The following article is about the historical overview of the Persian literature and the emergence and development of the short story as a literary genre and its prominent role in the modem literature of Iran. It disc...The following article is about the historical overview of the Persian literature and the emergence and development of the short story as a literary genre and its prominent role in the modem literature of Iran. It discusses the origin of the short story in general and preconditions for the popularity of the new genre the Iranian literature of the 20th century, and also about the first successful collection of short stories that introduced it to the public. Also the development process of the short story and principle factors in every stage of its emergence as an independent genre of prose, as well as the thematic range are the main aspects among others to be analyzed in the article. It is historically documented that the Islamic state was established in 1979 after the fall of the Shah. And the very event had big impact not only on the social and political life of the country, but also on the cultural and literary life of the Iranians of the time. The significance of the revolution was such that it divided the literature to be known as the ＂pre-revolution＂ and ＂post-revolution＂ periods. Therefore this article is aimed to observe how this historic event had influenced the short story in particular and the distinct features of the works created during the two periods. The next period which stands out in the development of the short story is during the late 90s and the beginning of the 2000, where the genre experienced aesthetic innovations and experiments with new forms and styles. The distinct feature of the period is mainly in its topics it deals, among other the effects of the globalization and popular culture brought forth, isolated individual, urbanization, climate change and its destructive outcome and the social conflicts resulting from them. Such global issues caused the established writers to look out of their borders and open up to the concerns of the planet, and by doing so establishing new schools of thought and style among the writers of short story in modem Iranian literature. Finally the article will overview the role of the Iranian contemporary female short story writers, children＇s literature and the works of the immigrant Iranian authors that continue the traditions of the Persian literature outside Irma.展开更多
The association between literature and criminology is undeniable, and yet, for too long, those studying crime and literature respectively have failed to see the connection between the two, or dismissed it as being irr...The association between literature and criminology is undeniable, and yet, for too long, those studying crime and literature respectively have failed to see the connection between the two, or dismissed it as being irrelevant. This study explores literary pieces, which deal exclusively with murder in order to prove that the two disciplines literature and criminology, are intimately connected and essentially inseparable. Some literary pieces which deal with identifying the thought processes of murderers have been so insightful that crime experts applied them to certain high-profile cases. That so much violent crime is depicted in literature should stimulate further research into the links between criminology and literature. Robert Browning＇s “The Laboratory： Ancien Regime” （1844） is selected as a case study in order to demonstrate how criminological theories can successfully be applied to literary pieces. Browning＇s protagonist will prove to be a fictional manifestation of a female sadistic criminal as defined by psychiatrist/criminologist Paul De River in his criminology/sexology textbook for law enforcement personnel The Sexual Criminal（1949） .展开更多
The origin of Mongolian version of Alexander Romance has long been a confused issue. Nicholas Poppe, Francis Cleaves, and T. Namjil wrote articles about this, and assumed the Mongolian version of Alexander Romance was...The origin of Mongolian version of Alexander Romance has long been a confused issue. Nicholas Poppe, Francis Cleaves, and T. Namjil wrote articles about this, and assumed the Mongolian version of Alexander Romance was translated from Central Asian countries, more likely, Persian or Arabic, did not come up with determinate conclusion, though. In this paper, the authors aim at： （1） comparing the Mongolian version of Alexander Romance with the folktales about Alexander the Great in Persian language, which two are supposed to be the nearest; （2） analyzing the story structure （quest for immortality-denying the desire; belief of living forever-the truth of one must die）; and （3） explaining the background of Mongolian version of Alexander Romance, and as a result, arguing that the Mongolian version of Alexander Romance might not be a translated work; instead, it was edited and recreated in Buddhist thinking using the prevailing motif of Alexander＇s quest for immortality.展开更多
The paper proposes to investigate feelings of guilt, love, and forgiveness as Hare＇s The Reader （2009）. It will focus on Hare＇s selection of detail in his they manifest themselves in David screenplay The Reader; a...The paper proposes to investigate feelings of guilt, love, and forgiveness as Hare＇s The Reader （2009）. It will focus on Hare＇s selection of detail in his they manifest themselves in David screenplay The Reader; a dramatic adaptation of Bernhard Schlink＇s novel of 1995. This will involve comparing the novel to the dramatic text for the purpose of showing the movement from narrative to dramatic rendering. The paper aspires to reach the conclusion that Hare＇s screenplay, The Reader creates a world of signification where the interplay of guilt, love, and forgiveness shape the textual and stage space. Read in light of Shoshana Felman＇s The Juridical Unconscious （2002）, the play investigates the traumatic history of Nazi Germany with scope for analysis of guilt and forgiveness and the possibility of atonement through love and literature. The focus of the paper will be on the ideological and formal structure of the play and its impact on meanings and interpretations.展开更多
The paper sets out to consider only Dan Brown＇s frequent English word games and etymologies in his last novel, asking in how far these can be translated into related and unrelated languages. Thus translation is the i...The paper sets out to consider only Dan Brown＇s frequent English word games and etymologies in his last novel, asking in how far these can be translated into related and unrelated languages. Thus translation is the issue here in so far as Brown makes certain ideas, conversations, even events, in the novel relying on English word play, which may not be translatable展开更多
Language ecology is defined as the study of the interactions between any given language and its environment. It is primarily determined by the people who learn it, who use it, and more important than the previous ones...Language ecology is defined as the study of the interactions between any given language and its environment. It is primarily determined by the people who learn it, who use it, and more important than the previous ones by the people who transmit it to the others; that is, language teachers. English language is used as an additional language almost all over the world and an indispensable part of the ecology of this international language is culture. Thus, an ecological perspective demands a particular view of the practice of the culture of English language as situated and localized. Exploring such practice within the diverse contexts of the use of English language should be based on the genesis underpinning English language teachers＇ thoughts and practice. Therefore, the purpose of the present study was to explore Iranian English language teachers＇ attitudes, knowledge, and skills of teaching culture in light of Vygotsky＇s genotypic approach. To do so, semi-structured interviews were conducted with 35 English language teachers in Iran. Their records were analyzed and discussed in terms of four different and interrelated spans, namely phylogenetic, cultural-historic, ontogenetic, and microgenetic. Phylogenetic span focuses on the development of language teachers as natural species and their physical evolution. The cultural historic span concerns the development of language teachers based on social, cultural, and historic bases. Ontogenetic domain investigates the role of language teachers across their human life span. Microgenetic span is related to a set of roles, activities, and interpersonal relations experienced by the developing person in a given setting. The findings of the study have indicated that there is a sharp contrast between Iranian English language teachers＇ attitudes towards teaching culture and their practice in the classroom which is due to the divergence between the their ontogenetic development of culture teaching on one hand and the policies of the English language institutes develop within the cultural historic span on the other hand.展开更多
文摘The following article is about the historical overview of the Persian literature and the emergence and development of the short story as a literary genre and its prominent role in the modem literature of Iran. It discusses the origin of the short story in general and preconditions for the popularity of the new genre the Iranian literature of the 20th century, and also about the first successful collection of short stories that introduced it to the public. Also the development process of the short story and principle factors in every stage of its emergence as an independent genre of prose, as well as the thematic range are the main aspects among others to be analyzed in the article. It is historically documented that the Islamic state was established in 1979 after the fall of the Shah. And the very event had big impact not only on the social and political life of the country, but also on the cultural and literary life of the Iranians of the time. The significance of the revolution was such that it divided the literature to be known as the ＂pre-revolution＂ and ＂post-revolution＂ periods. Therefore this article is aimed to observe how this historic event had influenced the short story in particular and the distinct features of the works created during the two periods. The next period which stands out in the development of the short story is during the late 90s and the beginning of the 2000, where the genre experienced aesthetic innovations and experiments with new forms and styles. The distinct feature of the period is mainly in its topics it deals, among other the effects of the globalization and popular culture brought forth, isolated individual, urbanization, climate change and its destructive outcome and the social conflicts resulting from them. Such global issues caused the established writers to look out of their borders and open up to the concerns of the planet, and by doing so establishing new schools of thought and style among the writers of short story in modem Iranian literature. Finally the article will overview the role of the Iranian contemporary female short story writers, children＇s literature and the works of the immigrant Iranian authors that continue the traditions of the Persian literature outside Irma.
文摘The association between literature and criminology is undeniable, and yet, for too long, those studying crime and literature respectively have failed to see the connection between the two, or dismissed it as being irrelevant. This study explores literary pieces, which deal exclusively with murder in order to prove that the two disciplines literature and criminology, are intimately connected and essentially inseparable. Some literary pieces which deal with identifying the thought processes of murderers have been so insightful that crime experts applied them to certain high-profile cases. That so much violent crime is depicted in literature should stimulate further research into the links between criminology and literature. Robert Browning＇s “The Laboratory： Ancien Regime” （1844） is selected as a case study in order to demonstrate how criminological theories can successfully be applied to literary pieces. Browning＇s protagonist will prove to be a fictional manifestation of a female sadistic criminal as defined by psychiatrist/criminologist Paul De River in his criminology/sexology textbook for law enforcement personnel The Sexual Criminal（1949） .
基金The research is supported by Chinese Fund for the Humanities and Social Sciences （12CZW087）, and the research work is part of ＂The Cultural Context of Mongolian Sulqarnai-in Tuuji＂ Project （12CZW087） supported by National Social Science Foundation of China.
文摘The origin of Mongolian version of Alexander Romance has long been a confused issue. Nicholas Poppe, Francis Cleaves, and T. Namjil wrote articles about this, and assumed the Mongolian version of Alexander Romance was translated from Central Asian countries, more likely, Persian or Arabic, did not come up with determinate conclusion, though. In this paper, the authors aim at： （1） comparing the Mongolian version of Alexander Romance with the folktales about Alexander the Great in Persian language, which two are supposed to be the nearest; （2） analyzing the story structure （quest for immortality-denying the desire; belief of living forever-the truth of one must die）; and （3） explaining the background of Mongolian version of Alexander Romance, and as a result, arguing that the Mongolian version of Alexander Romance might not be a translated work; instead, it was edited and recreated in Buddhist thinking using the prevailing motif of Alexander＇s quest for immortality.
文摘The paper proposes to investigate feelings of guilt, love, and forgiveness as Hare＇s The Reader （2009）. It will focus on Hare＇s selection of detail in his they manifest themselves in David screenplay The Reader; a dramatic adaptation of Bernhard Schlink＇s novel of 1995. This will involve comparing the novel to the dramatic text for the purpose of showing the movement from narrative to dramatic rendering. The paper aspires to reach the conclusion that Hare＇s screenplay, The Reader creates a world of signification where the interplay of guilt, love, and forgiveness shape the textual and stage space. Read in light of Shoshana Felman＇s The Juridical Unconscious （2002）, the play investigates the traumatic history of Nazi Germany with scope for analysis of guilt and forgiveness and the possibility of atonement through love and literature. The focus of the paper will be on the ideological and formal structure of the play and its impact on meanings and interpretations.
文摘The paper sets out to consider only Dan Brown＇s frequent English word games and etymologies in his last novel, asking in how far these can be translated into related and unrelated languages. Thus translation is the issue here in so far as Brown makes certain ideas, conversations, even events, in the novel relying on English word play, which may not be translatable
文摘Language ecology is defined as the study of the interactions between any given language and its environment. It is primarily determined by the people who learn it, who use it, and more important than the previous ones by the people who transmit it to the others; that is, language teachers. English language is used as an additional language almost all over the world and an indispensable part of the ecology of this international language is culture. Thus, an ecological perspective demands a particular view of the practice of the culture of English language as situated and localized. Exploring such practice within the diverse contexts of the use of English language should be based on the genesis underpinning English language teachers＇ thoughts and practice. Therefore, the purpose of the present study was to explore Iranian English language teachers＇ attitudes, knowledge, and skills of teaching culture in light of Vygotsky＇s genotypic approach. To do so, semi-structured interviews were conducted with 35 English language teachers in Iran. Their records were analyzed and discussed in terms of four different and interrelated spans, namely phylogenetic, cultural-historic, ontogenetic, and microgenetic. Phylogenetic span focuses on the development of language teachers as natural species and their physical evolution. The cultural historic span concerns the development of language teachers based on social, cultural, and historic bases. Ontogenetic domain investigates the role of language teachers across their human life span. Microgenetic span is related to a set of roles, activities, and interpersonal relations experienced by the developing person in a given setting. The findings of the study have indicated that there is a sharp contrast between Iranian English language teachers＇ attitudes towards teaching culture and their practice in the classroom which is due to the divergence between the their ontogenetic development of culture teaching on one hand and the policies of the English language institutes develop within the cultural historic span on the other hand.
