六朝时期吴郡陆氏之家风与家学

吴郡陆氏自东汉以后 ,历六朝之世 ,数百年间始终居于江东土著世族社会之显赫地位 ,这与其家族文化有关。陆氏之家风尚忠义、追求事功 ,在文化上以儒学为根本 ,兼容并包 ,尤重文学、才艺 ,从而使其代有才人、兴旺发达。

苏天爵与元代史学

苏天爵是元代颇有文史之才的杰出史家,在当代史撰著和历史文献整理与编纂方面成就卓著;在历史编纂理论与思想方面卓有见识。他所纂《国朝名臣事略》和《元文类》两部著述至今仍在中国史学史和历史文献学史上占有重要地位。系统考察其史学实践与思想,对于探讨元代史学的主要成就和特点,具有极其重要的学术价值。

Collar of Lady's Wear in Qing Dynasty

The research is started with a query that whether the width of collar in Qing Dynasty is too small. The paper bases on the statistics which come from the collection of the Costume Museum of Denghua University. compares the results with the national standard specification, then analyzes the structure and shape of collars in Qing Dynasty, and tells the relationship between collar and the garment. Furthermore, the paper discusses the function of lady＇s collar in Qing Dynasty and gives a suggestion that collar being an indicator to distinguish women＇s wear from children＇s wear.

Study on the Kind and Character of Mongol Hats in Yuan Dynasty

In the thirteenth century the Mongols created a vast, transcontinental empire that intensified cultural, art, craftwork, garment and commercial contact throughout Eurasia. Hats were so indispensable parts of formal Mongol dress that were seen as a symbol of Mongol traditional garment. Roughly Mongolian men＇s headgear can be divided into two groups, which are Li and Mao. In addition, Mongolian women＇s Gu-gu-gwan, a kind of bonnet, was the head-dress for the empress, concubines of the emperor, and wife of high ranking ministers. This study, based on the analysis of image resources and existing evidence, discusses the hats of Yuan period in the context of its group, origin, decoration and cultural influences.

The Developmental Stages of Rice （Bap） Culture in Korea： From Food Insufficiency towards Trade Dependency

The aim of this paper is to examine the developmental stages of rice culture in Korea. It is divided into five sections： （1） first stage （Japanese colonial period-1959）： absolute food insufficiency, （2） second stage （1960s）： encouraging the use of flour ＆ rice with mixed grains for food, （3） third stage （1970s）： rice self-sufficiency, （4） fourth stage （1980s）： change of rice culture, （5） fitch stage （since1990s）： stabilization/stagnation of rice culture in the era of globalization.

Passing on the Ethnic Korean Farmers’ Dance

Wangqing County,located in Jilin’s Yanbian Korean Autonomous Prefecture,is known as the hometown of the Chinese elephant cap dance.Fifty-six-year-old Jin Mingchun is leading ef orts to preserve the traditional folk art.As director of Wangqing’s Center for Preservation of Intangible Cultural Heritage,Jin has devoted 35 years to continuing the ethnic Korean farmers’dance.

Korean Picture Brides in Hawaii： Historical and Literary Narratives

Korean ＂picture brides＂ who migrated to Hawaii a century ago are reborn in stories through literary works produced in 21 st-century Korea and the USA. The literary value of picture bride stories is an important starting point for raising awareness of the reality of Korean migration to the US a century ago and for understanding the status of the 20th-century Korean diaspora beyond national borders and cultural boundaries. This study aimed to investigate the historical background of picture brides in Hawaii in the early 20th century so as to research that the life of Korean picture brides was much harder than those of other Asian picture brides. The stories of picture brides, gleaned from various oral narratives, news articles, poems, plays, and novels, not only represent in great detail the patriarchal and nationalistic discourse prevalent in the period in the US on Korean and Asian picture brides, but also provide important details on these women＇s daily living, independent efforts to make new lives in Hawaii, and the transboundary hybrid culture that emerged as a result. The comparative-literary approach of the study also captures the value of the transnationalist thread in the literary works under study.

With the Measuring Rod against the Floods: Ferdinand Verbiest and His Forgotten Introduction of Benedetto Castelli’s River Hydraulics to China

The monumental Studies to Fathom Principles(Qiongli xue窮理學;1683)by Ferdinand Verbiest S.J.(Nan Huairen南懷仁,1623–1688)was never printed,and its exact content is not known.A section of the only extant,though incomplete,manuscript deals with fluvial flood prevention and river control measures,a subject that until then had not cropped up in any Chinese-language work of the Jesuits.In this section,Verbiest not only described the already well-known Aristotelian theory of the origin of rivers,but also introduced to China new scientific propositions,concepts,and numerical examples originating from the seminal Renaissance work Della misura dell’acque correnti(Of the Mensuration of Running Waters;1628)by Benedetto Castelli(1578–1643).In addition,Verbiest presented to his readers some noteworthy examples of pertinent Western achievements such as the pound-lock with miter gate,and he provided them with a simple economic analysis of flood control options.The significance and possible influence of Verbiest’s text on further developments in Chinese approaches to water engineering are discussed,highlighting a hitherto largely disregarded facet of Western science and technology transfer in the field of river hydraulics and flood management.

魏晋六朝“文义”考释

“义”的表达有口谈,同时也有笔谈或是为谈论准备下的文字资料。由于文章创作与“义”的文字化对语言的共同依赖,使得文和“义”出现了一定的融会现象,它是玄学或清谈影响文学的具体表现。

A Century of Korean Narrative in Chinese Literature

The harmonious relationship among East Asian countries has a very long history. However, it has faced serious challenges in the past hundred years. In these eventful years for our nation, Chinese literature, like the Chinese people, has endured hardships and pondered ways of extricating the country from its malaise. In addition to being concerned over China＇s enlightenment, salvation, independence and rejuvenation, writers have also paid considerable attention to important international forces that had a strong influence on their country＇s fate. Concern over and understanding of the Korean nation bad a particular emotional charge and relevance to their own fate. Over the course of a century, Chinese literature＇s awareness of Korea went through four stages. In the first, Korea＇s loss of independence served as a mirror of China＇s own dangerous position, menaced on all sides; in the second, the Korean people were seen as comrades-in-arms combating foreign foes; in the third, when the Korean Peninsula was divided, North Koreans continued to be regarded as comrades-in-arms while South Korea was not acknowledged; and in the final stage, amidst the interaction between ＂China style＂ and the ＂Korean wave,＂ Chinese literature＇s awareness of Korea expanded through a penetrating appreciation of Korean history involving deep ties of courage and uprightness.