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关于当今诗词创作的几点芹见
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作者 张涤云 《浙江教育学院学报》 2003年第4期23-27,共5页
当今传统诗词创作方兴未艾,出现了持续的"中华诗词热"。但尚有美中不足之处,主要有:在类型方面绝大部分集中在抒情诗和写景状物诗,而少有叙事诗和说理诗;在体制方面仅以律诗、绝句、词为基本样式,远不如古代诗歌体制的丰富;... 当今传统诗词创作方兴未艾,出现了持续的"中华诗词热"。但尚有美中不足之处,主要有:在类型方面绝大部分集中在抒情诗和写景状物诗,而少有叙事诗和说理诗;在体制方面仅以律诗、绝句、词为基本样式,远不如古代诗歌体制的丰富;在诗歌的格律方面过于看重一字一句的标准格式,并仍以沿用脱离当今普通话语音的旧诗韵为尚。这些偏向不利于当今诗词创作的进一步繁荣,应予改进。 展开更多
关键词 词创作 抒情 写景状物诗 叙事 说理 歌类型 歌体制 格律 用韵
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论中国诗歌的分类——对诗歌两分法的质疑
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作者 张涤云 《浙江海洋学院学报(人文科学版)》 2003年第3期1-7,共7页
半个世纪以来,我国学术界通行将诗歌分为抒情诗和叙事诗两大类。这种两分法有悖于我国三千年诗歌史的实际,有悖于分类学原理和传统分类法,也有悖于西方文学分类理论,是不全面、不科学的。从我国诗歌的内容性质及基本表达方式看,分为抒... 半个世纪以来,我国学术界通行将诗歌分为抒情诗和叙事诗两大类。这种两分法有悖于我国三千年诗歌史的实际,有悖于分类学原理和传统分类法,也有悖于西方文学分类理论,是不全面、不科学的。从我国诗歌的内容性质及基本表达方式看,分为抒情诗、叙事诗、说理诗、写景状物(景物)诗四大类是比较适当的。 展开更多
关键词 歌分类 说理 写景状物诗
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对诗歌分类方法的质疑
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作者 张涤云 《文艺研究》 CSSCI 北大核心 1997年第4期154-156,共3页
对诗歌分类方法的质疑建国迄今近半个世纪以来,我国学术界通行将诗歌分为抒情诗和叙事诗两大类。如以群主编的《文学的基本原理》:“从叙写内容的方式来分,则可以分为抒情诗和叙事诗。”冯景阳主编的《文学概论》:“从内容上看,可... 对诗歌分类方法的质疑建国迄今近半个世纪以来,我国学术界通行将诗歌分为抒情诗和叙事诗两大类。如以群主编的《文学的基本原理》:“从叙写内容的方式来分,则可以分为抒情诗和叙事诗。”冯景阳主编的《文学概论》:“从内容上看,可以分为抒情诗和叙事诗两大类。”权威... 展开更多
关键词 歌分类 山水 咏物 抒情 歌创作 叙事 写景状物诗 说理 玄言 经》
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中国古代咏物诗形神说刍议
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作者 王宾如 《福建论坛(文史哲版)》 1986年第2期64-67,共4页
诗歌创作有形似与神似之说,只是咏物诗得以发展以后的产物,并非从来就有;本文讨论范围,仅限于中国古代部分写景状物诗歌.诗歌创作有一个由言志,到言情,到咏物的不断发展过程.
关键词 歌创作 咏物 中国古代 形神 形似 苏轼 写景状物诗 言志 发展过程
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谜语诗法别开生面
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作者 李弗不 《中学语文园地(高中版)》 2002年第4期48-48,共1页
众所周知,谜语和诗歌是两种不同的艺术形式;可是,为了出奇动人,别开生面,诗人们在创作诗歌时,有时摹仿谜语的表现手法,汲取谜语的艺术技巧,使他们创作的诗新颖别致,耐人寻味。
关键词 谜语 艺术形式 表现手法 艺术技巧 状物诗
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Religious Beliefs in Pre-lslamic Poetry
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作者 Nader Masarwah 《Sociology Study》 2013年第7期531-542,共12页
The subject of this study is how pre-Islamic poets viewed religious beliefs and how the Arabs dealt with such beliefs in the period that preceded the emergence of Islam, known as the/ahiliyya. The study discusses Arab... The subject of this study is how pre-Islamic poets viewed religious beliefs and how the Arabs dealt with such beliefs in the period that preceded the emergence of Islam, known as the/ahiliyya. The study discusses Arab religious beliefs and rites, which were filled with mythical elements such as idol worship, treating some animals as sacred, and worship of the sun, plants, certain inanimate objects and birds. It describes the various stages through which these beliefs passed, from sanctification of trees and caves, through the worship of the sun and the stars, to idol worship and more. The study then proceeds to inquire into the traces of mythology to be found in Arabic poetry. It shows how humans did not only inherit their forefathers' beliefs, but also their ideas, and explains how poets were able to embody reality by means of artistic symbols that reflected such elements of their lives as emotions and objective mental states. Subsequently the study discusses the sanctity which the Arabs ascribed to some animals, and which they worshipped in the hope of obtaining a blessing, maintaining an intimacy with the animal or averting evil. Many Arabs in those days believed in the sanctity of animals, the sun, the moon and Venus, thought that trees and other p|ants possessed a spirit, and considered some animals to be deities with extraordinary powers, among them the viper, the crocodile, the bull, the gazelle and the goat. Finally, the study shows how pre-lslamic Arabic poetry can serve as a reliable document that reflects the society of the times, and how even the restricted amount of verse that has survived from those times can provide considerable information about mythical elements that go back to the remotest times. 展开更多
关键词 BELIEFS RELIGIOUS theological ANTHROPOLOGICAL MYTH
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