Language base of university courses scenery creation

This paper provides a students＇ mode of artistic creativity where we should pay attention to in the landscape painting. It initially introduces the art of creative training methods, learning from nature to produce landscapes of methods, which are well-known empirical basis for this style genre painter and artistic ideas on the formation process. It points out that the law of the session and the composition sketch pursued in university education in landscape creation, meanwhile, it talks about many of the same problems encountered in the creation of light and dark scenery in teaching college students ; in this article, it highlights painting features, and the genre and landscape aesthetic style, such as the relationship of the ability to use artistic language.

当代学者《说文》“六书”前四书下位分类研究——兼论《中国语言学大辞典》“文字学”部分相关词条的收录问题

根据清人戴震的“四体二用”说,学界通常认为《说文》所讲的汉字构造仅限于前四书“象形、指事、会意、形声”,认为“转注、假借”是用字法。据此,文章主要讨论《说文》前四书“象形”“指事”“会意”“形声”的下位分类问题。本文选取周大璞、黄天树、万献初、高亨这四家有代表性的现代学者对此四书的下位分类,进行了梳理归纳与比较分析,同时把他们划分为术语派和构形派,并对两派的两种常见分类模式进行评价,或有助于《说文》学的学习与研究。