中国人物水墨画创作中的民间美术魅力探究

在我国艺术事业不断发展的大背景下,越来越多的艺术形式出现在人们的视线当中,这样的发展趋势不仅为艺术事业注入了新的血液,同时也为传统艺术形式带来了一系列的挑战。绘画是我国艺术体系中的重要组成部分,人物水墨画作为绘画艺术的代表,其发展方向也引起了社会各界的广泛关注。民间美术具有内容丰富、风格迥异等特点,将其与中国人物水墨画创作进行有机结合已经成为了人物水墨画发展的必然趋势。民间美术并不是一项单一的艺术形式,其中包含了较多的民间元素,使其具有较强的生动性。文章就中国人物水墨画创作中展现的民间美术魅力展开了一系列的研究。

水墨人物画创作中民间美术魅力研究

在我国艺术长河不断源远流长的大背景下,越来越多的艺术形式涌现出来,与传统艺术形式形成了百花争艳的状态。绘画艺术是一种重要的艺术形态,而水墨人物画是绘画艺术的重要组成部分。民间美术在我国艺术不断发展的过程中具有着不容小觑的作用,在很大的程度上体现了我国丰富多彩的民族文化。民间艺术不是一个单一的概念,其包含了非常多元化的艺术形式,比如,剪纸、绘画等。将民间美术与水墨人物画进行有机结合已经成为了水墨人物画发展的必然趋势。将水墨人物画中的民间美术魅力作为着手点,研究我国水墨人物画的发展历程具有非常重要的作用。本文就水墨人物画创作中民间美术魅力的相关内容展开了一系列的研究。

Kitsch or Visionary？＂ Charismatic Eschatological Community in Folk Art of the American South

Where do we draw the line of divinely inspired visionary art, and Christian kitsch？ Folk artists such as the Rev. Howard Finster and Sister Gertrude Morgan straddled the fence of kitsch and visionary art because they created work that was blatantly polemical and didactic, yet lived lives that inspired thousands of people across the US. The so-called ＂Southern Folk Art＂ movement consists of self-taught artists from the American South who are self-trained and rely heavily on ＂visions＂ and ＂prophetic words＂ as the genesis of their art. This article contends that the art produced by folk artists is documentation of their visionary insights as opposed to detached works that are admired for aesthetic reasons. While folk art of the American South portrays the charismatic imagination with themes of eschatological community and the second coming, it is the ＂visionary artist＂ that is contemplated, rather than his or her bona fide message of redemption and re-creation.