This study explores the aesthetic dimensions of Kwame Nkrumah＇s cultural policies in the creation of Ghana＇s Presidential Seats and the State Sword. The study is an Art Historical research situated within the qualit...This study explores the aesthetic dimensions of Kwame Nkrumah＇s cultural policies in the creation of Ghana＇s Presidential Seats and the State Sword. The study is an Art Historical research situated within the qualitative research paradigm. It had a population of a defmed class of cultural policy makers, art historians, traditional rulers, nationalists, visual artists and Ghanaians resident both in and outside Ghana. The study examined how the creation of Ghana＇s Presidential Seats and the State Sword were influenced by Kwame Nkrumah＇s cultural policies and the cultural significance of the aesthetic interplay of ethnic insignias used in capturing the Ghanaian concept of Political authority. The study revealed that, Nkrumah recognised the cultural art forms and elements of ethnic Ghana as assets for national development. In line with his policy of building the Nation State of Ghana, he used ethnic cultural art forms and elements. At independence, Nkrumah commissioned some visual artist to create some artistic pieces （politico-cultural artefacts） for the Ghanaian political authority with inspiration or based on what pertains in the traditional authority （Chieftaincy） of Ghana. Politico-cultural artefacts as used in this study refer to the artefacts produced based on the cultural concepts of the ethnic states for the use of the political authority of the Republic of Ghana. Among these artistic pieces are the three Presidential Seats, The State Sword, The President＇s Personal Standard Pole and the State Mace.展开更多
This paper will mention Marxist propositions, presented since the mid-19th century, about capitalism, socialism, and internationalism. According to Marx, socialism would replace capitalism and internationalism would o...This paper will mention Marxist propositions, presented since the mid-19th century, about capitalism, socialism, and internationalism. According to Marx, socialism would replace capitalism and internationalism would occur through the dissolution of nation states. Later, Marxist circles presented a historical arrow in the form of 〉 capitalism 〉 socialism 〉 internationalism. Taking into account recent steps of globalization and measures imposed by national governments in the face of the deep financial crisis of 2008, it is interesting to compare the above theory with some historical events that have happened since the 19th century. Much has happened that Marx did not predict. Considering the world trajectory since the Second World War, it seems that the historical arrow has the form of 〉 capitalism 〉 internationalism 〉 hybridism of capitalism and socialism 〉？展开更多
文摘This study explores the aesthetic dimensions of Kwame Nkrumah＇s cultural policies in the creation of Ghana＇s Presidential Seats and the State Sword. The study is an Art Historical research situated within the qualitative research paradigm. It had a population of a defmed class of cultural policy makers, art historians, traditional rulers, nationalists, visual artists and Ghanaians resident both in and outside Ghana. The study examined how the creation of Ghana＇s Presidential Seats and the State Sword were influenced by Kwame Nkrumah＇s cultural policies and the cultural significance of the aesthetic interplay of ethnic insignias used in capturing the Ghanaian concept of Political authority. The study revealed that, Nkrumah recognised the cultural art forms and elements of ethnic Ghana as assets for national development. In line with his policy of building the Nation State of Ghana, he used ethnic cultural art forms and elements. At independence, Nkrumah commissioned some visual artist to create some artistic pieces （politico-cultural artefacts） for the Ghanaian political authority with inspiration or based on what pertains in the traditional authority （Chieftaincy） of Ghana. Politico-cultural artefacts as used in this study refer to the artefacts produced based on the cultural concepts of the ethnic states for the use of the political authority of the Republic of Ghana. Among these artistic pieces are the three Presidential Seats, The State Sword, The President＇s Personal Standard Pole and the State Mace.
文摘This paper will mention Marxist propositions, presented since the mid-19th century, about capitalism, socialism, and internationalism. According to Marx, socialism would replace capitalism and internationalism would occur through the dissolution of nation states. Later, Marxist circles presented a historical arrow in the form of 〉 capitalism 〉 socialism 〉 internationalism. Taking into account recent steps of globalization and measures imposed by national governments in the face of the deep financial crisis of 2008, it is interesting to compare the above theory with some historical events that have happened since the 19th century. Much has happened that Marx did not predict. Considering the world trajectory since the Second World War, it seems that the historical arrow has the form of 〉 capitalism 〉 internationalism 〉 hybridism of capitalism and socialism 〉？
