Fibich＇s opera Hedy （premiered in 1896） was received as a succesfull work, although many reviewers did not know how to call the prevailing style （mixture ofwagnerianism, Grand opera, verismo exotico, the second Do...Fibich＇s opera Hedy （premiered in 1896） was received as a succesfull work, although many reviewers did not know how to call the prevailing style （mixture ofwagnerianism, Grand opera, verismo exotico, the second Don Giovanni composed for Prague because of reminiscences on Mozart＇s dramma giocoso）. It is not uneasy to find clear musical hints on Puccini in Fibich＇s next opera Sarka （premiered 1897）, but it was already in Hedy where drastic and geographically clearly determined subject was mixed with Wagnerian gesture of love extasy, which is everywhere and endless. Obviously, Fibich, as a mature artist, was able to connect rules of both Czech declamation and contemporary veristic fashion. This study tries to identify main stylistic features which shaped Fibich＇s fifth opera, and analyses receptive expectations from the side of Czech audience and its influence on Fibich＇s opera composition.展开更多
岛屿之间的生活:20世纪50年代至今加勒比与英国的混合艺术时间:2021.12.01-2022.04.03地点:泰特不列颠美术馆位于伦敦的泰特不列颠美术馆(TATE BRITAIN)自2021年12月1日举办展览“岛屿之间的生活:20世纪50年代至今加勒比与英国的混合艺...岛屿之间的生活:20世纪50年代至今加勒比与英国的混合艺术时间:2021.12.01-2022.04.03地点:泰特不列颠美术馆位于伦敦的泰特不列颠美术馆(TATE BRITAIN)自2021年12月1日举办展览“岛屿之间的生活:20世纪50年代至今加勒比与英国的混合艺术”(Life between islands:Caribbean-British Art 1950s-Now)。这是一个具有里程碑意义的群展,跨越了一整片大洋和半个世纪的岁月。本次展览将探索来自加勒比地区。展开更多
文摘Fibich＇s opera Hedy （premiered in 1896） was received as a succesfull work, although many reviewers did not know how to call the prevailing style （mixture ofwagnerianism, Grand opera, verismo exotico, the second Don Giovanni composed for Prague because of reminiscences on Mozart＇s dramma giocoso）. It is not uneasy to find clear musical hints on Puccini in Fibich＇s next opera Sarka （premiered 1897）, but it was already in Hedy where drastic and geographically clearly determined subject was mixed with Wagnerian gesture of love extasy, which is everywhere and endless. Obviously, Fibich, as a mature artist, was able to connect rules of both Czech declamation and contemporary veristic fashion. This study tries to identify main stylistic features which shaped Fibich＇s fifth opera, and analyses receptive expectations from the side of Czech audience and its influence on Fibich＇s opera composition.
文摘岛屿之间的生活:20世纪50年代至今加勒比与英国的混合艺术时间:2021.12.01-2022.04.03地点:泰特不列颠美术馆位于伦敦的泰特不列颠美术馆(TATE BRITAIN)自2021年12月1日举办展览“岛屿之间的生活:20世纪50年代至今加勒比与英国的混合艺术”(Life between islands:Caribbean-British Art 1950s-Now)。这是一个具有里程碑意义的群展,跨越了一整片大洋和半个世纪的岁月。本次展览将探索来自加勒比地区。
