The study deals with Demetria Martinez＇s Mother Tongue （1994）, which is a love story between a Mexican American woman and a Salvadoran refugee. The female protagonist, Mary, delves into connotations of love, expand...The study deals with Demetria Martinez＇s Mother Tongue （1994）, which is a love story between a Mexican American woman and a Salvadoran refugee. The female protagonist, Mary, delves into connotations of love, expanding it to understanding of the other. The story deploys politically imbricated religious practices in relation to the U.S. Sanctuary movement in the 80s. Mary＇s amorous encounter with the other leads her to discover the expansion of friendship and solidarity and, ultimately to rediscover religiosity based on reawakened ethics. This study argues that the melodramatic mode employed in this novel implicitly reveals an inherent aspiration for the sacred, albeit not fully representable. The author＇s involvement in the genre of romance and the melodramatic mode ironically attests to her striving for the spiritual ideal and ontological answer. In the end, this essay reveals that drawing on the popular melodramatic narrative, the romantic engagement with the alterity can be more efficiently introduced into the ontological quest for the absolute presence.展开更多
This paper investigates how the novel Habibi （1997） by the Arab-American writer Naomi Nye addresses the theme of border shifting from a postmodernist perspective that deconstructs the traditional view of borders mea...This paper investigates how the novel Habibi （1997） by the Arab-American writer Naomi Nye addresses the theme of border shifting from a postmodernist perspective that deconstructs the traditional view of borders meant to maintain exclusion and hegemony and instead considers them as being often flimsy, malleable, and changeable. Drawing upon her experience as a multifarious Arab-American writer whose father was a Palestinian immigrant and whose mother was an American, Nye tries to build bridges across political, national, cultural, and ethnic boundaries. Through a love story between the two protagonists （Liyana, whose father is a Palestinian-American and whose mother is American and Omer, whose parents are Jewish Israelis）, Nye endeavors to bring about a sense of harmony and understanding between the politically, ethnically, culturally, and racially separated J home whether in reality ews and Palestinians. At the end, Liyana＇s family realizes they can have more than one or in imagination.展开更多
Eros and Thanatos are the forces of life and death. The Ancient Greek Philosophers never showed the two gods together. Nevertheless, in the main myths related to the netherworld such as those of Orpheus or Persephone,...Eros and Thanatos are the forces of life and death. The Ancient Greek Philosophers never showed the two gods together. Nevertheless, in the main myths related to the netherworld such as those of Orpheus or Persephone, the two gods are in a continuous fight which has determined the human condition until nowadays. The author wishes in this paper to examine how the Orpheus＇ myth related to the duality Eros and Thanatos is treated in Theo Angelopoulos＇ world and especially how it appears in Ulysses＇ Gaze （1995） and Trilogy： The Weeping Meadow （2004） and Dust of Time （2008）. In this last Angelopoulos＇ Trilogy, we will search the unfolds of the love story of two young people started in Odessa in 1918 and finished by the death of the woman at the end of the century, under the lens of the duality Eros and Thanatos as literal and metaphorical qualities. The historical and personal adventures of the two characters represent a daedal itinerary from East to West, which offers multiple levels of reading of the filmic texts. A comparative approach with myth, literature, and historical research will demonstrate the richness of artistic expression and a profound relationship of Angelopoulos＇ thought with the formulaic myths he introduces in his filmic work.展开更多
Lots of critics believe that ＂relationship＂ could be a central theme for Shakespeare＇s plays. However, what Shakespeare portrays is not merely the relationship about ＂love,＂ but also the relationship in a family....Lots of critics believe that ＂relationship＂ could be a central theme for Shakespeare＇s plays. However, what Shakespeare portrays is not merely the relationship about ＂love,＂ but also the relationship in a family. This paper therefore aims to discuss the father-son relationship and the father-daughter relationship in the families portrayed in Shakespeare＇s plays： The Merchant of Venice, A Midsummer Night＇s Dream and The Tempest. I will analyze how the father-son relationship differs from the father-daughter relationship as exploring the love stories taking place in lives of our heroes and heroines. Additionally, I would like to bravely suspect Shakespeare＇s intention to overturn the patriarchal frame in an exotic territory while depicting the struggle and entanglement of a father character who realizes the lonely emptiness he has to face after fulfilling the happiness of his child.展开更多
F. Scott Fitzgerald is called ＂the angel of the Jazz Age＂. His masterpiece The Great Gatsby is regarded as a classic in American literature. The success of this novel is largely due to the effective application of d...F. Scott Fitzgerald is called ＂the angel of the Jazz Age＂. His masterpiece The Great Gatsby is regarded as a classic in American literature. The success of this novel is largely due to the effective application of double vision perspective. Through analyzing the application of double vision in The Great Gatsby, the thesis tries to claim that although Fitzgerald holds double attitudes towards things in the novel, double vision perspective hasn＇t blurred the themes but helped to clarify the themes. Because between each pair of polar opposites, one side of the opposites always triumphs over the other, which let the readers eventually see clearly the author＇s artistic intension. It is the application of double vision that enriches, clarifies the themes of the novel, which makes the romantic love story, delivers deeper meanings.展开更多
In The Metaphysics of Love, Schopenhauer argues that love is a literary invention. For the philosopher, this feeling was a creation of men to mask the real desire. On the other hand, Nicolas Grimaldi, while analysing ...In The Metaphysics of Love, Schopenhauer argues that love is a literary invention. For the philosopher, this feeling was a creation of men to mask the real desire. On the other hand, Nicolas Grimaldi, while analysing Marcel Proust＇s work, enumerates a series of issues that strengthen Schopenhauer＇s arguments. For Grimaldi, the writer explains the literary character of love in its work. Through the analysis of four films, from different cinematography, this work intends to explore the issue of the representation of love in the art of film. In an attempt to understand how film uses its formal and discursive resources to present or represent this feeling, this paper analyses films chosen on the basis of how they tell their love stories. Beginning with Gertrud whose motto, Omnia Love says it all. In The Woman Next Door, Truffaut reveals the paradox of love and pain. Wings of Desire speaks of love and redemption. More recently, Kiarostami offered his Certified Copy, a film that asks whether a copy can produce in us the same thrill of an original. If love is an invention of literature, this paper seeks to understand how such an invention is born, and what it consists in modern and contemporary cinema.展开更多
＂The Great Gatzby＂ is a novel written by American writer Fitzgerald, which was selected as one of the top hunderd excellent novels by American academic authority at the end of 20th Century. Since the birth of the no...＂The Great Gatzby＂ is a novel written by American writer Fitzgerald, which was selected as one of the top hunderd excellent novels by American academic authority at the end of 20th Century. Since the birth of the novel, Fitzgerald has become one of the most important American writers. In this novel, the author has used many symbolic techniques, which makes the novel theme extend to the American Dream failure from the surface love tragic love story. This paper interpretes the symbolic meaning of novel from the three aspects of specific things, color symbol and character symbol.展开更多
Toni Morrison＇s fiction may arguably be characterized as postmodern discourse on memory, history and culture. In her novels, the Nobel laureate frequently returns to the past to search for answers to the questions sh...Toni Morrison＇s fiction may arguably be characterized as postmodern discourse on memory, history and culture. In her novels, the Nobel laureate frequently returns to the past to search for answers to the questions she poses about African American realities in the contemporary United States. In doing so, Morrison often creates alternative histories or, more specifically, a usable past----one that allows her to engage in a literary （re-）construction of the Black historical and cultural material which traditional histories have chosen to ignore or disremember. Therefore, as a present-day writer of African American descent, Morrison attempts to reassemble all the fragmentary historical and cultural accounts available to her as a novelist and narrate them in the form of a convincing story. With regard to the above considerations, this article seeks to discuss some of the mechanisms employed by Morrison for weaving her postmodern, memory-filled narrative on the example of her eighth novel, Love （2003）. In particular, the analysis focuses on the book＇s central figure, Bill Cosey, and his Southern ocean-side resort--both seen against the backdrop of the pre- and post-World War II racist America, followed by the 1960s decade of the Civil Rights Movement. Finally, it is also demonstrated how the author＇s use of split narrative as well as the ＂I＂ narrator-cum-character technique contribute to recounting in retrospect Love＇s main, historicized story---one viewed and judged from a present-time perspective.展开更多
文摘The study deals with Demetria Martinez＇s Mother Tongue （1994）, which is a love story between a Mexican American woman and a Salvadoran refugee. The female protagonist, Mary, delves into connotations of love, expanding it to understanding of the other. The story deploys politically imbricated religious practices in relation to the U.S. Sanctuary movement in the 80s. Mary＇s amorous encounter with the other leads her to discover the expansion of friendship and solidarity and, ultimately to rediscover religiosity based on reawakened ethics. This study argues that the melodramatic mode employed in this novel implicitly reveals an inherent aspiration for the sacred, albeit not fully representable. The author＇s involvement in the genre of romance and the melodramatic mode ironically attests to her striving for the spiritual ideal and ontological answer. In the end, this essay reveals that drawing on the popular melodramatic narrative, the romantic engagement with the alterity can be more efficiently introduced into the ontological quest for the absolute presence.
文摘This paper investigates how the novel Habibi （1997） by the Arab-American writer Naomi Nye addresses the theme of border shifting from a postmodernist perspective that deconstructs the traditional view of borders meant to maintain exclusion and hegemony and instead considers them as being often flimsy, malleable, and changeable. Drawing upon her experience as a multifarious Arab-American writer whose father was a Palestinian immigrant and whose mother was an American, Nye tries to build bridges across political, national, cultural, and ethnic boundaries. Through a love story between the two protagonists （Liyana, whose father is a Palestinian-American and whose mother is American and Omer, whose parents are Jewish Israelis）, Nye endeavors to bring about a sense of harmony and understanding between the politically, ethnically, culturally, and racially separated J home whether in reality ews and Palestinians. At the end, Liyana＇s family realizes they can have more than one or in imagination.
文摘Eros and Thanatos are the forces of life and death. The Ancient Greek Philosophers never showed the two gods together. Nevertheless, in the main myths related to the netherworld such as those of Orpheus or Persephone, the two gods are in a continuous fight which has determined the human condition until nowadays. The author wishes in this paper to examine how the Orpheus＇ myth related to the duality Eros and Thanatos is treated in Theo Angelopoulos＇ world and especially how it appears in Ulysses＇ Gaze （1995） and Trilogy： The Weeping Meadow （2004） and Dust of Time （2008）. In this last Angelopoulos＇ Trilogy, we will search the unfolds of the love story of two young people started in Odessa in 1918 and finished by the death of the woman at the end of the century, under the lens of the duality Eros and Thanatos as literal and metaphorical qualities. The historical and personal adventures of the two characters represent a daedal itinerary from East to West, which offers multiple levels of reading of the filmic texts. A comparative approach with myth, literature, and historical research will demonstrate the richness of artistic expression and a profound relationship of Angelopoulos＇ thought with the formulaic myths he introduces in his filmic work.
文摘Lots of critics believe that ＂relationship＂ could be a central theme for Shakespeare＇s plays. However, what Shakespeare portrays is not merely the relationship about ＂love,＂ but also the relationship in a family. This paper therefore aims to discuss the father-son relationship and the father-daughter relationship in the families portrayed in Shakespeare＇s plays： The Merchant of Venice, A Midsummer Night＇s Dream and The Tempest. I will analyze how the father-son relationship differs from the father-daughter relationship as exploring the love stories taking place in lives of our heroes and heroines. Additionally, I would like to bravely suspect Shakespeare＇s intention to overturn the patriarchal frame in an exotic territory while depicting the struggle and entanglement of a father character who realizes the lonely emptiness he has to face after fulfilling the happiness of his child.
文摘F. Scott Fitzgerald is called ＂the angel of the Jazz Age＂. His masterpiece The Great Gatsby is regarded as a classic in American literature. The success of this novel is largely due to the effective application of double vision perspective. Through analyzing the application of double vision in The Great Gatsby, the thesis tries to claim that although Fitzgerald holds double attitudes towards things in the novel, double vision perspective hasn＇t blurred the themes but helped to clarify the themes. Because between each pair of polar opposites, one side of the opposites always triumphs over the other, which let the readers eventually see clearly the author＇s artistic intension. It is the application of double vision that enriches, clarifies the themes of the novel, which makes the romantic love story, delivers deeper meanings.
文摘In The Metaphysics of Love, Schopenhauer argues that love is a literary invention. For the philosopher, this feeling was a creation of men to mask the real desire. On the other hand, Nicolas Grimaldi, while analysing Marcel Proust＇s work, enumerates a series of issues that strengthen Schopenhauer＇s arguments. For Grimaldi, the writer explains the literary character of love in its work. Through the analysis of four films, from different cinematography, this work intends to explore the issue of the representation of love in the art of film. In an attempt to understand how film uses its formal and discursive resources to present or represent this feeling, this paper analyses films chosen on the basis of how they tell their love stories. Beginning with Gertrud whose motto, Omnia Love says it all. In The Woman Next Door, Truffaut reveals the paradox of love and pain. Wings of Desire speaks of love and redemption. More recently, Kiarostami offered his Certified Copy, a film that asks whether a copy can produce in us the same thrill of an original. If love is an invention of literature, this paper seeks to understand how such an invention is born, and what it consists in modern and contemporary cinema.
文摘＂The Great Gatzby＂ is a novel written by American writer Fitzgerald, which was selected as one of the top hunderd excellent novels by American academic authority at the end of 20th Century. Since the birth of the novel, Fitzgerald has become one of the most important American writers. In this novel, the author has used many symbolic techniques, which makes the novel theme extend to the American Dream failure from the surface love tragic love story. This paper interpretes the symbolic meaning of novel from the three aspects of specific things, color symbol and character symbol.
文摘Toni Morrison＇s fiction may arguably be characterized as postmodern discourse on memory, history and culture. In her novels, the Nobel laureate frequently returns to the past to search for answers to the questions she poses about African American realities in the contemporary United States. In doing so, Morrison often creates alternative histories or, more specifically, a usable past----one that allows her to engage in a literary （re-）construction of the Black historical and cultural material which traditional histories have chosen to ignore or disremember. Therefore, as a present-day writer of African American descent, Morrison attempts to reassemble all the fragmentary historical and cultural accounts available to her as a novelist and narrate them in the form of a convincing story. With regard to the above considerations, this article seeks to discuss some of the mechanisms employed by Morrison for weaving her postmodern, memory-filled narrative on the example of her eighth novel, Love （2003）. In particular, the analysis focuses on the book＇s central figure, Bill Cosey, and his Southern ocean-side resort--both seen against the backdrop of the pre- and post-World War II racist America, followed by the 1960s decade of the Civil Rights Movement. Finally, it is also demonstrated how the author＇s use of split narrative as well as the ＂I＂ narrator-cum-character technique contribute to recounting in retrospect Love＇s main, historicized story---one viewed and judged from a present-time perspective.
