洛阳存古阁藏石与北宋民间佛教信仰

Nine Buddhism stone inscription stored in Luoyang Cungu Garret, viewed from cultural inheritance, reflects unanimity in classical faith between Mi sect of Buddhism in early North Song Dynasty and Mi Church in the Tang Dynasty. Contents of these stone inscription reflect the tendency that the Confucianists’ ethics affects and combine with sad and pity idea of Buddhism.

《聊斋志异》里的佛禅层次

大凡一个时代的文学作品,在揭示人类通性的同时,亦必留存该时代的思想脉息。今世的论者若不与古人之心相吻合,而每以目下之理相忖度,则难免会有悖于常情。如指斥《聊斋志异》中的佛教思想与现象尽皆糟粕,即是一例。所幸的是,随着古典小说研究心态的日趋平和,人们对该小说的佛教内容逐渐有了新的体认。本文便想就其间尚未经时人阐释的禅学思想作一番梳理,从内外两方面厘清其结构层次,进而说明文化混融状态之下禅思的布局及艺术效果。但愿所述能够获得柳泉心思之万一。