《黄昏海的故事》

安房直子（1943--1993），日本著名儿童文学作家，其作品精美隽永，有评论家称其作品如同“在院子的一隅默默开放的花朵”，她的作品最大的特征是想象，是“将现实沉人幻想世界的底层，很难划分出一条明晰的现实与幻想的分界线”。《黄昏海的故事》收录了安房直子14篇色彩缤纷的故事，橙黄色的沙漠、蓝色的大海……安房直子用她那迷人的想象，为我们画出了一个个彩色的幻想世界。

浅析城市雕塑小品的应用——以博鳌镇海的故事为例

雕塑小品在城市文化中扮演者重要的角色,我国地缘辽阔,区域文化明显,城市众多,城市发展也极为迅速,除了在规划建筑等方面凸显城市的独特性外,雕塑小品的创造性选择也尤为关键。好的雕塑小品能给城市景观建设带来创新性,当这种创新性与地域文化相结合时,就会得到大众都比较欢迎的雕塑小品,通过雕塑小品传达城市文化,讲述城市故事。

不得已才违背的承诺——读《黄昏海的故事》有感

读了《黄昏海的故事》,我心里挺同情小枝的。她是一个善良的孩子,为了救心爱的男孩,想尽了一切办法;她把从海龟那里得到的东西全都交给了父母;她为了报答裁缝奶奶的恩情,为奶奶做了很多事。但是,小枝也做错了一件事。她为了得到解药,明知道海龟的要求很无理,却还是敷衍着答应了。最终,她也没有信守承诺嫁给海龟。

“海的故事”

“海的故事”不是一个纯粹的故事，而是一个酒吧。“海的故事”又不是一个纯粹的酒吧，而是通过酒吧的形式向人们讲述海的故事。“海的故事”是建在琼海博鳌海岸边的一个以“海的故事”为主题的酒吧，很安静地试业数月。

Households' Risk Perception and Behavioral Responses to Natech Accidents

This study analyzes data on households' risk perception and protective behavior following a natural disaster triggered technological accident(Natech accident)that occurred at an industrial park in Sendai during the Great East Japan Earthquake and Tsunami, on 11 March2011. The results indicate that some households carried out multiple evacuations and that households' risk perceptions changed throughout the Natech accident evacuation process. Risk perception differed according to household location and demographic characteristics. We also found differences in the protective measures adopted for households in different locations. Specifically, those living closer to the Natech accident tended to evacuate immediately,whereas those living further away tended to shelter in place. Wind direction is discussed as a factor that influences households' risk perception and evacuation response to a Natech accident. The findings of this study advance knowledge of household behavior in response to a Natech accident and can assist emergency managers in developing strategies for better management of evacuation processes.