With the advent of the era of aesthetic capitalism in the late 20th century, aesthetics and art exude enormous political potential. In contemporary aesthetic field, Utopia is breaking through the existing model and di...With the advent of the era of aesthetic capitalism in the late 20th century, aesthetics and art exude enormous political potential. In contemporary aesthetic field, Utopia is breaking through the existing model and disintegrating into the paradoxical ＂Heterotopia＂ or ＂Dystopia （anti-utopia）＂ with its revolutionary and negative power. It engages in politics, society and life with its reflexivity and anew assesses and activates aesthetical language and perceptive experience, The popularity of the engagement of aesthetics and art is the new modeling road of Utopia aiter its contemporary disintegration.展开更多
Social forestry has emerged as a popular approach to achieving landscape justice by empowering local communities.However,the development and implementation of such programs often face challenges.This paper explores th...Social forestry has emerged as a popular approach to achieving landscape justice by empowering local communities.However,the development and implementation of such programs often face challenges.This paper explores the concept of landscape justice within the context of Indonesian social forestry in two ways.First,it juxtaposes the social forestry program with palm oil plantations to highlight the relationship between environmental initiatives and capital expansion,and the formation of green capitalism.By examining the historical development of social forestry,the paper argues that current political and legal frameworks have facilitated the depoliticization of previously radical,anti-capitalist,and anti-palm oil civil movements,despite notionally“empowering”local communities.Second,the paper interrogates the inclusivity of the social forestry program within local communities,noting that NGOs sometimes label local people as“cooperative”or“stubborn,”thus overlooking the pre-existing social tensions.The paper posits that more attention should be given to the social foundations underlying environmental projects and the new eco-social structure arising from environmental governance.展开更多
文摘With the advent of the era of aesthetic capitalism in the late 20th century, aesthetics and art exude enormous political potential. In contemporary aesthetic field, Utopia is breaking through the existing model and disintegrating into the paradoxical ＂Heterotopia＂ or ＂Dystopia （anti-utopia）＂ with its revolutionary and negative power. It engages in politics, society and life with its reflexivity and anew assesses and activates aesthetical language and perceptive experience, The popularity of the engagement of aesthetics and art is the new modeling road of Utopia aiter its contemporary disintegration.
文摘Social forestry has emerged as a popular approach to achieving landscape justice by empowering local communities.However,the development and implementation of such programs often face challenges.This paper explores the concept of landscape justice within the context of Indonesian social forestry in two ways.First,it juxtaposes the social forestry program with palm oil plantations to highlight the relationship between environmental initiatives and capital expansion,and the formation of green capitalism.By examining the historical development of social forestry,the paper argues that current political and legal frameworks have facilitated the depoliticization of previously radical,anti-capitalist,and anti-palm oil civil movements,despite notionally“empowering”local communities.Second,the paper interrogates the inclusivity of the social forestry program within local communities,noting that NGOs sometimes label local people as“cooperative”or“stubborn,”thus overlooking the pre-existing social tensions.The paper posits that more attention should be given to the social foundations underlying environmental projects and the new eco-social structure arising from environmental governance.
