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新戏创作与民国京剧的繁荣 被引量:2
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作者 颜全毅 《戏曲艺术》 北大核心 2012年第4期80-85,共6页
民国时期京剧的鼎盛发展,"四大名旦"脱颖而出,都与京剧新戏创作息息相关,这也是京剧新戏创作空前繁荣时期。在大量新剧目涌现基础上,京剧文学呈现出新气象,在文学性和戏剧性的双向选择中,凸显了京剧文学的独特意味。
关键词 京剧文学 新戏创作 创作模式
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戏曲音乐创作的古今变迁 被引量:4
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作者 路应昆 《民族艺术研究》 2017年第3期5-14,共10页
近数十年来戏曲音乐的创作情况与过去时代有很大差异。在过去时代,艺人的创作以满足观众需求为第一目标,可归结为"观众主导",作品是走通俗路线,创作自由度很大。文人的创作是为了"自见才情",可归结为"创作者主... 近数十年来戏曲音乐的创作情况与过去时代有很大差异。在过去时代,艺人的创作以满足观众需求为第一目标,可归结为"观众主导",作品是走通俗路线,创作自由度很大。文人的创作是为了"自见才情",可归结为"创作者主导",作品定位于高雅,不仅追求精致,而且注重格律,以致昆腔也走上"格律化"之路。20世纪五十年代以来,戏曲剧团由政府包办,创作首先是为完成上面交给的任务,故可说是"政府主导"。近三四十年来戏曲音乐创作成绩不理想,其中一个基本原因是对观众需求的忽视。要重新跟上时代,需要真正重视观众,调整创作定位,改进作品评价方式,加强人才培养,并给创作者以更大的自由空间。 展开更多
关键词 曲音乐 音乐创作 曲音乐传统与创 曲观众
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Theatrical Storytelling From Page to Stage: An Applied Study in Writing and Performing Techniques
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作者 Gamal El-Sayed Hussein Mohamed Yakout 《Journalism and Mass Communication》 2015年第11期555-564,共10页
Storytelling is an important performing art. Attracting theater practitioners and audiences are the main targets. Successful narrator communication is one of the biggest challenges even when theatres facilitate commun... Storytelling is an important performing art. Attracting theater practitioners and audiences are the main targets. Successful narrator communication is one of the biggest challenges even when theatres facilitate communication with scenery, lighting and costumes etc., as the performance depends primarily on the text and narrator for successful expression. This study views the most important techniques to create a well-made story at both text and performance levels. The researcher begins differentiating storytelling, imitation and characterization, as this understanding assists the objective of this study, which is to determine specific techniques to achieve successful communication with an audience. This research highlights elements which distort story structure; including immersion in narrative without incident description, identified as the most dangerous element due to description being essential to create suspense.1 Text condensation is also crucial. A good writer uses his pen more for deletion than addition. Repeated reading and deletion to condense the story to its optimal is vital. Also included are techniques for good text rhythm in addition to production of captivating beginnings. Further techniques to raise audience attention in text and event building, as well as to determine conflict and types, narrator language use and the structure of the diagnostic viewer, finally, mastering story ending techniques are provided. At performance level, this research provides techniques in creativity prologue, good story rhythm, body language and eye contact together with prop (object) use; all of which enable the narrator to capture and retain audience attention throughout. This research concludes with recommendations on how to achieve a good storytelling performance. 展开更多
关键词 STORYTELLING narrator and audience communication successful storytelling performance theatre techniques
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陈墨香京剧创作叙论 被引量:1
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作者 颜全毅 《戏曲艺术》 CSSCI 北大核心 2015年第3期23-31,共9页
民国前期,随着京剧男旦的整体崛起,剧界认识到新戏创作的重要作用,京剧剧作家群体由此得以凸现,陈墨香正是其中代表人物。作为翰林之后、梨园票友,陈墨香的剧本创作富有文采,但又熟稔舞台、适合演出,在与荀慧生十多年合作中,因人设戏,... 民国前期,随着京剧男旦的整体崛起,剧界认识到新戏创作的重要作用,京剧剧作家群体由此得以凸现,陈墨香正是其中代表人物。作为翰林之后、梨园票友,陈墨香的剧本创作富有文采,但又熟稔舞台、适合演出,在与荀慧生十多年合作中,因人设戏,编演出一系列脍炙人口的旦角剧目,这些剧目注重人物内心开掘,在古典题材中注入了时尚活泼的生气,可演可读可传。 展开更多
关键词 京剧文学 新戏创作 荀派 因人设
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