Eros and Thanatos are the forces of life and death. The Ancient Greek Philosophers never showed the two gods together. Nevertheless, in the main myths related to the netherworld such as those of Orpheus or Persephone,...Eros and Thanatos are the forces of life and death. The Ancient Greek Philosophers never showed the two gods together. Nevertheless, in the main myths related to the netherworld such as those of Orpheus or Persephone, the two gods are in a continuous fight which has determined the human condition until nowadays. The author wishes in this paper to examine how the Orpheus＇ myth related to the duality Eros and Thanatos is treated in Theo Angelopoulos＇ world and especially how it appears in Ulysses＇ Gaze （1995） and Trilogy： The Weeping Meadow （2004） and Dust of Time （2008）. In this last Angelopoulos＇ Trilogy, we will search the unfolds of the love story of two young people started in Odessa in 1918 and finished by the death of the woman at the end of the century, under the lens of the duality Eros and Thanatos as literal and metaphorical qualities. The historical and personal adventures of the two characters represent a daedal itinerary from East to West, which offers multiple levels of reading of the filmic texts. A comparative approach with myth, literature, and historical research will demonstrate the richness of artistic expression and a profound relationship of Angelopoulos＇ thought with the formulaic myths he introduces in his filmic work.展开更多
In my paper, I analyse Hume＇s philosophy of love with the general philosophical idea of a continual flux in the background. My main source is his Treatise of Human Nature published in 1739 where Hume develops in full...In my paper, I analyse Hume＇s philosophy of love with the general philosophical idea of a continual flux in the background. My main source is his Treatise of Human Nature published in 1739 where Hume develops in full length his purely naturalistic moral theory. First, I recall some basic features of Hume＇s general concept of a passion. Afterwards, I characterize his concept of love in context of his ＂principle＂ of sympathy in order to connect finally Hume＇s ideas to a basic distinction within traditional philosophy of love between love of benevolence and love of desire.展开更多
文摘Eros and Thanatos are the forces of life and death. The Ancient Greek Philosophers never showed the two gods together. Nevertheless, in the main myths related to the netherworld such as those of Orpheus or Persephone, the two gods are in a continuous fight which has determined the human condition until nowadays. The author wishes in this paper to examine how the Orpheus＇ myth related to the duality Eros and Thanatos is treated in Theo Angelopoulos＇ world and especially how it appears in Ulysses＇ Gaze （1995） and Trilogy： The Weeping Meadow （2004） and Dust of Time （2008）. In this last Angelopoulos＇ Trilogy, we will search the unfolds of the love story of two young people started in Odessa in 1918 and finished by the death of the woman at the end of the century, under the lens of the duality Eros and Thanatos as literal and metaphorical qualities. The historical and personal adventures of the two characters represent a daedal itinerary from East to West, which offers multiple levels of reading of the filmic texts. A comparative approach with myth, literature, and historical research will demonstrate the richness of artistic expression and a profound relationship of Angelopoulos＇ thought with the formulaic myths he introduces in his filmic work.
文摘In my paper, I analyse Hume＇s philosophy of love with the general philosophical idea of a continual flux in the background. My main source is his Treatise of Human Nature published in 1739 where Hume develops in full length his purely naturalistic moral theory. First, I recall some basic features of Hume＇s general concept of a passion. Afterwards, I characterize his concept of love in context of his ＂principle＂ of sympathy in order to connect finally Hume＇s ideas to a basic distinction within traditional philosophy of love between love of benevolence and love of desire.
