人民中心、全球视野和历史情怀——论习近平文艺思想的三个政治维度

习近平文艺思想是习近平治国理政思想的重要组成部分,其中人民中心、全球视野和历史情怀是它的三个鲜明政治维度。人民中心论是习近平文艺思想最突出、最基本和最重要的观点之一。它高度重视文艺陶冶人民情操、涵养人民心灵、教化人民道德的审美价值,突出人民在文艺创作中的主体地位,强调构建包含人民要素的新型文艺批评体系。指习近平始终站在当代中华民族伟大复兴和当代中华文化全球化传播的战略高度上思考中国文艺创作问题,具有高瞻远瞩的全球视野。习近平对中华美学精神的推崇、对历史富矿的开掘和对中国优秀传统文化的传承意识彰显出其文艺思想厚重的历史情怀。

中日俄左翼文艺观比较研究

中日俄左翼文艺观在世界无产阶级文学理论中各具特色。从同源性的左翼文艺观、异质性的左翼文艺观以及交互性的左翼文艺观三个方面阐述三者的渊源、变异与交流,在彰显出各自文艺理论的特征的同时,也有利于形成一个有机的整体。

战时日本知识阶层与穆时英的交流——从《文学界》追悼特辑到夭折的文艺团体“中日文艺家联盟”

穆时英是中国现代派的代表作家之一,其文学受日本新感觉派影响颇多,被称为中国的横光利一。然而,关于穆时英与日本知识阶层的实际交往过程及战时日本文学界对穆时英的理解与认识,却并未受到广泛关注。穆时英遭暗杀前数月,曾与日本文学界有过短暂而频繁的交流。遭暗杀后,横光利一、片冈铁兵、菊池宽等数名日本作家,于《文学界》《文艺春秋》等大型文艺杂志上发表了穆时英追悼特辑或悼文,仿佛体现了与穆时英深厚亲密的交谊及对穆时英的认可与重视。然而,细读每篇追悼文却可发现,执笔作家中几乎无人读过穆时英的作品,与穆时英的交流也多为一两面之缘。因此,本文以战时日本知识阶层对穆时英"大肆追悼"的表象和"相知甚浅"的内实之间存在的反差为契机,通过理清穆时英与日方交往的细节及其作品的日译情况,探究战时日本文学界对穆时英的理解,及谋求与沦陷区建立所谓"文艺联盟"、实施所谓"文化提携"的一个侧面。

寻找“中世纪”——巴黎中世纪博物馆

漫步至圣日尔曼与圣米歇尔两街交汇处,前方看似倒塌的废墟中,突然冒出一座博物馆,让人不免有些惊讶,这里便是著名的国立中世纪博物馆。中世纪艺术继承了希腊艺术、罗马艺术的传统,并在发展中逐渐形成自己的形式和内容体系,作为宗教信仰和神学的表达形式,往往以夸张、变形的手法来表现和强调精神世界。在中世纪,作为历史纪念碑的拜占庭教堂、罗马式教堂、哥特式教堂都在艺术上和工程设计上取得了辉煌的成就,它们也同时带动起了雕刻、镶嵌画、壁画、版画、挂毯画、插图等等其他艺术的发展。博物馆保护了大量西元前的作品,旨在说明中世纪艺术在欧洲多种多样的根源和出处,要想了解欧洲中世纪文明的历史,尤其是法国艺术的进程,中世纪博物馆可以说是最形象和权威的教科书。

文艺产业化研究的美学视角——评《产业化进程中文艺创作的美学规制研究》

长期以来,我国文艺理论和美学界对文艺创作的研究多局限于传统的精英文艺创作层面,面对蓬勃发展的中国产业化文艺现实,鲜有面对这方面内容的研究成果。黄柏青先生的专著《产业化进程中文艺创作的美学规制研究》是我目前所能够搜集到的少有的基本面对文艺产业化现实进行研究的著作之一。笔者认真拜读了这部煌煌五十万之巨的理论著作,认为其可贵之处有以下几点:

Feminist Analysis of As for Me and My House

As for Me and My House （1957） is the first work by Canadian writer Sinclair Ross. Written in the form of a diary, it tells the story of the protagonist Mrs. Bentley whose subconscious feminine awareness goes through a process of surrendering and awakening under the oppression of patriarchal society and the tribulation of daily life. The novel brings to light the protagonist＇s strong will when she is in the pursuit of spiritual satisfaction and of her importance of being within the framework of a society in which gender Bentley＇s different traits from her female peers are exhibited about her own mind, and has her own pursuit of dreams relation is unequal. In this way of depiction, Mrs. She is independent, strong, and optimistic, knows

The influence of ancient poetry on Chinese traditional culture

China traditional culture, our culture, the root of all the children of the Yellow Emperor. Ancient poetry, the essence of traditional Chinese culture, but also the world’s cultural and artistic treasure house of a bright pearl. Chinese culture has a long history, broad and profound, poetry is always the highbrow type of aesthetic elegant, attracted many devout followers, especially those in the thoughts and feelings, wisdom and creativity in a famous through the ages, although after thousands of years of vicissitudes of life still shine, while dancing alone in the modern civilization and tired of noisy. Never forgotten.

Study on the Folk Costume Symbolization in Waterside Villages of Southern Yangtze in China

The folk costume in waterside villages of Southern Yangtze in China was notonly daily consumer goods, but also a symbol system of folk-custom culture. This symbol system was directly conveyed by a series medley shape signs, many-faceted color signs and decorated craft signs of pleated skirt. Its origination, accumulation, continual process and development were greatly associated with the life style and paddy culture of waterside villages, such as the folk religion, social life, artistic philosophy, regional culture, the landform of waterside villages and the humanity environment. So the folk costume was the significant sign of practical function and also the significative sign of folk traditional culture, both of which composed the costume cultural symbol system of waterside villages of Southern Yangtze called ＂ integration of aesthetic and practical function＂.

Collar of Lady's Wear in Qing Dynasty

The research is started with a query that whether the width of collar in Qing Dynasty is too small. The paper bases on the statistics which come from the collection of the Costume Museum of Denghua University. compares the results with the national standard specification, then analyzes the structure and shape of collars in Qing Dynasty, and tells the relationship between collar and the garment. Furthermore, the paper discusses the function of lady＇s collar in Qing Dynasty and gives a suggestion that collar being an indicator to distinguish women＇s wear from children＇s wear.

From HUA Mu-lan to Swordswoman： Revenge for sexism and racism

Oppressed by sexism from Chinese culture and racism in American society, Kingston modified the Chinese folktale image HUA Mu-lan by endowing her with strength and power. From the new image of the Swordswoman, we can see the feminist ideas in the author＇s mind and her hatred of unfair treatment in America. This paper mainly talks about how and why Kingston modifies the image and culture integrity rather than conflict in her mind.

New Leader＇s Image-shaping of Hua Guofeng

The process ofHua Guofeng＇s image shows how political manipulates the literature and art, it is also a performance process of ideology. As Mao＇s successor, Hua Guofeng used the the model of god-man to copy-write his own image, which is naturally related to the CCP＇s leadership, and related to psychological expectations of the Chinese people in time. And the image-shaping process ofHua Guofeng has the obvious transitional characteristic and was a sense of its apotheosis, meanwhile it was a humanization too. The paradox and mix of the two gives us a great space of research.

Chinese Contemporary Art Design from the Perspective of National Culture

The progress of social economy drives the progress of humanity art. Due to historical condition reason, the pace of art design development in China is late. Since the reform and opening up, the art design obtains a long-term development in China. In order to adapt to the trend of world economy integration, all aspects of art design fields in China are learning from the foreign countries, however, it is hard to have a breakthrough creation in itself, and it lacks of domestic art design ＂localization＂ , which can not fully reflect the national culture and national elements. At the same time, the self-innovation power is weak, and the creation ability is insufficient, which also restricts the independent development of art design field to a higher level in China. The art design, as a comprehensive subject, is affected by many factors of society, science and technology and market for its own improvement. This paper mainly discusses from national culture level for art design, thinking that if the art design in China wants to develop higher, it needs to be based on the national culture and profound cultural base, constructing the art design products with Chinese national styles.

Discussion of the impact of folk arts on the art education in our country and the enlightenment of the creative thinking

In the face of various problems in the current art education, the targeted reform is very important. This reform can be embarked from the folk art handed down from the folk. In the classrooms, we should let the students contact the traditional arts and crafts, so that they know more about arts. In the history of China＇s bright and colorful folk arts, there flash numerous art forms, including the facial makeup art and culture, the shadow play art and culture, the paper-cut art and culture, and the kite drawing art and culture, and so on. These are the unique arts only of our nation with five thousand years of the development, and we need to well integrate them into the current art education, so as to form the unique system of the art education. This can not only play the role of inheriting the traditional Chinese cultures, but also can well arouse the children＇s interest in arts and their art creativity.

On the national culture used in the art of animation

Animation and comics are collectively known as ＂Anime ＂, it set video, audio, printing, advertising, clothing, toys, stationery, network, electronic, and many other arts and entertainment industry together in one, and plays a more important role in today＇ s increasingly rapid economic and social development. Ours is a country of many ethnic minorities, ethnic culture has a long history, and is erudite and colorful. If our animation art want to be niche in the world art of the forest, it is necessary to strengthen the national culture used in the creation. Animation art is inexhaustible creative theme of national culture. Once the elements of Chinese culture organically integrate into the anime, animation art will be able to make shine, so creating animation master piece with a unique and distinctive artistic style, and exuding boundless artistic charm. Obviously, Chinese national culture is inseparable elements of the creation of animation art. However, in recent years, it is rarely seen the use of traditional Chinese culture in China＇ s animation work. How Chinese elements go into anime and raising the standard of Chinese animation will work, and making our cotmtry the powerhouse into the world of animation as soon as possible, has very important significance. In this paper, we will explore the current status of Chinese animation, problems and how to apply Chinese elements and other relevant issues and propose a solution.

Application of traditional houses decorated in a modem environment art design

With the continuous development of our society, culture with various elements have enriched our lives. Traditional houses decoration is a form of Chinese culture. In China, residential decorative art has a long history in the course of its development, which reflects the cultural spirit of Chinese ancient civilization. It ＇ s unique and rich artistic expression contains deep, traditional, and ethnic culture. It is an essential application element in our modem environment art design. Traditional houses decorated in a modem environment art design has a great significance in the inheritance, development and study of Chinese culture. In today＇ s world with a variety of cultural elements, more traditional Chinese art elements are to meet the requirements of our people, and are easily integrated with China in today＇ s art and culture. In recent years, more and more innovative art forms have been widely developed. This article will analyze and discuss traditional houses decorated in modem environmental art design.

Analysis on the Developmental Trend and Characteristics of Modern Oil Painting from Perspectives of the Texture and Color

In this paper, we conduct research on the developmental trend and characteristics of the modern oil painting from perspectives ofthe texture and color. Image oil painting is not just a simple art genre and style, it is a western oil painting the foreign art in the Chinese culturalenvironment to generate the types of oil painting is a kind of Chinese national culture characteristic of painting art for the purpose of art topresent true feelings and true feelings should be created by the artist’s technique, form, style, texture effects such as external factors. And manyof the current oil painting art works are showing the true feelings, because of the wrong style, texture and other external factors as the purpose ofart. Master of art means the long-term growth path is essentially in express their true feelings, and to form the style need to constantly supplementand perfect process. We provide the novel perspective on the corresponding issues that will be meaningful and important.

Applied research of Chinese traditional culture in art and design

With the persistent efforts of the emerging concepts as well as new types of decoration materials, modem interior design concepts usher in a new round of innovation. Facing the impact of the new innovative ideas, the Chinese traditional culture and art urgently need a way to combine efficient with the modern design concept.

Reverberating Chinese Traditional Folk Art in a Contemporary Context

Envisioned as a practice-based research, this paper explored Chinese traditional folk arts and crafts with a focus on traditional decorative patterns, vivid colors, and symbolic motifs that enliven Foshan style paper-cuttings, New Year wood block prints, paper kites, festival lanterns, and Shiwan pottery figures from the areas of Foshan and Shiwan, near Guangzhou, China. The goal of this research was to create a series of original paintings by investigating Chinese traditional folk arts and handcrafts and integrating them physically or ichnographically on Ho＇s new body of paintings. Chinese traditional motifs including Chinese characters and Buddhist iconographies had already been important motifs in the contemporary Western paintings of Kong Ho for the past 10 years. This paper examined not only the artistic, cultural, and historical values but also the impacts of Chinese traditional folk arts and era~ on Ho＇s painting through a personal research travel and studies of a certain amount of Chinese paper-cuttings, folk prints, pottery, and handcrafts found in the famous Foshan Folk Art Studio and Foshan City Shiwan Ceramics Factory in Foshan, China. Furthermore, this paper investigated the symbolic meanings founded in Ho＇s spiritual paintings with strong Chinese heritage and how he reinterpreted those artifacts in a contemporary context.

Research on the Development Dilemma and Response Strategy of Contemporary Chinese Classical Dance

Chinese classical dance contains a profound connotation of Chinese traditional culture, with distinctive forms of performance and aesthetic characteristics. In the world of multi-cultttral communion, the development of Chinese classical dance needs to be inherited on the basis of traditional culture to inject more innovation, highlight its unique artistic aesthetic value and deep national culture contains. In this paper, the development course, aesthetic characteristics and classical dance form of Chinese classical dance are expounded. From the perspectives of historical cultural inheritance, classical dance culture cultivation and dance culture innovation, the feasibility measures and measures are put forward in order to explore the effective path and methods to developing Chinese classical dance, which gives excellent national dance art inheritance, development and innovation.