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从“神画”到“术画”的转变与宋代美术转向 被引量:1
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作者 范美霞 《廊坊师范学院学报(社会科学版)》 2010年第4期30-32,共3页
在中国早期绘画理论中,有许多关于绘画作品或绘画创作具有让人不可思议的神异特点的记述,这些记述通常是用来从一个侧面说明画家绘画水平高超,达到了通神的境界,并无贬义,但是,到了五代末期北宋以后,如果有当时的画家以神异特征来宣称... 在中国早期绘画理论中,有许多关于绘画作品或绘画创作具有让人不可思议的神异特点的记述,这些记述通常是用来从一个侧面说明画家绘画水平高超,达到了通神的境界,并无贬义,但是,到了五代末期北宋以后,如果有当时的画家以神异特征来宣称自己擅画,受到的不再是礼遇,而是贬斥,而画论中也基本上没有了新的关于绘画神异特点的记述。 展开更多
关键词 术画 宋代美
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博观而约取 厚积而薄发--基于绘画史学视角下的“术画”意识
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作者 马啸天 《中国美术》 2022年第3期35-44,共10页
“术画”意识是中国绘画史学领域的重要认识之一,它发端于《历代名画记》的“拟真”与“通神”类史料,以《图画见闻志》所提出的“术画”概念为巅峰与终结。这一理论与史学领域的“史著编撰三段分期论”遵循着共同的认识逻辑,在“私修... “术画”意识是中国绘画史学领域的重要认识之一,它发端于《历代名画记》的“拟真”与“通神”类史料,以《图画见闻志》所提出的“术画”概念为巅峰与终结。这一理论与史学领域的“史著编撰三段分期论”遵循着共同的认识逻辑,在“私修”这一特殊的治史语境下,最终成为中国传统绘画史中以“术画”概念为核心的“史法”标准之一。无论是史料辑录模式的“一元化”、两种绘画史治史观念的并存还是广义语境下“术画”的存续与狭义语境下“术画”的消亡,其实均能反映出“术画”意识对中国绘画史学走向成熟而提供的有力支撑。 展开更多
关键词 术画 术画”意识 史学
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画圆以正方——中国古代都邑规画图式与规画术研究 被引量:21
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作者 武廷海 《城市规划》 CSSCI CSCD 北大核心 2021年第1期80-93,共14页
定量复原《考工记》记载的匠人营国图,揭示其中规中矩的空间特征,以及作为方圆相割图的一个特例的属性。方圆相割图源自井田格网,蕴含十二方位体系,体现早期宇宙观,影响着古代都邑的规画。中国古代都邑规画通过画圆以正方,具有立极、为... 定量复原《考工记》记载的匠人营国图,揭示其中规中矩的空间特征,以及作为方圆相割图的一个特例的属性。方圆相割图源自井田格网,蕴含十二方位体系,体现早期宇宙观,影响着古代都邑的规画。中国古代都邑规画通过画圆以正方,具有立极、为规、正方等程序性特征,讲究形数结合,富有哲学与文化蕴涵。"立极—为规—正方"与从"地"到"城"的"规画六法",共同构成中国古代规画术的丰富内容。 展开更多
关键词 都邑规 图式 规划理论
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热塑体膜固定技术和体表画线技术在肿瘤放射治疗中应用的对比研究 被引量:4
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作者 梁海斯 《中国肿瘤临床与康复》 2013年第8期888-890,共3页
目的对比分析热塑体膜固定术和体表画线技术在肿瘤放射治疗过程中的应用效果及其临床价值和意义。方法选择2010年3月至2012年11月期间收治的118例胸腹部肿瘤患者为研究对象,其中68例采用热塑体膜固定术为A组,50例采用体表画线技术为B组... 目的对比分析热塑体膜固定术和体表画线技术在肿瘤放射治疗过程中的应用效果及其临床价值和意义。方法选择2010年3月至2012年11月期间收治的118例胸腹部肿瘤患者为研究对象,其中68例采用热塑体膜固定术为A组,50例采用体表画线技术为B组,采用EPID对患者摆位横轴(X轴)、纵轴(Y轴)、前后轴(Z轴)的误差进行测量计算并对比分析。结果胸腹部肿瘤放疗过程中热塑体膜固定技术摆位偏差明显小于体表画线技术(P<0.05),A组X、Y、Z的误差明显小于B组,差异有统计学意义(P<0.05)。结论临床对胸腹部肿瘤患者进行放疗过程中,热塑体膜固定技术和体表画线技术相比具有明显的优势,有效地减少摆位误差,促进放疗的精度,为实现精确放疗提供了技术和质量的保障,具有十分重要的临床应用价值和意义。 展开更多
关键词 热塑体膜固定技 体表线 摆位误差 应用价值
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美术教育主导的中国油画“全盘苏化”
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作者 董可木 《文艺研究》 CSSCI 北大核心 2009年第12期163-163,共1页
中国的美术院校,是20世纪初期学习欧洲和日本美术教育的产物。中华人民共和国成立以后,将原来体制混杂的美术院校,归并为隶属于中央或各个省区的专业学校。
关键词 教育 中国 苏化
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重读北齐娄叡墓壁画
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作者 郑岩 《北京大学学报(哲学社会科学版)》 CSSCI 北大核心 2023年第5期62-72,F0003,共12页
山西太原北齐娄叡墓壁画既是从北魏平城时代开始建立的一套新图像系统发展的结果,又是一组富有艺术个性的作品,对于探索美术考古研究与传统绘画史写作相融合的可能性与具体方法,有着重要价值。从其墓道特殊的结构可推定壁画的施工方法,... 山西太原北齐娄叡墓壁画既是从北魏平城时代开始建立的一套新图像系统发展的结果,又是一组富有艺术个性的作品,对于探索美术考古研究与传统绘画史写作相融合的可能性与具体方法,有着重要价值。从其墓道特殊的结构可推定壁画的施工方法,建立起名家画稿与壁画之间的联系;从壁画风格还可窥见这一时期绘画“感神通灵”观念在艺术实践中的具体表现,进一步观察与理解佛教对中国中古艺术的影响。 展开更多
关键词 娄叡墓 北齐墓葬壁 杨子华 稿 术画
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Graphical Simulator for Chinese Ink-Wash Drawing 被引量:4
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作者 王秀锦 焦景山 孙济洲 《Transactions of Tianjin University》 EI CAS 2002年第1期1-7,共7页
Simulating the traditional painting art by computer graphics is a challenging and attractive subject. Basing on the experience in the ink wash drawing, in this paper, we expound the artistic characters of ink wash p... Simulating the traditional painting art by computer graphics is a challenging and attractive subject. Basing on the experience in the ink wash drawing, in this paper, we expound the artistic characters of ink wash painting and particularly analyze the characteristics of the materials used in the ink wash drawing and the relationships between them. A simulation model is presented and some typical visual effects of the ink wash painting are realized. 展开更多
关键词 Chinese ink wash drawing computer art simulation model GRAPHICS
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Comparative Study on Freehand Brushwork Oil Painting and Expression Oil Painting in Chinese Painting Art and the Western Painting Art
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作者 Guizhong MA 《International Journal of Technology Management》 2013年第10期55-56,共2页
Through the comparative analysis of freehand brushwork oil painting and expression oil painting, the similarities and differences between the two sides are understood. As a result, when the characteristics of the two ... Through the comparative analysis of freehand brushwork oil painting and expression oil painting, the similarities and differences between the two sides are understood. As a result, when the characteristics of the two sides are effectively known, the blend and complementation of the two sides are realized, and also the space for expressing both freehand brushwork oil painting and expression oil painting is expanded, which are not the simple blend and mix of "freehand brushwork" and "expression" . 展开更多
关键词 Freehand Brushwork IMAGE REPRESENTATION EXPRESSIONISM
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Technical Notes on Tibetan Tantric Buddhist Painting Artistic Heritage and Traditional Techniques
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作者 Jia Peng 《Sociology Study》 2014年第12期1007-1015,共9页
Among various arts and crafts in Tibet, painting appears to enjoy a uniquely crucial position in both the religious centres and the lives of ordinary Tibetan people. This paper examines the traditional techniques, met... Among various arts and crafts in Tibet, painting appears to enjoy a uniquely crucial position in both the religious centres and the lives of ordinary Tibetan people. This paper examines the traditional techniques, methods, and materials used in Tibetan (Tantric) Buddhist painting by observing its working process at first hand, and having attended a number of its exhibitions, art workshops, and other resources both at home and overseas. The survey of the technical aspect of Tibetan painting is primarily based upon the general usage of materials, as well as the method and the usual order of their application that relates to most kinds of mural paintings in Tibet, and which are less well-known in the West This paper aims to present a rich and somewhat complicated range of methods and materials of Tibetan (Tantric] Buddhist art tradition. To its end, the author hopes it also provides more indication of its possible influence of the traditional artistic wealth in Tibet on contemporary artists working in relation to this culture. 展开更多
关键词 Traditional techniques methods Tibetan Tantric Buddhist painting
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Analysis on the Influence of Drama Virtual Technique on the Creation of Film and Television Animations
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作者 Yiheng WU 《International English Education Research》 2014年第3期118-120,共3页
The virtual technique in Chinese drama makes the aesthetic feeling of the audiences enriched in enjoying the art of stage performance to their heart's content when the reality of life is reflected by drama. Also, the... The virtual technique in Chinese drama makes the aesthetic feeling of the audiences enriched in enjoying the art of stage performance to their heart's content when the reality of life is reflected by drama. Also, the position of the animation art has been promoted by the expression and extension of the drama art spirit and expression technique in the creation of film and television animations to be greatly improved. In this paper, the characteristics of the virtual technique in drama are briefly introduced, and also the influence of the virtual technique on the creation offihn and television animations is analyzed. 展开更多
关键词 DRAMA Virtual Technique Creation of Film and Television Animations
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Research and Exploration of Animation Art
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作者 Wang Rui 《International English Education Research》 2014年第7期18-19,共2页
The animation evolved from the comics gradually, nowadays, the reason why audience of animation is growing and growing because animation industry influense a lot. Various forms of animation production methods, but als... The animation evolved from the comics gradually, nowadays, the reason why audience of animation is growing and growing because animation industry influense a lot. Various forms of animation production methods, but also different styles and themes.However, Animation touched people's hearts deeply, not only depends on its production, as well as the script, action, camera language and color, etc. 展开更多
关键词 ANIMATION RESEARCH EXPLORATION
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On the integration of two-dimensional animation and three-dimensional art animation
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作者 Siqi Cai 《International English Education Research》 2015年第9期93-95,共3页
In recent years, with the level of science and technology progress, largely to promote the development of animation techniques. Animated film is divided into two-dimensional animation and three-dimensional animation, ... In recent years, with the level of science and technology progress, largely to promote the development of animation techniques. Animated film is divided into two-dimensional animation and three-dimensional animation, both in the retention feature animated films, based on the performance of each with different strengths, thus forming a different artistic style. Wherein the two-dimensional animation is the most common one is the most basic form of expression in animation technology is relatively mature and complete, but because of the development of animation techniques, two-dimensional animation can not meet the needs of the audience. Thus, the effective combination of two-dimensional animation and three-dimensional animation technology, the advantages of integration between the two is particularly important, so that innovation in the form of screen performance, enhance audio-visual experience. In this paper, two-dimensional animation and three-dimensional animation skills fusion analysis and research, and put forward a number of specific observations, in order to learn. 展开更多
关键词 two-dimensional animation 3-D animation integration skills
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Research on the Application of Flash Animation Technology in Digital Media
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作者 Yong Zhang Peng Li 《International Journal of Technology Management》 2014年第5期115-117,共3页
This article first respectively introduces the characteristics of product design and digital media technology, combined with knowledge of the new economic background and user participation trends in innovation, analyz... This article first respectively introduces the characteristics of product design and digital media technology, combined with knowledge of the new economic background and user participation trends in innovation, analyzed the shortcomings of traditional design expression and digital media technology, through the use of digital media flash design expression and method, to solve the problem of traditional design expression. Finally, through the expression model of digital media and interactive animation based on flash animation technology, showed that flash obtained the rapid development and application in the multimedia platform. 展开更多
关键词 Digital media Flash animation technology interactive animation
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Path to the Development in Oil-Painting in Vietnam
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作者 Nguyen Van Doan 《Journal of Literature and Art Studies》 2017年第3期313-318,共6页
From the ancient time, when knowing how to draw, humans deliberately sought for good materials for drawings and wish their colors to be durable. Also from the ancient age, we, humans, knew to mix colors with oil to dr... From the ancient time, when knowing how to draw, humans deliberately sought for good materials for drawings and wish their colors to be durable. Also from the ancient age, we, humans, knew to mix colors with oil to draw. Materials at the time, however, were very gross with many shortcomings and limitations. Over the time, many generations of painters have taken great pains to search for materials and craped for paint. Nevertheless, only until the age of Van Eyck brothers (around 1390-1441) they gained great success in accomplishing and developing oil-painting techniques. Oil-painting colors until this age got purer, brighter, shinier, waterproof, sustainable, and endurable with time. Since then, oil-paint has been widely used in almost countries worldwide. It can be said that the accomplishment of oil-paint is a great technical revolution that changes and enhances the picture painting art. The painting ofoil in English means oil painting. It is the kind of the most popular and favorite pictures. It is called as the name of painting material. That is the oil paint that can be drawn on wooden, metal, and canvas surfaces, etc., Oil kinds with different materials will bring about kinds of oil paints with differentiated attributes. Oil paintings by Indian painters firstly appeared in those on Buddhism and they came to China from the 5th to 10th centuries but only until the 15th century, oil paintings got popular and developed. Oil paint finally became the key tool for painters to transfer into artistic works. 展开更多
关键词 Vietnam oil paintings the formation of roads
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Analysis on the Homogeneities between Traditional Chinese Music and Painting Arts from Qichang Dong's "Theory of Southern and Northern Schools"
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作者 Anqi GUO 《International Journal of Technology Management》 2013年第10期16-17,共2页
Qichang Dong was a famous calligraphy and painting artist in ancient China. The theory of southern and northern schools proposed by him was a conclusion to traditional Chinese landscape painting art, and played an inc... Qichang Dong was a famous calligraphy and painting artist in ancient China. The theory of southern and northern schools proposed by him was a conclusion to traditional Chinese landscape painting art, and played an incomparable function in the traditional Chinese painting history in comparison with other painting theories. In the painting history, there were the theory of "pre-Dong" and the theory of "post-Dong" . In this paper, by starting from Qichang Dong' s "theory of southern and northern schoots" , the homogeneities between traditional Chinese music and painting arts are analyzed from the principle of spirit and the principle of technology, so that the homogeneities between traditional Chinese music and painting arts are explored in aesthetic concept and actual art creation. 展开更多
关键词 Qichang Dong the Theory of Southern and Northern Schools Traditional Music and Painting Arts Homogeneities
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The Lack of the Frame and Transformations of the Concept of Art
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作者 TANG Ke-bing 《Sino-US English Teaching》 2015年第7期491-496,共6页
The frame should not only be regarded as an external physical framework of artworks, but also the boundary mark of identifying the art and reality. Within classical space contained by the frame, the values of reason, ... The frame should not only be regarded as an external physical framework of artworks, but also the boundary mark of identifying the art and reality. Within classical space contained by the frame, the values of reason, order, and clarity work to achieve a coherent picture space uniting, through the agency of the frame and the space represented with the space occupied by the beholder. The resistance on "frame despotism" and "dismemberment" of picture by avant-garde artist exposes the illusory reality created by perspective and verisimilitude, which deconstructs the false aesthetic relationship of frame and picture. Analysis on frame by modernist art builds its art value 展开更多
关键词 FRAME BOUNDARY linear perspective optical realism modem art artistic autonomy
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This Scalding Art Symbol: Commentary of Zang Jian's Painting
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作者 Ke Wenhui 《China Population Today》 2015年第2期44-47,共4页
In China,there is no shortage of painters with solid essential skills.Almost all the professionals have the ability in that aspect.There are also many who have personal style and are free from vulgarity.
关键词 shortage professionals Symbol paint colors Qingdao thinking Horse lecture appearance
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Research on the Landscape Painting in Ming and Qing Dynasties of the Art of Wu School
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作者 huang huanchen 《International Journal of Technology Management》 2016年第9期10-12,共3页
In this paper, we conduct research on the landscape painting in Ming and Qing dynasties of the art of Wu School. The Wu School of art is full of creativity, they worship nature, between large vigorous refined landscap... In this paper, we conduct research on the landscape painting in Ming and Qing dynasties of the art of Wu School. The Wu School of art is full of creativity, they worship nature, between large vigorous refined landscape painting in the real world with fast red green courtyard, this spirit of the innovation to future generations of artists with great inspiration, Wu school opened up the artistic development for future generations, direct and profound infi uence after the landscape painting and flower and bird painting. Today, we are in the pursuit of the traditional Chinese painting of change, innovation, modernization, “Wu door school” this group of literati painter to do a historical retrospect that is a positive significance. Based on this historical time, we analyze the corresponding theories to provide the systematic research that will be meaningful. 展开更多
关键词 Landscape Painting Ming and Qing Dynasties of the Art Wu School.
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仿古木雕
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《中国集体经济》 2014年第8期19-19,共1页
中国的木雕艺术起源于新石器时期,距今7000千多年前的浙江余姚河姆渡文化时期已出现木雕鱼。秦汉两代木雕工艺趋于成熟,绘画术精致完美。施彩木雕的出现标志着古代木雕工艺已达到相当高的水平。嵊州的仿古木雕开始于20世纪50年代,70年... 中国的木雕艺术起源于新石器时期,距今7000千多年前的浙江余姚河姆渡文化时期已出现木雕鱼。秦汉两代木雕工艺趋于成熟,绘画术精致完美。施彩木雕的出现标志着古代木雕工艺已达到相当高的水平。嵊州的仿古木雕开始于20世纪50年代,70年代进入兴盛时期,主要是在传承的基础上创新,工艺精湛、古韵盎然。产品大多数依照明清时期的门窗、屏风、挂落、家具和各种装饰性浮雕进行仿制,然后以科学的方法予以处理,使产品由新成旧,以满足社会各界需求。 展开更多
关键词 木雕工艺 木雕艺 河姆渡文化 新石器时期 仿古 明清时期 装饰性 秦汉 浙江
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2D Animation Hybrid Technique Combining Traditional and Digital Technique Based on Analytical Motion and Physics
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作者 Michael Sega Gumelar 《Computer Technology and Application》 2011年第4期263-269,共7页
Great Animation not just drawing sequence of images or just combining images into frame by frame whatever motion will be, but Great Animation actually based on Physics, Biology and Lip sync. 2D Animation Hybrid Techni... Great Animation not just drawing sequence of images or just combining images into frame by frame whatever motion will be, but Great Animation actually based on Physics, Biology and Lip sync. 2D Animation Hybrid Technique is combination of Traditional Technique and Digital Technique, but the motion also based on analytical motion and physics. Traditional technique using mostly stop motion technique and experiment in any material animated objects, such as celluloid, sand, pebble, clay, doll, flour, or any objects that can be animated. This day digital technique is widely used mostly using computer hardware and software, and a lot of 2D animation software out there that can be used to create 2D animation. 2D Animation Hybrid Technique is a new technique that combining the traditional 2D animation technique but not using stop motion technique and with digital technique using computer and software, this technique become possible using image scanning technology that can digitizing any image from photo to hand drawn image. Then the sequence hand drawn animation edited in frame by frame also layer by layer using certain software in computer to create illusion of motion. The motion itself not just using any sense of art but also using physics, biology especially anatomy when needed to create such realism motion or perhaps funny motion in cartoon style animation. 展开更多
关键词 2D animation hybrid technique combining traditional and digital technique.
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