期刊文献+
共找到4篇文章
< 1 >
每页显示 20 50 100
关于文艺品性的思考
1
作者 董义连 《内蒙古工业大学学报(社会科学版)》 2001年第2期67-68,76,共3页
文艺创作现状使我们不得不关注文艺自身的品性问题。文艺品性由审美性、思想性、商品性三元素体现。审美性是文艺的本质属性 ,思想性和商品性是文艺的附属属性。在创作实践中三元素的统一是可能的 。
关键词 文艺品性 审美性 思想性 品性 文艺创作 中国
下载PDF
关于文艺的审美品性和商品性
2
作者 阚小琴 《集宁师专学报》 2002年第2期33-36,共4页
文艺之所以是文艺在于其不可动摇的审美品性 ,其包括审美性和思想性两个不可或缺的基本元素。文艺作品是审美性和思想性的有机统一 ,而文艺的商品性是文艺进入流通消费领域的相随结果。文艺品性和商品性分属审美和经济两个不同的范畴。... 文艺之所以是文艺在于其不可动摇的审美品性 ,其包括审美性和思想性两个不可或缺的基本元素。文艺作品是审美性和思想性的有机统一 ,而文艺的商品性是文艺进入流通消费领域的相随结果。文艺品性和商品性分属审美和经济两个不同的范畴。从体现过程来看 ,文艺品性是本 ,商品性是末 ,因而在文艺活动中本末不应倒置。 展开更多
关键词 审美品性 文艺品性 审美性 品性
下载PDF
Research on Artifact Characteristics and Life Style of Products 被引量:1
3
作者 林剑放 卢嘉 《Journal of Donghua University(English Edition)》 EI CAS 2006年第4期116-119,共4页
As a part of the behavior function extension and the humanities characteristic, product is an entity performance that integrates the technique and culture. In the article, the inherent relation between technique and c... As a part of the behavior function extension and the humanities characteristic, product is an entity performance that integrates the technique and culture. In the article, the inherent relation between technique and culture of products is analyzed to reveal the cultural mode of product development from the view of human society development in industry design. These will not only contribute to analyze the relation between notional technique characteristics and humanity, but also help to study the products developed under the inter-relation between life and environment. 展开更多
关键词 product development ARTIFACT technology culture.
下载PDF
The Processualities of Literature
4
作者 Herbert Grabes 《Journal of Literature and Art Studies》 2013年第1期1-8,共8页
The objective of this paper is to demonstrate that the processual aspect of literary works of art deserves much more attention than it normally receives by readers, critics, and theorists. The most important reason fo... The objective of this paper is to demonstrate that the processual aspect of literary works of art deserves much more attention than it normally receives by readers, critics, and theorists. The most important reason for this is seen in the fact that texts since the advent of print culture have been disseminated and passed on in written form and that in the medium of writing the processual character of language is only insufficiently taken care of by a cultural convention of arranging and approaching the presented signs in an particular sequence. Whereas in an oral culture the dynamic processuality of a speech or recitation was directly experienced by the listeners, the spatial arrangement of signs in writing enables and even entices readers and critics to read this or that part of a written text in a sequence of their own making. What remains out of focus is that in doing so they miss the particular semantic profile and aesthetic character of the work as created by the author--a procedure particularly hurtful in the case of literary works of art. There is hope, however, that this will somewhat change by our moving towards a performance culture 展开更多
关键词 processuality processual experience of reading SEQUENTIALITY textual sequence narrative sequence linearity of writing
下载PDF
上一页 1 下一页 到第
使用帮助 返回顶部