电影在中西文化交流中发挥着重要作用。其中爱情电影中的情感表达和情绪阐述,尤其能够在观众中引起情感共鸣。毋庸置疑,好的爱情电影所演绎的主题和人物命运总是能够帮助观众快速代入情绪,从而激发出观众的观影欲望。一部好的爱情电影...电影在中西文化交流中发挥着重要作用。其中爱情电影中的情感表达和情绪阐述,尤其能够在观众中引起情感共鸣。毋庸置疑,好的爱情电影所演绎的主题和人物命运总是能够帮助观众快速代入情绪,从而激发出观众的观影欲望。一部好的爱情电影往往有一个好的电影片名,因此,爱情电影片名的翻译对于帮助观众前期铺垫热度起着重要作用。文章从爱情电影片名的翻译着手,分析了爱情电影片名的语言特征。然后运用目的论翻译理论,探讨了翻译好一部爱情电影片名,一要针对爱情电影的受众群体,二要洞悉目的语与译入语的差别。同时通过案例分析,详细解读了目的论的三大翻译原则在爱情电影片名中的具体应用。Movies play an important role in the cultural communication between Chinese and Western countries. Love movies are especially characteristic of arousing passion and enthusiasm in the audience for their emotional expression and exposition. There is no doubt that the theme and the fate of the characters in a good love movie can always help strike a chord in the heart of the audience, thus stimulating the audience’s desire to watch the movie. A good love movie always carries a good title. Therefore, the translation of the title of a love movie is crucial in helping the audience to look forward to watching the movie. This paper begins with the translation of love movie titles and analyzes the linguistic features of love movie titles. Then, the author discusses how to translate the title of a love movie by applying Skopos theory. First, it is necessary to target the audience of the love movie;second, it is necessary to understand the difference between the target language and the source language. At the same time, the author explains in detail the application of the two strategies of Skopos theory in the translation of the title of love film through case analysis.展开更多
在“一带一路”倡议迎来第十周年之际,CGTN推出的15集大型系列纪录片《新丝路上的交响》成为焦点。本文以该系列纪录片为案例,通过对15个中英片名的叙事结构、叙事模态和叙事技巧进行深入分析,旨在探讨中英片名设计在表达效果上的差异...在“一带一路”倡议迎来第十周年之际,CGTN推出的15集大型系列纪录片《新丝路上的交响》成为焦点。本文以该系列纪录片为案例,通过对15个中英片名的叙事结构、叙事模态和叙事技巧进行深入分析,旨在探讨中英片名设计在表达效果上的差异与对比。通过简要探讨叙事学理论在影片标题设计中的运用,本文发现这一系列纪录片的片名设计成功体现了中英跨文化传播实践,不仅能够生动展现各国文化特色,还润物细无声地传递出“一带一路”的合作理念,促进了国际间的交流与理解。As the “Belt and Road Initiative” celebrates its tenth anniversary, the 15-episode documentary series The Call of the Silk Road, produced by CGTN, has taken center stage. This paper employs the documentary series as a case study, delving into an in-depth analysis of the narrative structures, narrative modalities, and narrative techniques present in its 15 Chinese and English titles. The aim is to explore the disparities and nuances in the expressive effects of Chinese and English title design. Through a concise exploration of narrative theory’s application in title design, this paper reveals that the title design of this documentary series successfully embodies cross-cultural communication between Chinese and English, vividly showcasing cultural characteristics of various nations. Moreover, it subtly conveys the collaborative ideals of the “Belt and Road Initiative,” fostering international exchange and understanding with a quiet eloquence.展开更多
文摘电影在中西文化交流中发挥着重要作用。其中爱情电影中的情感表达和情绪阐述,尤其能够在观众中引起情感共鸣。毋庸置疑,好的爱情电影所演绎的主题和人物命运总是能够帮助观众快速代入情绪,从而激发出观众的观影欲望。一部好的爱情电影往往有一个好的电影片名,因此,爱情电影片名的翻译对于帮助观众前期铺垫热度起着重要作用。文章从爱情电影片名的翻译着手,分析了爱情电影片名的语言特征。然后运用目的论翻译理论,探讨了翻译好一部爱情电影片名,一要针对爱情电影的受众群体,二要洞悉目的语与译入语的差别。同时通过案例分析,详细解读了目的论的三大翻译原则在爱情电影片名中的具体应用。Movies play an important role in the cultural communication between Chinese and Western countries. Love movies are especially characteristic of arousing passion and enthusiasm in the audience for their emotional expression and exposition. There is no doubt that the theme and the fate of the characters in a good love movie can always help strike a chord in the heart of the audience, thus stimulating the audience’s desire to watch the movie. A good love movie always carries a good title. Therefore, the translation of the title of a love movie is crucial in helping the audience to look forward to watching the movie. This paper begins with the translation of love movie titles and analyzes the linguistic features of love movie titles. Then, the author discusses how to translate the title of a love movie by applying Skopos theory. First, it is necessary to target the audience of the love movie;second, it is necessary to understand the difference between the target language and the source language. At the same time, the author explains in detail the application of the two strategies of Skopos theory in the translation of the title of love film through case analysis.
文摘在“一带一路”倡议迎来第十周年之际,CGTN推出的15集大型系列纪录片《新丝路上的交响》成为焦点。本文以该系列纪录片为案例,通过对15个中英片名的叙事结构、叙事模态和叙事技巧进行深入分析,旨在探讨中英片名设计在表达效果上的差异与对比。通过简要探讨叙事学理论在影片标题设计中的运用,本文发现这一系列纪录片的片名设计成功体现了中英跨文化传播实践,不仅能够生动展现各国文化特色,还润物细无声地传递出“一带一路”的合作理念,促进了国际间的交流与理解。As the “Belt and Road Initiative” celebrates its tenth anniversary, the 15-episode documentary series The Call of the Silk Road, produced by CGTN, has taken center stage. This paper employs the documentary series as a case study, delving into an in-depth analysis of the narrative structures, narrative modalities, and narrative techniques present in its 15 Chinese and English titles. The aim is to explore the disparities and nuances in the expressive effects of Chinese and English title design. Through a concise exploration of narrative theory’s application in title design, this paper reveals that the title design of this documentary series successfully embodies cross-cultural communication between Chinese and English, vividly showcasing cultural characteristics of various nations. Moreover, it subtly conveys the collaborative ideals of the “Belt and Road Initiative,” fostering international exchange and understanding with a quiet eloquence.
