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从曲律角度看戏曲之本色语
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作者 许莉莉 《戏剧文学》 北大核心 2006年第9期24-26,共3页
每当言及戏曲的“本色语”,人们总是将它与语言风格联系在一起,甚至看成纯粹的语言风格问题。然而本人认为,它并非单纯的语言风格问题,它与曲律有十分密切的关系。古代曲论家提倡制曲使用“本色语”,不少人是出于曲律方面的考虑。
关键词 曲律 辞采 音律 王骥德 本色语 合律依腔 戏曲
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On the representation of roles
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作者 于洋 王戟 +1 位作者 王挺 陈火旺 《Journal of Southeast University(English Edition)》 EI CAS 2006年第3期404-408,共5页
The related work to reveal the primary characteristics of roles underlying the existing approaches is analyzed. Then, it is demonstrated that the representation of roles is rather complex and error-prone in these appr... The related work to reveal the primary characteristics of roles underlying the existing approaches is analyzed. Then, it is demonstrated that the representation of roles is rather complex and error-prone in these approaches. Especially, the constraints among roles in the same context cannot be expressed by the current web ontology language (OWL). To solve these problems, a novel model of role is presented and a corresponding ontology language is provided for representing this model. The key idea underlying the solution is that a role should be regarded as an element of a certain context and a context as a structured thing which is comprised of some internal elements. The structure of context possesses inherent modularity and local semantics, whereby the representation of roles and context is significantly simplified. 展开更多
关键词 ROLE whole structure ontology language
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Feminism in Theistic Humanism: The Question of Gender Discourse in African Philosophy
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作者 Maduabuchi Dukor 《Journal of Philosophy Study》 2013年第11期997-1003,共7页
An inquiry into the ontology of critical gender consciousness in Africa Philosophy is long overdue. Hitherto discourses on gender problems lost focus because of the tendency to leave out the gaps in culture created by... An inquiry into the ontology of critical gender consciousness in Africa Philosophy is long overdue. Hitherto discourses on gender problems lost focus because of the tendency to leave out the gaps in culture created by colonial experience, modernity's assaults and unAfricaness in ontology and essence. It is argued here that the fulcrum for a legitimate feminist doctrine is Theistic Humanism, the philosophy of African philosophy that exposes the epistemological and metaphysical basis of the rightful and ethical place of women in the society without injury, injustice and abuse on womanhood. Theistic Humanism as an ontology and cosmology abhors class struggle among husbands, wives, sons, daughters, etc.. Class struggle between men and women degenerated from the oneness of being ontology and Gender community where husbands and wives were happily married with different complementary social roles for the preservation of society. 展开更多
关键词 theism HUMANISM Africanity PHILOSOPHY ontology gender and class-struggle
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明代剧论中的“本色说”
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作者 高晓红 《戏剧文学》 北大核心 2007年第4期58-60,共3页
中国古典戏曲理论是整个古典文艺理论的一个重要组成部分,它无疑继承了前代的文艺理论,然而这种继承文是有所批判,有所发展的。有些本来属于前代文艺批评或文艺理论的名词术语,被引入戏曲理论后,其含义有时会发生较大的甚至是质的变化,... 中国古典戏曲理论是整个古典文艺理论的一个重要组成部分,它无疑继承了前代的文艺理论,然而这种继承文是有所批判,有所发展的。有些本来属于前代文艺批评或文艺理论的名词术语,被引入戏曲理论后,其含义有时会发生较大的甚至是质的变化,“本色”一语就是突出的一例。 展开更多
关键词 剧论 相色 徐渭 本色 戏曲 剧作家 本色语 戏曲理论 本来面目 文艺
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凌濛初曲论研究
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作者 孙琪 《戏剧文学》 北大核心 2008年第7期78-81,共4页
凌濛初除进行小说创作之外,也有创作杂剧、传奇等的实践经历,更对这种艺术样式有颇多深入的理论思考。他评选南曲编为《南音三籁》,该书卷首附有戏曲论著《谭曲杂扎》。与明代其他曲论家相比,凌氏论曲的篇幅和内容虽然有限,却甚为精要,... 凌濛初除进行小说创作之外,也有创作杂剧、传奇等的实践经历,更对这种艺术样式有颇多深入的理论思考。他评选南曲编为《南音三籁》,该书卷首附有戏曲论著《谭曲杂扎》。与明代其他曲论家相比,凌氏论曲的篇幅和内容虽然有限,却甚为精要,能于只言片语中切中要害。本文试图将凌氏曲论放在中国文论史这个更大的背景上对其进行考察,以凸显其历史意义和学术价值。 展开更多
关键词 凌濛初 戏曲 当行本色 本色语 严羽 宾白 曲论 《南音三籁》 不立文字 南音三籁
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