新化文化遗产资源引入初中语文综合实践活动的实践研究

新化是湘中地区的一个有着深厚文化底蕴的历史文化古城,其深厚的文化底蕴为新化的发展提供了丰富的资源。近年来,新化县委、县政府高度重视文化建设,新化人民也在积极响应国家号召,努力挖掘新化人文资源,为新化的发展提供更多的助力。其中,新化县人民文化宫在语文综合实践活动中引入了“新化文化遗产资源”,从而将学生从课本中所学到的知识运用于生活实践当中,让学生真正地感受到了新化文化遗产资源在实际生活中所起到的作用。基于此,本文从语文综合实践活动中引入“新化文化遗产资源”的意义、现状和措施三方面来进行阐述。

The Holocene warm-humid phases in the North China Plain as recorded by multi-proxy records

The grain size and palinology of sediment and the frequency of ^14C dada provide an integrated reconstruction of the Holocene warm-humid phases of the North China Plain. Two clear intense and long-lasting warm-humid phases were identified by comprehensive research in this region. The first phase was dated back to the early Holocene （9 000-7 000 a BP）, and the second was centered at 5 000-3 000 a BP. The warm-humid episode between 9 000 and 7 000 a BP was also recognized at other sites showing global climatic trends rather than local events. Compared with the concern to the warm-humid phase of the early Holocene, the second one was not paid enough attention in the last few decades. The compilation of the Holocene paleoclimate data suggests that perhaps the second warm-humid phase was pervasive in monsoon region of China. In perspective of environmental archaeology, much attention should be devoted to it, because the flourish and adaptation of the Neolithic cultures and the building up of the first state seem to corresponding to the general warm-humid climatic conditions of this period. In addition, a warm-humid interval at 7 20045 500 a BP was recognized by the grain size data from three sites. However, this warm-humid event was not shown in pollen assemblage and temporal distribution of ^14C data. Perhaps, the resolution for climatic reconstruction from pollen and temporal distribution of ^14C data cited here is relatively low and small-amplitude and short-period climatic events cannot be well reflected by the data. Due to the difference in locality and elevation of sampling site, as well as in resolution of proxy records, it is difficult to make precise correlation. Further work is needed in the future.

Chinese and foreign film and TV drama translation from the perspective of cross cultural communication

. Chinese and foreign film and cultural exchanges, the translation is necessary to ensure the realization of information across language barriers to effective communication. Particularity TV drama text language determines the TV drama translation from other forms of translation particularity. According to the analysis of the speci？ c case, we discussed the basics of film and television drama translation. In recent years, foreign film and television works more and more popular in China, Subtitling received more attention. Filmography is an important medium for intercultural communication that subtitling has a very important role in cross-cultural communication. By analyzing the subtitle translation of particularity, we propose the appropriate translation approach. News translation is an interlingual intercultural communication activities and news translation there are a lot of cultural barriers that improper handling will seriously affect the effect of news media, and even misleading. News translator should understand the source culture, and appropriate use of domesticating translation strategy interpretive translation means to overcome cultural barriers in order to achieve intercultural communication.

Discussion on the Underlying Causes of the Modem Western Culture Comparative Study

The main underlying causes of the comparison study of Chinese and Western culture are mainly cultural psychology and social development. From the perspective of cultural psychology, cultural identity and the identity of consciousness induced homeland is subjective motivation. From the development point of view of social reality, it is the inevitable response to objective requirements of dra-matic social transformation, cultural awareness promotion and cultural innovation.

Research on the Development Dilemma and Response Strategy of Contemporary Chinese Classical Dance

Chinese classical dance contains a profound connotation of Chinese traditional culture, with distinctive forms of performance and aesthetic characteristics. In the world of multi-cultttral communion, the development of Chinese classical dance needs to be inherited on the basis of traditional culture to inject more innovation, highlight its unique artistic aesthetic value and deep national culture contains. In this paper, the development course, aesthetic characteristics and classical dance form of Chinese classical dance are expounded. From the perspectives of historical cultural inheritance, classical dance culture cultivation and dance culture innovation, the feasibility measures and measures are put forward in order to explore the effective path and methods to developing Chinese classical dance, which gives excellent national dance art inheritance, development and innovation.

Critical Theory Between Tradition and Innovation： Axel Honneth and the New Paradigm of Recognition

In the actual political philosophical debate terms as dialectic, emancipation, social conflicts seem＇to have lost every actuality and the attempts to revitalize them often assume a nostalgic tone. in that tradition, only the term ＂criticism＂ is not looked with suspicious, hut rather it is associated in an automatic way to every analysis of the society, that has some normative claims and doesn＇t limit itself to a mere empirical description of the social reality. One of the few exceptions in this scenario is the attempt of Axel Honneth to connect the category of recognition to the original idea of the critical theory, without depriving it of his theoretical pregnancy, but at the same time eliminating his premises of philosophy of history. This study will start from the Honneth＇s reading of the first critical theory to analyze, secondly, the limits individualized by Honneth from the Habermas＇ sociological perspective, particularly those referred to his two levels model of society. The study will finally analyze the actuality of the category of recognition in relation to three problematic spheres： the cultural pluralism, the normativism, the connection between political philosophy and social theory.

The New Media Engine for Promoting Chinese Cultural Diffusion： A Case Study of＂Confucius Institute Online＂

As a developing Non-profit Organization （NPO） system for the learning and diffusion of Chinese language and culture around the globe, the Confucius Institute network is becoming more and more important for China＇s presence and influence in a diversified arena of world cultures. While this network is being enlarged and improved with the Chinese govemment＇s persistent backing, it is, however, recognized that the influence and efficiency of the institutes are still limited. It might not be essential whether people come primarily as serious language learners, but necessarily, the platform has to be attractive enough for a considerable proportion of users to stick on, making the Confucius Institute System a sustainable cultural service provider. Within the background of information society, the Intemet, mobile service, digital broadcasting, and other types of new media would act as an important effort to help Confucius Institutes to improve the capabilities of interacting with users, offering users with abundant media-rich content, and minimizing users＇ inconvenience by enhancing users＇ experience, lowering travel and time cost, and easily providing multi-lingual support. In this paper, we take the platform of Confucius Institute Online （http：//www.chinese.cn, the official Intemet portal of the Confucius Institute network） as a case of actuality to analyze how the Confucius Institute system could utilize the communication capability of new media to enrich, enlarge, and enhance the diffusion of Chinese culture and language. Advantages and deficiencies of the planning, design, and layout of the portal＇s functionality and views are presented, upon which a number of strategic suggestions are raised, for the sake of further improvement of Confucius Institute＇s efficiency in cultural diffusion and sustainable development.

Jade Huang and Chinese Culture Identity： Focus on the Myth of＂Huang of Xiahoushi＂

This paper focus on the myth of ＂Huang of Xiahoushi＂ （~）：~ ~2_t~）, focusing on the distribution of Jade Huang （夏后氏之璜） since the early neolithic and its process of pluralistic integration. The paper explores the story of ethnic group, cultural identification and the significance of Jade Huang in the discourse construction of etiquette civilization behind the mythic narrative based on multi-evidence method and the local meaning of literature in ancient Chinese context.

An Analysis of Anti-Traditionalism in the New Culture Movement

The New Culture Movement aimed to criticize feudal despotism, and reach the goal of rebuilding the foundation of a new culture by clearing away dregs in traditional culture. Regarding the outstanding traditional culture of China, the New Culture Movement did not hold a totally negative attitude; instead, it emphasized totake a scientific spirit in the investigation into traditional culture, and put the thought of traditional culture into a modem system for the revival of traditional culture while it broke with the tradition of studies of Confucian classics.

SPECIAL ISSUE： GLOBALIZATION AND CONTEMPORARY CHINESE CULTURAL CONSTRUCTION：Contemporary Chinese cultural construction and advanced culture

Advanced Chinese culture today has three interconnected requirements： a） it is an organic component of today＇s advanced world culture; b） it critically absorbs all the best elements of foreign cultures in an organic combination with the best elements of traditional Chinese culture; and c） it transcends the argument over ＂modernism＂ and ＂post-modernism.＂ From a world- historical perspective, all other necessary features of advanced culture in contemporary China represent the logical unfolding of these three requirements. A full and correct grasp of the three elements constituting the world-historicality of this advanced culture is of important methodological significance in clarifying the world-historical mode of the construction of contemporary Chinese culture and the path to cultural innovation.

When Codes Collide： Journalists Push Back Digital Desecration

In an examination of the contemporary transformation of journalism at a granular level, this article exposes the process at work in the cultural construction of crisis and struggles for institutional experimentation in the New Orleans based The Times-Picayune. Layoffs and a digital-first strategy in 2012 triggered public outcry that strongly polluted the changes as anti-democratic. A narrative analysis of articles published in a variety of media and in-depth interviews with journalists and editors showed that events were related to broad and systemic cultural values, a core cultural structure inherent in every journalistic institution--including The Times- Picayune. In their narrative dimension, journalistic stories took the form of a moral texture that, in turn, fostered civil interpretations and reactions. The available narratives of the changes were--and still are--filtered, selected, and outlined from those core values.