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评靳埭强的标志设计 被引量:5
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作者 万昌平 《包装工程》 CAS CSCD 北大核心 2002年第3期144-146,共3页
分析了香港著名设计师靳埭强的设计 ,提出我国标志设计应该注重延续中华人文精神 ,并使之与现代设计理念“以人为本”相沟通 ;应发挥民族视觉艺术的形式特长 ,以保持鲜明的民族特色 ;并且将民族传统与时代精神结合起来 ,以创造出既有民... 分析了香港著名设计师靳埭强的设计 ,提出我国标志设计应该注重延续中华人文精神 ,并使之与现代设计理念“以人为本”相沟通 ;应发挥民族视觉艺术的形式特长 ,以保持鲜明的民族特色 ;并且将民族传统与时代精神结合起来 ,以创造出既有民族特色又有时代精神的标志作品。 展开更多
关键词 靳埭强 标志设计 中华人文精神 以人为本 民族视觉艺术 形式表现 现代形式 时代精神 香港 设计师
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Study on the Digital Art Design and Practice of the Visual Elemems of Minority in Ningxia
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作者 Shanshan WANG 《International English Education Research》 2015年第11期39-41,共3页
Digital art design refers to the art and design activities that are implemented based on computers and related digital equipments. Today, the digital art has been extensively applied in all sorts of social areas and r... Digital art design refers to the art and design activities that are implemented based on computers and related digital equipments. Today, the digital art has been extensively applied in all sorts of social areas and relevant industries such as animation, design, film and television production, games, advertising, multimedia design, and network. The artistic creations such as Helan Mountain Rock Painting, Xixia cultural patterns and ethnic patterns, in which Ningxia visual elements were taken as design themes, are diversified in forms and rich in contents, and also have been extensively applied. However, because of the application of the digital technology with powerful functions, the digital art has the ability to provide a wide creation space for national culture. Meanwhile, some special effects of the digital technology can also be applied in the creation of minority art. 展开更多
关键词 MINORITY Visual Elements DIGITIZATION
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