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论“互联网+”概念下的电影创作生产 被引量:6
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作者 侯志明 《电影评介》 北大核心 2015年第10期1-4,共4页
历经"黄金十年"的改革发展,中国电影产业迸发出强劲的活力。国家政策的支持、科投的进步、互联网的介入、金融资本的渗透等,带来中国电影市场高位增长,成为世界第二大电影市场。随着互联网+电影产业的深度融合发展,特别是BAT... 历经"黄金十年"的改革发展,中国电影产业迸发出强劲的活力。国家政策的支持、科投的进步、互联网的介入、金融资本的渗透等,带来中国电影市场高位增长,成为世界第二大电影市场。随着互联网+电影产业的深度融合发展,特别是BAT(百度、阿里、腾讯)等互联网企业进军电影产业,加速了互联网时代电影产业的迅速迭代,中国电影市场将进一步释放活力,在互联网、大数据的推动下,发生积极的结构性变化。 展开更多
关键词 互联网产业 影产业 影创作 中国影市场 腾讯 互联网平台 黄金十年 影观众 影制片 文艺电
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Combating climate change calls for a global technological cooperation system built on the concept of ecological civilization 被引量:2
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作者 Jiani Jiang Wentao Wang +1 位作者 Can Wang Yanhua Liu 《Chinese Journal of Population,Resources and Environment》 2017年第1期21-31,共11页
Climate change has been considered as the most paramount global environmental problem and the biggest externality throughout the history of human development. Accordingly, the world is facing unprecedented technologic... Climate change has been considered as the most paramount global environmental problem and the biggest externality throughout the history of human development. Accordingly, the world is facing unprecedented technological innovation and collaborative demands to deal with climate change. In the 2015 Paris Agreement, a long-term vision of technology development and transfer implementation was proposed, and policy and financial support for technological innovation in the area of climate change was advocated. These terms aim to enable developing countries to acquire the necessary technology in the early stage of the technology cycle to address climate change challenge. However, the traditional technological innovation and cooperation mode based on industrial civilization can hardly meet the technical demands of global climate protection. To ensure the continuous development and deployment of technology in a required scale and pace, a new global technical cooperation system is proposed to develop based on the philosophy of ecological civilization. The core contents of this system are supposed be as follows:to implement all-win cooperation targets, adhering to cooperation principles of Eco-man, adopt cooperation content that reflects synergy, pursue cooperation based on mutual trust, encourage participation of multiple actors, and promote sharing of cooperative outputs. 展开更多
关键词 Climate change technologytransfer ecologicalcivilization INTERNATIONALCOOPERATION
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Realism of Movie Arts and Ecology folk cultural heritage in Southern Shaanxi Province --Taking the real movie "Lang singing folk songs in the door" for example
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作者 Jun Su 《International Journal of Technology Management》 2014年第10期22-24,共3页
The real movie "Lang singing folk songs in the door" is the triangle love story among Xiao Yang, Feng Gang and Zhang Xuefeng. the three characters are the main line. folk songs in Nan Kang Ziyang of Shaanxi are the ... The real movie "Lang singing folk songs in the door" is the triangle love story among Xiao Yang, Feng Gang and Zhang Xuefeng. the three characters are the main line. folk songs in Nan Kang Ziyang of Shaanxi are the carrier, full of musical charm and cultural values. Folk songs, and love reveal the tragic loss and suffering in modern youth life-changing period, and reflect the gap between ideal and reality. Movie inspires people, developing and upholding heritage of folk music and cultural needs the whole community' s concern and support, a cavity blood alone and personal ideals are not enough, only rely on social groups and cultural media, can Southern folk ecological culture be in sustainable development, and fly out of the country to the world. 展开更多
关键词 "Lang singing folk songs in the door" artistic expression Southern folk songs cultural heritage
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Popular Literary Tradition and the Localization of Early Chinese Films
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作者 CHEN Meng-xiong 《Sino-US English Teaching》 2016年第1期72-76,共5页
As a new form of artistic expression, film has gone through a history of more than 100 years in China. Focusing on the aesthetic taste of the underclass, popular literary tradition, which highlights appreciation habit... As a new form of artistic expression, film has gone through a history of more than 100 years in China. Focusing on the aesthetic taste of the underclass, popular literary tradition, which highlights appreciation habits of the citizen stratum, is the quintessence of Chinese traditional culture. Breaking through the mode of Western films, the early Chinese film, referring to artistic elements in story-telling script, fiction, and drama in Song and Yuan Dynasties, has created new film genres of "unofficial historical film" and martial-art film which are positive results of the localization of early Chinese films. Though the unofficial historical film failed in adapting the theme of popular literature, its groundbreaking significance is still worth approving 展开更多
关键词 popular literary tradition Chinese film LOCALIZATION
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Proust Between Print Culture and Visual Art: Eve Kosofsky Sedgwick's "Works in Fiber, Paper and Proust"
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作者 Adam Watt 《Fudan Journal of the Humanities and Social Sciences》 2015年第2期179-191,共13页
Marcel Proust is an author of global significance and renown. Trans- lations into Chinese and Korean of A la recherche du temps perdu are ongoing. The Gallica online library of France's Bibliothbque nationale makes t... Marcel Proust is an author of global significance and renown. Trans- lations into Chinese and Korean of A la recherche du temps perdu are ongoing. The Gallica online library of France's Bibliothbque nationale makes the notebooks from which Proust's novel emerged between 1908 and 1922 digitally accessible any- where in the world. It is well known that Proust has been adapted to graphic novel format, individual volumes of his novel have been adapted for cinema, inspired ballet and musical theatre and his characters' lives have fuelled works of fiction by contemporary creative writers. This paper considers a very recent instance of Proust's reception and adaptation: "Works in Fiber, Paper and Proust" created by the critic and theorist Eve Kosofsky Sedgwick (1950-2009) and first exhibited at Harvard University in 2005. These remarkable objects--including what Sedgwick calls an "accordion-book" and a "loom-book"--give a woven, layered physicality to Proust's words and remobilise them in ways that force us to reconfigure our understanding of the text-reader relation. Sedgwick's visual, textile artworks are the products of creative, adaptive practices undertaken as a sort of therapy that was instrumental in her coming to terms with the terminal cancer diagnosis she received in 1996. My paper explores Sedgwick's adaptive practice and interrogates the in- sights their challenging hybridity offers us into the ongoing transmission of Proust's work. 展开更多
关键词 PROUST Eve Sedgwick A la recherche du temps perdu "Works inFiber Paper and Proust" ADAPTATION
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