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“代御染写”考释——宋徽宗赵佶“代笔画”证伪 被引量:1
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作者 韩刚 《南京艺术学院学报(美术与设计)》 CSSCI 北大核心 2015年第4期4-10,共7页
三十五年前,徐邦达先生提出了宋徽宗赵佶"代笔画"论点,之后,几成学术定论。立足知人论世、回归原境方法,从质疑支撑宋徽宗"代笔画"之论据入手,通过较详细分疏,本文认为徐先生提供的论据缺乏证明力,核心证据"... 三十五年前,徐邦达先生提出了宋徽宗赵佶"代笔画"论点,之后,几成学术定论。立足知人论世、回归原境方法,从质疑支撑宋徽宗"代笔画"之论据入手,通过较详细分疏,本文认为徐先生提供的论据缺乏证明力,核心证据"代御染写"应释为替皇帝"成染"、"模写"等,即为皇帝作画当助手、顾问,而非替皇帝"代笔"(或作画)。 展开更多
关键词 宋徽宗 “代笔画” 染写 证伪
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The Writing Techniques of The Great Gatsby
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作者 Wu Mengru 《Review of Global Academics》 2015年第1期466-468,共3页
The Great Gatsby is a wonderful masterpiece by Fitzgerald whether when it refers to the content or refers to the artistic creation, and it is acknowledged as one of the greatest works of American literature in 20 cent... The Great Gatsby is a wonderful masterpiece by Fitzgerald whether when it refers to the content or refers to the artistic creation, and it is acknowledged as one of the greatest works of American literature in 20 century. The novel was strictly and prudently organized by Fitzgerald, which used lots of writing techniques and skills, such as symbolism, analogy and so on. These techniques contributed to deepen theme and increase artistic appeal. In this novel, Fitzgerald portrays the real state of American society vividly in 1920s with cold attitude and subtle analysis. This is the most typical tragicomedy about the realization and vanishment of "American dream" that describes the love tragedy between Gatsby and Daisy. 展开更多
关键词 The Great Gatsby narrative perspective SYMBOLISM metaphor or simile
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