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明代的文学复古与史学复兴 被引量:4
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作者 张德建 《中州学刊》 CSSCI 北大核心 2008年第3期174-178,共5页
明代的文学复古是一个复杂的文学运动,值得我们从多个层面上进行探讨。明代的文学复古在展开过程中突出了对史学资源的借鉴,主要表现在几个方面:突出史传文学的核心地位,反对理学对文学和史学的干预,强调文史在文辞和叙事上的相通性,建... 明代的文学复古是一个复杂的文学运动,值得我们从多个层面上进行探讨。明代的文学复古在展开过程中突出了对史学资源的借鉴,主要表现在几个方面:突出史传文学的核心地位,反对理学对文学和史学的干预,强调文史在文辞和叙事上的相通性,建立了以理、事、辞为核心的复古理论。而史学文学化和心学化史学观的形成,则最终导致文学复古运动走向式微。 展开更多
关键词 文学复古 经史之别 理事之争 文辞与叙事 文辞化
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《文心雕龙》“风骨”说的创作论价值 被引量:1
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作者 罗立桂 《广西社会科学》 CSSCI 2008年第6期150-153,共4页
《文心雕龙》"风骨"说具有双重价值。一方面,刘勰在《风骨》篇中首次提出"风骨"说,具有范畴论价值。另一方面,在《文心雕龙》的理论体系中,《风骨》篇属于创作论,刘勰认为创作出有"风骨"的作品是挽救当... 《文心雕龙》"风骨"说具有双重价值。一方面,刘勰在《风骨》篇中首次提出"风骨"说,具有范畴论价值。另一方面,在《文心雕龙》的理论体系中,《风骨》篇属于创作论,刘勰认为创作出有"风骨"的作品是挽救当时浮靡文风的重要的良方。因此,《风骨》篇还侧重于教风骨之法,就如何创作出有"风骨"的作品,对整个创作过程,各个创作环节提出了要求,以图确立写作规范,"风骨"说具有创作方法论价值。 展开更多
关键词 “风骨”“气”创作激情 意象 文辞化
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明代文学复古与史学复兴
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作者 张德建 《励耘学刊》 2007年第2期213-224,共12页
明代文学复古是一个复杂的文学运动,值得我们从多个层面上进行探讨。本文认为文学复古在展开过程中,突出了对史学资源的借鉴,表现在几个方面:突出史传文学的核心地位,反对理学对文学和史学的干预,强调文史在文辞和叙事上的相通,建立以... 明代文学复古是一个复杂的文学运动,值得我们从多个层面上进行探讨。本文认为文学复古在展开过程中,突出了对史学资源的借鉴,表现在几个方面:突出史传文学的核心地位,反对理学对文学和史学的干预,强调文史在文辞和叙事上的相通,建立以理、事、辞为核心的复古理论,而史学文学化和心学化史学观的形成,则直接造成文学复古的终结。 展开更多
关键词 文学复古 经史之别 理事之争 文辞与叙事 文辞化
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明代文学复古和史学复兴的研究
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作者 罗勇 《湖北函授大学学报》 2015年第16期178-179,共2页
受到中国文学发展历史的影响,使得中国文学存在着复杂性,主要体现为文学与历史、文学与道学、史学与经学之间存在着密切的关系。自明朝以来,文学受到社会经济的发展,呈现出复古之风,以文学历史研究而展开,并将史学作为文学复古的理论支... 受到中国文学发展历史的影响,使得中国文学存在着复杂性,主要体现为文学与历史、文学与道学、史学与经学之间存在着密切的关系。自明朝以来,文学受到社会经济的发展,呈现出复古之风,以文学历史研究而展开,并将史学作为文学复古的理论支撑点,逐渐诉诸于实践。在史学研究的作用下,文学所涉及的范围不断扩充,使得文学突破了传统的理学局限,不但被道统所制衡,而是走向文学独立性,并超越了史学思想而带动史学文学化方向发展,由此而突出了文学独立性。本论文针对明代文学复古和史学复兴进行研究。 展开更多
关键词 明代文学 文学复古 史学复兴 经史之别 文辞化
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Numbers in English and Chinese language use
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作者 ZHANG Wu-ping 《Sino-US English Teaching》 2007年第6期41-44,共4页
The cultural connotations of numbers in English and Chinese languages are demonstrated to discuss the grammatical functions of the numbers and their rhetoric usages. For a foreign language learner, it is essential tha... The cultural connotations of numbers in English and Chinese languages are demonstrated to discuss the grammatical functions of the numbers and their rhetoric usages. For a foreign language learner, it is essential that they know not. only the denotation of the numbers, but also the connotation of the numbers. Numbers frequently play an important role in dally communication. 展开更多
关键词 NUMBERS IDIOMS RHETORIC HYPERBOLE
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Cultural Pattern of Rhetorical Move in Indonesian Students' Speeches
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作者 Oikurema Purwati 《Journal of Literature and Art Studies》 2018年第4期659-679,共21页
In analysing a speech genre, genre analysis is applied. Genre analysis is a recent trend in discourse analysis. It combines socio-cultural and psycholinguistic aspect of text construction and interpretation. This anal... In analysing a speech genre, genre analysis is applied. Genre analysis is a recent trend in discourse analysis. It combines socio-cultural and psycholinguistic aspect of text construction and interpretation. This analysis aims to show what extent surface linguistic forms align with given standardized communicative events. To construct a text, a speaker should master its schematic structure. The schematic structure consists of organizing the rhetoric. It covers the macro-stages which can be classified into introductory stage, body stage, and concluding stage. The rhetorical organization/structure (micro moves) of a speech genre includes "opening marker", "gambit", "narration", and "marker" in the introductory stage; "claim", "confutation", "confirmation", and "concession" in the body stage; "marker", "appeal/recommendation", and a closing in the body stage. By studying the schematic structure, it can be recognized how the students construct the genre, whether they follow the linear pattern offered or their construction of speech is influenced by their native cultural way of thinking. In sequencing the micro moves, the students followed the sequence offered in the framework of speech genre. Although there was a slight difference in sequencing the moves, in general the students have conformed to the proposed sequence. The variety of sequencing the moves was prompted by the native language and cultural background (Javanese and Chinese). Since rhetorical organization varies from culture to culotte, it can be tolerated that the students have a variety in sequencing the moves. 展开更多
关键词 genre analysis MOVE hortatory exposition CULTURE SPEECH
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Deontology and the Decalogue of Opinion
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作者 Tudor Catineanu 《Sociology Study》 2013年第12期985-997,共13页
With Perelman's Neo Rhetoric the "Rhetorical Empire" is built and with the contribution of Koorebyter's group this empire gets to its limits by including Opinion also in Natural Sciences. Concomitantly, within com... With Perelman's Neo Rhetoric the "Rhetorical Empire" is built and with the contribution of Koorebyter's group this empire gets to its limits by including Opinion also in Natural Sciences. Concomitantly, within communication, the number and variety of opinions tend toward infinity. In this cultural context, a Deontology of Opinion is both possible and necessary. The first part establishes the theoretical frame of the issue on four axes: (1) the historical fate of Opinion; (2) the fundamental and specific Functors; (3) the relation between Certitude, Conviction, and Credence; (4) correctness, the second part presents 10 Deontological Rules of Opinion (out of the 18 possible); and (5) it is a Code based on 10 Rules thus, a Decalogue. The Code presents each Rule, both in its positive (must) and negative (~must) form. Rules are first enunciated and then explained and illustrated. Being also a theory of Opinion, the paper can be considered a Meta-opinion. It can have four finalities: (1) one, purely theoretical, to be included among similar papers in the field; (2) a methodological one as it offers reference points for the elaboration of particular Deontological Codes; (3) a scientific one offering the background for sociologic researches of Opinion; and (4) an educational one aiming at forming correct (optimum) Opinions in various fields. 展开更多
关键词 DEONTOLOGY OPINION CORRECTNESS decalogue RHETORIC
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