Samuel Warren Carey(塔斯玛尼亚大学地质学荣誉教授)是一位著名的以地球膨胀理论代替板块构造理论的积极倡导者。由于他77岁时的最新杰作是以“有知识的外行而不是技术专家”的演说形式发表的,因此,遗憾的是这篇杰作不能在参考文献和...Samuel Warren Carey(塔斯玛尼亚大学地质学荣誉教授)是一位著名的以地球膨胀理论代替板块构造理论的积极倡导者。由于他77岁时的最新杰作是以“有知识的外行而不是技术专家”的演说形式发表的,因此,遗憾的是这篇杰作不能在参考文献和资料中得以存在的原因。这本书的精华就在于有许多我们当中的人不同意的观点,所以我们应该阅读一下。展开更多
In this study we present the novel O alegre canto da perdiz （2008）, by Paulina Chiziane, focusing on the path of the characters Delfina and Maria das Dores, pointing to the construction of a female speech denouncing...In this study we present the novel O alegre canto da perdiz （2008）, by Paulina Chiziane, focusing on the path of the characters Delfina and Maria das Dores, pointing to the construction of a female speech denouncing the state to which the Mozambican woman was subjected, especially during colonization, a trauma still present in Africa. By telling the saga of these two women （mother and daughter）, the novel also makes a reinterpretation of the origin and history of the peoples of Africa. Beyond the issues that mark the secular submission of women to the world of man in certain African societies, Paulina Chiziane also leads us to confront the issue of reductionism practiced by those who look from outside Africa and seeks to present its history and its literature as if the African continent were a single country, as reported by the Nigerian novelist Chimamanda Adichie in her speech against ＂the danger of listening and repeating a single story, the winners＇ story＂ （Adichie, 2009）. We aim to identify aspects of the unique feminine of Paulina Chiziane by rescuing legends of matriarchy in the course of the characters. We will also do a reading of colonialism and post-colonialism objectifying the female of writing Paulina Chiziane. The critical placement of the text allows us to analyze it with the contribution of Spivak （2010）, Said （1978）, Bonnici （2000）, among others.展开更多
"有首歌唱God is a girl(上帝是个女孩),也有人说Cognacis sexless(干邑没有性别之分)。这个职位唯一的要求就是——做好你的工作。"说这话的是人头马第四任酿酒大师皮埃蕾特·特里谢(Pierrette Trichet)——世界上第一..."有首歌唱God is a girl(上帝是个女孩),也有人说Cognacis sexless(干邑没有性别之分)。这个职位唯一的要求就是——做好你的工作。"说这话的是人头马第四任酿酒大师皮埃蕾特·特里谢(Pierrette Trichet)——世界上第一位女性首席干邑调酒师。出生于法国热尔省(Gers)的皮埃蕾特·特里谢,父亲是葡萄种植园主,并且拥有一家酿酒作坊,母亲是阿玛尼亚克(Armagnac)的一名教师。对在法国白兰地干邑世家中长大的她而言,干邑代表了快乐:在家里款待客人时,她经常拿出一瓶年份久的干邑,和同事、家人、朋友探讨新饮用方式。她觉得鹅肝和冰干邑是华丽的搭配,她爱用巧克力配干邑,还喜欢用干邑研究出新的鸡尾酒调制配方。展开更多
文摘In this study we present the novel O alegre canto da perdiz （2008）, by Paulina Chiziane, focusing on the path of the characters Delfina and Maria das Dores, pointing to the construction of a female speech denouncing the state to which the Mozambican woman was subjected, especially during colonization, a trauma still present in Africa. By telling the saga of these two women （mother and daughter）, the novel also makes a reinterpretation of the origin and history of the peoples of Africa. Beyond the issues that mark the secular submission of women to the world of man in certain African societies, Paulina Chiziane also leads us to confront the issue of reductionism practiced by those who look from outside Africa and seeks to present its history and its literature as if the African continent were a single country, as reported by the Nigerian novelist Chimamanda Adichie in her speech against ＂the danger of listening and repeating a single story, the winners＇ story＂ （Adichie, 2009）. We aim to identify aspects of the unique feminine of Paulina Chiziane by rescuing legends of matriarchy in the course of the characters. We will also do a reading of colonialism and post-colonialism objectifying the female of writing Paulina Chiziane. The critical placement of the text allows us to analyze it with the contribution of Spivak （2010）, Said （1978）, Bonnici （2000）, among others.
文摘"有首歌唱God is a girl(上帝是个女孩),也有人说Cognacis sexless(干邑没有性别之分)。这个职位唯一的要求就是——做好你的工作。"说这话的是人头马第四任酿酒大师皮埃蕾特·特里谢(Pierrette Trichet)——世界上第一位女性首席干邑调酒师。出生于法国热尔省(Gers)的皮埃蕾特·特里谢,父亲是葡萄种植园主,并且拥有一家酿酒作坊,母亲是阿玛尼亚克(Armagnac)的一名教师。对在法国白兰地干邑世家中长大的她而言,干邑代表了快乐:在家里款待客人时,她经常拿出一瓶年份久的干邑,和同事、家人、朋友探讨新饮用方式。她觉得鹅肝和冰干邑是华丽的搭配,她爱用巧克力配干邑,还喜欢用干邑研究出新的鸡尾酒调制配方。
