According to Fromm, the life instinct constitutes the primary potentiality in man, while the death instinct a secondary potentiality, and which of the two prevails depending crucially on the living conditions that the...According to Fromm, the life instinct constitutes the primary potentiality in man, while the death instinct a secondary potentiality, and which of the two prevails depending crucially on the living conditions that the subject experiences during his or her childhood. Not limited to the individual level, Fromm＇s observation works on the collective level as well. Different environments foster different potentialities and lead to the formation of different cultures and ethics. A biophilic ethics treasures the value of love, peace, reciprocal altruism and unity of being, while a biophobic ethics is more addicted to hatred, violence, dualistic confrontation, and mutual destruction. Appling Fromm＇s theory to the interpretation of Charles Johnson＇s Middle Passage, readers can get a newly enlightened understanding of this award-winning masterpiece. Based on Fromm＇s hypothesis about human nature, this article analyzes the representation of the confrontations between the biophobic ethics and the biophilic ethics in this novel, the former being embodied by Captain Falcon＇s ＂syndrome of decay＂ which is also Johnson＇s critical metaphor of Western civilization, while the latter embodied by the Allmuseri culture＇s ＂syndrome of growth＂ which represents Johnson＇s idealistic imagination of the sum of non-Western civilization展开更多
As one of the greatest female poets in the nineteenth century of American literature, Emily Dickinson depicted the beauty in death with the unique secluded touch. Death, the most recurrent theme of her poems, is adequ...As one of the greatest female poets in the nineteenth century of American literature, Emily Dickinson depicted the beauty in death with the unique secluded touch. Death, the most recurrent theme of her poems, is adequately unfolded in her I felt a funeral, in my brain. The beauty of death is revealed from visual and auditory perspectives.展开更多
基金Acknowledgement： This research is funded by the National Planning Office of Philosophy and Social Science of China （Reference 14CWW022）, and by the China Postdoctoral Science Foundation （Reference 2014M552063）.
文摘According to Fromm, the life instinct constitutes the primary potentiality in man, while the death instinct a secondary potentiality, and which of the two prevails depending crucially on the living conditions that the subject experiences during his or her childhood. Not limited to the individual level, Fromm＇s observation works on the collective level as well. Different environments foster different potentialities and lead to the formation of different cultures and ethics. A biophilic ethics treasures the value of love, peace, reciprocal altruism and unity of being, while a biophobic ethics is more addicted to hatred, violence, dualistic confrontation, and mutual destruction. Appling Fromm＇s theory to the interpretation of Charles Johnson＇s Middle Passage, readers can get a newly enlightened understanding of this award-winning masterpiece. Based on Fromm＇s hypothesis about human nature, this article analyzes the representation of the confrontations between the biophobic ethics and the biophilic ethics in this novel, the former being embodied by Captain Falcon＇s ＂syndrome of decay＂ which is also Johnson＇s critical metaphor of Western civilization, while the latter embodied by the Allmuseri culture＇s ＂syndrome of growth＂ which represents Johnson＇s idealistic imagination of the sum of non-Western civilization
文摘As one of the greatest female poets in the nineteenth century of American literature, Emily Dickinson depicted the beauty in death with the unique secluded touch. Death, the most recurrent theme of her poems, is adequately unfolded in her I felt a funeral, in my brain. The beauty of death is revealed from visual and auditory perspectives.
