探究宋明两代瓷器的审美意趣——以青岛市博物馆藏品为例

宋与明两代在瓷器上的审美意趣大有不同,宋瓷清隽典雅,由以耀州窑为代表的透明青釉,到以钧窑、南宋官窑、龙泉窑为代表的乳浊釉,既无繁复之工,亦无华丽之饰,美在浑然天成。明代瓷器华丽繁缛、丰满浑厚,强调“颇成画意”,其装饰的丰富性超过以往任何时期。本文以青岛市博物馆藏9件宋代瓷器与7件明代瓷器为例,深度解析宋瓷与明瓷的审美意趣。

Study on the diversification of origins and primary development of Chinese porcelain glazes

With the support of the Origin Exploring of Chinese Civilization Projects (II) and National Natural Science Foundation of China,the close relationship among "pottery coat","kiln sweat" and Chinese proto-porcelain glaze were studied,the characteristics and the key foundation of the origin of porcelain glaze were also discussed based on the relevant research results by Shanghai Institute of Ceramics,Chinese Academy of Sciences and Jingdezhen Ceramics Institute.