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试论《格萨尔》史诗的六大特征 被引量:4
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作者 曼秀.仁青道吉 《西北民族学院学报(哲学社会科学版)》 2001年第4期92-100,共9页
较藏族其他民间文学作品而言,《格萨尔》最显著的“个性特征”主要表现在六个方面:即歌诗的、情节的和氏族部落的内容结构,以及曲调的、古谚语的和措辞的语言形式。其中《格萨尔》的氏族部落和古谚语,均为首次提出。
关键词 《格萨尔》 民间文学 少数民族文学 情节结构 《格萨尔》 传承结构 语言形式 氏族部落 古谚语 歌诗结构
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Culture Through Prism of Engaged Poetry
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作者 Tina Laco 《Sino-US English Teaching》 2015年第3期234-239,共6页
The paper is actually a literary research on (re)constructing cultural image of post-yugoslavian society, formed through literary sources, i.e., poetry. Using examples of award-winning young authors--Bojan Krivokapi... The paper is actually a literary research on (re)constructing cultural image of post-yugoslavian society, formed through literary sources, i.e., poetry. Using examples of award-winning young authors--Bojan Krivokapic, Mirko Bozic, and Sima Majic, different types of so-called engaged poetry are indicated. This kind of poetry is used to subtly, critically, or in a very subversive way relate to the existing world, but also a new postmodern identity is formed through specific and carefully chosen poetic lexis, deprived of any kind of structure or limitation. The poetry of mentioned authors is used as a provisory example in order to indicate that post-war period (as well as postmodern time) changes the perception of identity, from nationally and politically oriented structure to individual and subversive, conventions-free comprehension of Oneself. Although the three authors are very different in style and expression, what brings them together is tendency to escape conventional and traditional cultural images in order to emphasize the importance of Being Different, but Equally Rightful. 展开更多
关键词 CULTURE engaged poetry LANGUAGE POSTMODERNISM IDENTITY
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