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从《长物志》看传统文化在物化审美上的秩序性建构 被引量:1
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作者 王冠 孔庆茂 《艺术百家》 CSSCI 北大核心 2020年第5期61-65,共5页
晚明社会,物的地位日益凸显使中国传统文化中物与心的关系、士农工商的阶层秩序、审美标准及文化秩序都变得混乱无序,文震亨以中国儒道文化里的尚古传统、自然原则以及对器物之美的本质追求为理论依据,在当时物化审美语境中,凭借传统文... 晚明社会,物的地位日益凸显使中国传统文化中物与心的关系、士农工商的阶层秩序、审美标准及文化秩序都变得混乱无序,文震亨以中国儒道文化里的尚古传统、自然原则以及对器物之美的本质追求为理论依据,在当时物化审美语境中,凭借传统文化资源区分雅俗、厘定正统,尝试为当时社会提供一套器物与人之间正确审美范式的规则与方案,并在时代精神的影响下,创建新的物化审美追求与士人生活形态,以激活固有的文化价值的方式,建构新的物化审美秩序,对当下在商业文化冲击下重建有中国特色的物化审美秩序提供了借鉴和参考。 展开更多
关键词 晚明 《长物志》 物化审美 秩序 传统文化
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论晚明士人群体的物化审美风尚 被引量:3
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作者 赵强 《中国美学研究》 2014年第1期100-123,共24页
晚明士人群体的恋物、玩物行为是一种眩惑于生活之欲的物化审美,暗含着一种生活之欲不断强化自身的思想逻辑。物化审美风尚推动了生活化的博物学的兴起,并冲击了晚明社会的等级制度、文化格局。晚明士人挑战'玩物丧志'的物论话... 晚明士人群体的恋物、玩物行为是一种眩惑于生活之欲的物化审美,暗含着一种生活之欲不断强化自身的思想逻辑。物化审美风尚推动了生活化的博物学的兴起,并冲击了晚明社会的等级制度、文化格局。晚明士人挑战'玩物丧志'的物论话语建构起一种消解存在价值,以感性体验为目的、以表演为方法的整体性生活哲学,理性的缺失、厌世和颓废情绪的蔓延是其最为显著的文化症候。 展开更多
关键词 物化审美 眩惑 生活 游戏
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家具造型设计之形式主义与拿来主义
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作者 邱尚周 《家具与室内装饰》 2011年第6期88-89,共2页
本文主要针对,当前家具企业造型设计存在的"形式主义"、"拿来主义"的设计手法,导致目前国内家具企业,造型设计存在的产品更新换代后续无力、设计的产品缺乏内涵的两个问题;指出尝试用"蘑菇式"、"审... 本文主要针对,当前家具企业造型设计存在的"形式主义"、"拿来主义"的设计手法,导致目前国内家具企业,造型设计存在的产品更新换代后续无力、设计的产品缺乏内涵的两个问题;指出尝试用"蘑菇式"、"审美物化"的设计手法加以改善,并进行了探讨。 展开更多
关键词 家具造型设计 形式主义 拿来主义 蘑菇式 审美物化
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Influence of Huizhou Culture on Plant Landscapes in Huizhou-style Gardens
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作者 余汇芸 温琦 《Journal of Landscape Research》 2010年第3期71-73,77,共4页
Huizhou-style gardens have been greatly influenced by Huizhou culture, their plant landscapes have also been integrated with various aspects of Huizhou culture, which demonstrated the ideology, historical and cultural... Huizhou-style gardens have been greatly influenced by Huizhou culture, their plant landscapes have also been integrated with various aspects of Huizhou culture, which demonstrated the ideology, historical and cultural connotation of the society in an abstract and impalpable way. In this study, Huizhou-style miniature landscapes, plants of virtual implications, flowers or fruit trees of special connotations are taken for examples to analyze the influence of Xin’an Neo-Confucianism on plant landscapes in Huizhou-style gardens, the demonstration of Huizhou businessmen’s aesthetic tastes, as well as folk cultures of Huizhou, which implies that plant landscapes in Huizhou-style gardens are those incorporating with humanistic spirits, ornamental and practical uses. This study aims to provide references for further researches in the present situation of ancient Huizhou areas, protection of ancient Huizhou-style gardens and construction of new-style Huizhou gardens. 展开更多
关键词 Huizhou culture Plant landscapes Xi’an Neo-Confucianism Aesthetic tastes of Huizhou businessmen Folk customs
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Research on aesthetic charm of Qiang folk songs
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作者 Weizhong Lu 《International Journal of Technology Management》 2013年第9期16-18,共3页
Qiang folk songs are a form of expression of the ancient oral literature and mass creation, regardless of folk songs, work songs, custom songs, worship songs, etc., They mostly reflect the dominated public opinion of ... Qiang folk songs are a form of expression of the ancient oral literature and mass creation, regardless of folk songs, work songs, custom songs, worship songs, etc., They mostly reflect the dominated public opinion of Qiang people from different historical periods and cultural life. Qiang folk songs are born with a strong national consciousness, national temperament and color. Through social and cultural changes, Qiang folk song forms its unique aesthetics in the language, form, emotion, mood and other aspects. Understanding and analyzing the aesthetic charm of Qiang folk songs helps to strengthen the Qiang heritage and intangible cultural heritage protection, and benefit rich folk culture of Chinese Qiang cognition. 展开更多
关键词 Qiang folk songs aesthetic charm
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New Artistic-Iconological Interpretations in Ecourbarchitecture
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作者 Nikola Cekic 《Cultural and Religious Studies》 2017年第11期652-660,共9页
In this paper, the author focuses on the ecourbarchitectonic physical structures created after year 2000, whose artistic-esthetic value has an iconological character. An entirely new approach in formation of the facad... In this paper, the author focuses on the ecourbarchitectonic physical structures created after year 2000, whose artistic-esthetic value has an iconological character. An entirely new approach in formation of the facade and roof planes as well as of the forms of structures whose appearance resemble sculptural creations has been analyzed. The buildings from all over the world, with different functions contents, indicate a tendency of a different understanding of interpretation of physical structures and correlation with natural and artifact environment. Water surfaces and vegetative material contribute to an effective, cultural, majestic impression of engineering-technological philosophy of city building. The examples in the paper suggest the obvious need of radical changing of the way of thinking in the application of the design strategy in conceptualization of urban agglomerations, and essentially important, conceptually inspired metabolic of relationships among the spatial structures. The world entered new non-globalization trends of creation of the city memory, of the new iconically, symbolically strong, non-cliché, non-standard forms which define the contemporary cultural-artistic and historical identity of macro-ambient entities. This is a good and encouraging sign. 展开更多
关键词 iconological ecourbarchitecture archisculptural INTERPRETATION historical natural patterns location conditions
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Study on the cultural and aesthetic characters of national costume design
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作者 Zhaoyang ZHANG 《International Journal of Technology Management》 2014年第7期98-100,共3页
National costume not only show body language, but also body language and extends through the aesthetic psychology of space and aesthetic psychological sense, to convey the emotional body hidden vocabulary, the limited... National costume not only show body language, but also body language and extends through the aesthetic psychology of space and aesthetic psychological sense, to convey the emotional body hidden vocabulary, the limited physical space converted into a form of osvcholoical unlimited imagination! 展开更多
关键词 national costume costume design CULTURAL AESTHETIC
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浅析“物化”与视觉艺术表达
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作者 徐菲 《作家》 北大核心 2013年第04X期257-258,共2页
本文通过物化的审美意义和物化在视觉艺术作品中的具体体现来论述艺术创作实践中物化的重要性,并结合中国成功艺术家的作品实例来论述物化作为艺术家的重要艺术表达方式的相关问题。
关键词 物化审美 视觉艺术表达 中国化思维
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论设计中艺术创意的逻辑问题 被引量:1
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作者 付强 刘雁 《装饰》 CSSCI 北大核心 2011年第7期70-71,共2页
艺术源于生活,设计创造生活;人们的情感思维能力不断地印证并反映出日常生活逻辑。设计通过具体的视觉艺术创意形态,借助人们的思维能力,建构起创意形式、情感体验与信息传达之间的合乎逻辑的审美世界。
关键词 审美逻辑 审美概念物化 审美情感诉求 审美意味推理
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现代广告视觉转向的文化批判 被引量:1
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作者 饶德江 章俊 《新闻与传播评论辑刊》 2003年第1期38-44,245,250,共10页
本文认为视觉转向后的现代广告虽然促进了审美走向日常化,但其对文化产生的负面效应却是更为主要和深远的,归纳起来主要体现在三个方面:审美走向表层的物化、视觉符号意义的"通货膨胀"导致人们视觉神经的麻痹;视觉符号能指的... 本文认为视觉转向后的现代广告虽然促进了审美走向日常化,但其对文化产生的负面效应却是更为主要和深远的,归纳起来主要体现在三个方面:审美走向表层的物化、视觉符号意义的"通货膨胀"导致人们视觉神经的麻痹;视觉符号能指的漂浮形成的符号价值掩盖了物品本身的使用价值,并由之而搭建了一个仿像世界供人们生活其中而不自知;为"文化帝国主义"提供了更为便利的扩张平台。面对现代广告视觉转向对文化的诸多伤害,呼唤一种对受众的辨证认识和重拾传者的批判精神是完全必要的,这即是人民对广告文本的自我"解读"及传者所应具有的"新广告意识"。 展开更多
关键词 审美物化 能指的漂浮 人民的“解读” 新广告意识
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