In The Jungle Book （1894）, Kipling＇s first literary work, the author uses Indian spatial reference and cultural influence to construct his narrative. The short story ＂Rikki-tikki-tavi＂ is elaborated using the str...In The Jungle Book （1894）, Kipling＇s first literary work, the author uses Indian spatial reference and cultural influence to construct his narrative. The short story ＂Rikki-tikki-tavi＂ is elaborated using the structure of Western fables, having allegory as one of its most exploited strategies. Vladmir Propp, in Morphology of the Folktale （1929） considers that every folktale story reproduces a structure. Propp＇s model demonstrates Rikki-tikki-tavi＇s Western ＂frame＂ when the authors see how clearly and efficiently the short story fits the model of Russian Folktale. This article will analyze ＂Rikki-tikki-tavi＂ as a paradigm of this literary genre, showing how characters metaphorically represent the British domination in India during the end of the 19th century.展开更多
Against the backdrop of Chinese culture, this paper offers a localized explanation of the Western concept of ＂archetypal criticism.＂ It proposes that four ＂thematic archetypes＂ can be observed in the relations bet...Against the backdrop of Chinese culture, this paper offers a localized explanation of the Western concept of ＂archetypal criticism.＂ It proposes that four ＂thematic archetypes＂ can be observed in the relations between folklore, legends and the novel in the new era （since reform and opening up） in China. The first is the coexistence of man and nature; the second, enduring suffering and realizing one＇s poterltial; the third, discontent with reality expressed in writing about imaginary worlds; and the last, criticism of the materialistic personality which places material gain above justice and lusts after gain. The presentation, dynamics of change, practical and cultural meanings and aesthetic values of these ＂thematic archetypes＂ in the novels of the new era reveal writers＇ reflections on ＂modernity＂ and the awakening of aesthetic consciousness in relation to their own land. This paper also argues that the world outlook that pursues harmony between man and nature, the view of life that prefers justice to material gain, and the values that affirm morality, life and human dignity contained in traditional Chinese folk culture and literature may supply us with important spiritual resources for responding to contemporary life, rebuilding the poetry of life and raising the quality of culture.展开更多
文摘In The Jungle Book （1894）, Kipling＇s first literary work, the author uses Indian spatial reference and cultural influence to construct his narrative. The short story ＂Rikki-tikki-tavi＂ is elaborated using the structure of Western fables, having allegory as one of its most exploited strategies. Vladmir Propp, in Morphology of the Folktale （1929） considers that every folktale story reproduces a structure. Propp＇s model demonstrates Rikki-tikki-tavi＇s Western ＂frame＂ when the authors see how clearly and efficiently the short story fits the model of Russian Folktale. This article will analyze ＂Rikki-tikki-tavi＂ as a paradigm of this literary genre, showing how characters metaphorically represent the British domination in India during the end of the 19th century.
文摘Against the backdrop of Chinese culture, this paper offers a localized explanation of the Western concept of ＂archetypal criticism.＂ It proposes that four ＂thematic archetypes＂ can be observed in the relations between folklore, legends and the novel in the new era （since reform and opening up） in China. The first is the coexistence of man and nature; the second, enduring suffering and realizing one＇s poterltial; the third, discontent with reality expressed in writing about imaginary worlds; and the last, criticism of the materialistic personality which places material gain above justice and lusts after gain. The presentation, dynamics of change, practical and cultural meanings and aesthetic values of these ＂thematic archetypes＂ in the novels of the new era reveal writers＇ reflections on ＂modernity＂ and the awakening of aesthetic consciousness in relation to their own land. This paper also argues that the world outlook that pursues harmony between man and nature, the view of life that prefers justice to material gain, and the values that affirm morality, life and human dignity contained in traditional Chinese folk culture and literature may supply us with important spiritual resources for responding to contemporary life, rebuilding the poetry of life and raising the quality of culture.
