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利用民间音乐舞蹈建设特色景区文化的构想——以晋城市皇城相府景区为例
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作者 冯晋霞 张立华 《晋城职业技术学院学报》 2015年第2期30-32,共3页
晋城市有着大量优秀的民间音乐舞蹈艺术文化遗产和丰厚的旅游资源。近几年,旅游产业快速发展,建立具有地方特色的景区文化,形成特色的文化旅游项目,是各个景区发展中需要解决的重要问题。充分利用本土的民间音乐舞蹈资源,通过民间音乐... 晋城市有着大量优秀的民间音乐舞蹈艺术文化遗产和丰厚的旅游资源。近几年,旅游产业快速发展,建立具有地方特色的景区文化,形成特色的文化旅游项目,是各个景区发展中需要解决的重要问题。充分利用本土的民间音乐舞蹈资源,通过民间音乐、民间说唱、民间歌舞等多种形式建设具有地方特色的景区文化,既为民间艺术提供了生存环境,又有利于景区的持续发展。 展开更多
关键词 利用 民间音乐舞蹈 特色景区文化
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Trickster or Colonizer: The Latent Effects of Colonialism in Efua Sutherland's Play The Marriage of Anansewa
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作者 J. Sunita Peacock 《Journal of Literature and Art Studies》 2015年第6期399-407,共9页
The essay analyzes the play written by the late Efua Sutherland (from Ghana) and shows the effects of colonization among the Ghanaians. First, it explores the historical inroads made by the colonizer in West African... The essay analyzes the play written by the late Efua Sutherland (from Ghana) and shows the effects of colonization among the Ghanaians. First, it explores the historical inroads made by the colonizer in West African countries, such as Ghana, causing the debilitation of the culture of such countries by erasing its history. One way in which such erasure occurred was in the destruction of sacred sites of the people. Further connections will also be made to West African cultural contexts with the history of colonization in Africa and its effects on popular culture, specifically drama in countries like Ghana. Next, the essay draws upon the role of the trickster figure of Ananse, the spider who features in many West African and Caribbean folkloric traditions. Sutherland's play revolves around the main character of the play, Ananse, and he is likened to the trickster figure, but the essay shows how this figure is also debilitated by the colonizer. Finally, in the play, one notes that despite the main character's "victory" in getting his daughter married to the "Chief-Who-ls-Chief', he does it for his survival and the survival of his daughter in a world in which the latent effects of colonization has hampered the memory and culture of its people. 展开更多
关键词 Africa postcolonial DRAMA FOLKLORE history LITERATURE
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