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领导者激发核心员工能量的领导艺术
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作者 刘淑芳 《领导科学》 北大核心 2020年第13期63-65,共3页
领导者激发核心员工能量的权力艺术有双向激励、机制保障、薪酬设计、职业规划,非权力艺术有辐射引导、重视需求、情感沟通、心智激励。
关键词 领导者 核心员工 能量 权力艺术 权力艺术
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艺术话语权力的社会性、历史性 被引量:9
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作者 查常平 《艺术评论》 2004年第3期74-76,共3页
自从1995年琼·克莱尔以“身份与差异”主持第46届威尼斯双年展以来,话语权力的反思,便成为中国当代艺术界的主要论题之一。但是,这种反思,并非指向所谓的国际身份为言述归宿。理论家从政治的、经济的视角追寻其文化背景,艺术... 自从1995年琼·克莱尔以“身份与差异”主持第46届威尼斯双年展以来,话语权力的反思,便成为中国当代艺术界的主要论题之一。但是,这种反思,并非指向所谓的国际身份为言述归宿。理论家从政治的、经济的视角追寻其文化背景,艺术家以政治波普。 展开更多
关键词 艺术话语权力 社会性 历史性 艺术图式 传播理念 占有权 艺术
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从文化重新发现宗藩——柯律格《藩屏:明代中国的皇家艺术与权力》的范式创新
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作者 梁曼容 《形象史学》 2019年第2期15-25,共11页
英国牛津大学柯律格(Craig Clunas)新作《藩屏:明代中国的皇家艺术与权力》一书,于2013年在伦敦出版,于2016年在国内翻译出版(见图1、图2)。该书以明代藩国的艺术生产为中心,展开对明代藩王的书法、绘画、珠宝、青铜、庙宇、墓葬的考察... 英国牛津大学柯律格(Craig Clunas)新作《藩屏:明代中国的皇家艺术与权力》一书,于2013年在伦敦出版,于2016年在国内翻译出版(见图1、图2)。该书以明代藩国的艺术生产为中心,展开对明代藩王的书法、绘画、珠宝、青铜、庙宇、墓葬的考察,独具一格。海德堡大学东亚艺术史主任雷德侯(Lothar Ledderose)称赞柯律格将明代研究引入了"全新的境界",多伦多大学裴珍妮(Jennifer Purtle)更将此书称为"一次特别的、雄心勃勃的尝试"和一本"开拓性的专著"。 展开更多
关键词 明代分封制度 《藩屏:明代中国的皇家艺术权力 文化史 专制主义
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On the initiative of painting style --Speaking from Disney animation
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作者 Manxian Mo 《International Journal of Technology Management》 2014年第1期123-125,共3页
Why it needs to take the initiative in the shape in the painting? Refine images of the shape of the objective initiatively, not only can enhance the artistic appeal and creators emotions, can also highlight the aesth... Why it needs to take the initiative in the shape in the painting? Refine images of the shape of the objective initiatively, not only can enhance the artistic appeal and creators emotions, can also highlight the aesthetic orientation creators to make their paintings to impress the audience and resonate, so works of art have a higher aesthetic value. Similarly, in the entire animation movie, animation character modeling also has an important position, and a good cartoon must have a good role model to fully convey the story and character. This article attempts to analyze the shape of the image of the Disney animated start, make deep analysis on necessity of initiative modeling in the art of painting and development of initiative modeling, to enhance the performance of artists and diverse personality development, which is a requirement of modem art, but also the law of development of the arts. 展开更多
关键词 MODELING INITIATIVE Disney style.
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Power and Architecture in Portuguese Fascism: Political and Artistic Control and Resistance
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作者 Joana Brites 《Journalism and Mass Communication》 2015年第7期360-371,共12页
This paper analyses the system of artistic and ideological conditioning that architects were subject to during the Portuguese fascism, the so-called "New State", the longest western European dictatorship of the prev... This paper analyses the system of artistic and ideological conditioning that architects were subject to during the Portuguese fascism, the so-called "New State", the longest western European dictatorship of the previous century, that lasted from 1933 to 1974, under the uninterrupted leadership of Ant6nio de Oliveira Salazar until 1968. After a concise exposition of the importance of a major public work campaign to the regime affirmation as well as the aesthetic discourse promoted in its architecture, the standard course of a building project evaluation will be described. Crossing varied legislation and taking into consideration the results of a thorough examination to more than one hundred processes of architectural plans approval, the interaction of the various decision-making bodies will illustrate the existence of an efficient apparatus which progressively depurate designs. Prevention and repression of artistic deviation will be demonstrated. Furthermore, the development and importance of self-censorship will be highlighted. Secondly, a characterization of the atmosphere of ideological surveillance and dissident's oppression will be provided. Architects' participation in opposition's initiatives and strategies will be portrayed. As a conclusion, New State practice of a negotiation and inclusion (both artistic and ideological) tactic in the architectural field will be underlined. 展开更多
关键词 New State FASCISM ARCHITECTURE CONTROL OPPOSITION
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为什么没有伟大的女艺术家?
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《美术》 北大核心 2003年第12期132-132,共1页
关键词 琳达·诺奇林 《妇女艺术权力 女性主义 艺术
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