黄自音乐创作的民族化路径及其启示

上世纪30年代的中国音乐创作,黄自是一个绕不过去的话题。黄自的意义在于,他的创作,在中国旧乐向新乐的过渡时期,既扬弃传统又从传统里开出新面;既吸取西方先进的作曲技术,同时又要注入中国化的魂灵;既有别于古代宫廷音乐,又不同于民间音乐,而是梦幻与意境并生,涵咏与韵致共存,走向了优雅一途。这一审美境界的开拓,为中国风格的音乐创作,找到了一隅新天地。

Chinese society develop culture include path

the 21st century is the century of a diversified. Carrying forward and fostering national spirit, it must in the world all kinds of ideology and culture of mutual reaction, fully develop the spirit of Chinese traditional culture complement each other, promoting each other. Path selection of implementations of cultural tolerance is explored, in order to promote the multicultural communication, blending, win influence, let the world know more about Chinese culture, will realize the great rejuvenation of the Chinese nation.

Path of public cultural service system construction of Ethnic Frontier Regions

The border areas of public culture construction, as an important part ot socialist CUlture construction, to promote me national culture, national spirit and the spirit of the times, the rich cultural life of the people of all ethnic groups, to promote national unity and safeguard national unity, strengthen cohesion of the Chinese nation, cohesion and creativity, play an irreplaceable role. To this end, exploring the path of public cultural service system construction of Ethnic Frontier Regions, play an important role in stabilizing cultural security of Ethnic Frontier Regions and enhancing national cultural soft power.

再续与重构:当代中国电影表演的破与立

从无到有,始于师法、精于革新,中国电影表演美学内在的哲理气质和美学风貌历时百余年已然文脉有成。其内核与外延具有鲜明的国别特色和民族风范,是世界影像窗口中独特的中国表达。文章聚焦当代语境,指出数字媒体技术的发展拓展了影像传达内涵的边界,也要求中国电影表演从技法、风格到观念上不断地进行自我调适,中国电影表演艺术体系亟待在再续与重构的过程中完成自身的“破”与“立”。