses on the sound level, the grammatical level, pragmatic level, and original creativity