This essay examines the autobiography of Chen Hengzhe （1890-1976） （see Appendix）, a relatively less studied woman writer, historian, and critic in modem China. Through the study in four aspects, namely, the pursui...This essay examines the autobiography of Chen Hengzhe （1890-1976） （see Appendix）, a relatively less studied woman writer, historian, and critic in modem China. Through the study in four aspects, namely, the pursuit of modem education, simple appearance, great leaders, and the ambassadors of culture, the author＇s research indicates that Chen＇s construction of＂new woman＂ has been influenced by complex historical and cultural forces such as the Chinese traditional culture, Western culture, and the iconoclastic spirit of ＂the New Culture Movement＂. Meanwhile, Chen＇s gender consciousness is also an important element. Moreover, Chen＇s pioneering standing and her own experiences of studying abroad makes her take the lead in conceiving women＇s leadership and their roles in global culture communications. In the late Qing and the early Republic, traditional values and norms of womanhood were severely challenged. Chen＇s construction of＂new woman＂ is her conscious effort to define a new womanhood and is an integral part of the ongoing exploration of Chinese women for modem womanhood. Through the examination of Chen＇s ＂new woman＂, this paper seeks to enrich our understanding of the complexity of modem Chinese women＇s exploration of modem womanhood.展开更多
Happiness, as much a poetic as a philosophical, sociological, and psychological concept, has been, through the ages, at the heart of the needs each individual seeks to fulfil. But today, in a world dominated by techno...Happiness, as much a poetic as a philosophical, sociological, and psychological concept, has been, through the ages, at the heart of the needs each individual seeks to fulfil. But today, in a world dominated by technology, driven by productivity and dictated by efficiency, what about Happiness？ Does it feature in works of fiction in any significant way？ May it not have adopted different guises？ ls that ＂duty of happiness＂ that Pascal Bruckner was talking about present in the French novel of the 20th-21th centuries？ And if it is, has its force strengthened or weakened？ This article will discuss the French Novels （of the 20th-21th centuries） that are devoted to or associated with Happiness in a direct or indirect manner. It will contextualize and analyze the transformation of Happiness, within the context of the historical and social events that influenced that period： the Holocaust, consumerism, postmodernism, structural social changes, the various as yet unarticulated new modes of life they created, and so on. To that end, this article will explore the discursive philosophical concept of happiness and its influence on the formation of the French novel. In so doing it will focus on the explicit discourse behind the motifs, the choices made in the process of writing, and the attitudes taken, considering the theme of happiness. Doing so, a significant discussion will be included regarding the paths of happiness, its agents, and the nature of the motifs and metaphors linked to the theme of happiness. The author will also address the dialectical role of the happiness theme in the constitution of an emerging literary discourse reflected in the French novel. By exploring the manifestation of the dogmas, ideas of the intellectual leaders of the 20th century （e.g., Jean-Paul Sartre, Simone De Beauvoir, Albert Camus） as well as the ones of the 21th century （e.g., Pascal Bruckner, Andr6 Comte-Sponville, Gilles Lipovetsky） new insights concerning the hybrid nature of the supposedly ＂authentic happiness＂ will be revealed. The author intend to inspect the theme of Happiness around four dialectical axes as a relevant ethical basis for delimiting the various fields of research： （1） Love, passion, and conjugality; （2） Ageing; （3） ＂The experience of everydayness＂; and （4） ＂The era of emptiness＂. Focusing on the narratives, the article takes into account their specificity in the four distinct fields, all connected to existential and ethical issues, Finally, this article will attempt to analyse the assumed role of literature as a conduit of cultural awareness.展开更多
The present paper is talking about the recent situation of the archeological buildings which exist through modern urban environments. Urban expansion has a large effect on the archeological buildings continuity since ...The present paper is talking about the recent situation of the archeological buildings which exist through modern urban environments. Urban expansion has a large effect on the archeological buildings continuity since such type of development impresses several serious challenges which conservation plans as well as preservation polices must deal with. A number of that main challenges are mega-constructions （tunnels, damps, roads, etc.）, pollution, socio-cultural impacts and traffic. Within Um Qias, the archeological buildings face similar challenges consistent with the urban environment where it is presented and that challenges are reviewed in the local community behavior.展开更多
The present paper analyses the possibilities of using modern technology and technical engineering in conservation practices. Some examples of heritage abuse are given alongside some innovative ways of presenting relic...The present paper analyses the possibilities of using modern technology and technical engineering in conservation practices. Some examples of heritage abuse are given alongside some innovative ways of presenting relics of the past to society. Methodology consists in the scrutinizing of chosen examples, selecting conclusions and a synthetic presentation of research results. The aim is proper protection of historic architectural resources through documentation and dissemination of knowledge. First part is concerned to rejection of old aesthetics values and implementing a new one on example of Brussels＇ House of the People （the largest work by Victor Horta that opened on 1899 and demolished in 1965 despite a protest of architects） and ridiculous renovation in Krynica, Poland. In second part, it presents tree examples of successful implementation of innovative techniques and technologies as the Pauline fathers realizations of renovation sacred architecture （churches, cloisters）, also valuable digital projects of the reconstruction of the vaults and realization of underground Museum in Krakow, Poland （the outstanding creation of the atmosphere of virtual historic reality by the latest audio-visual techniques）.展开更多
文摘This essay examines the autobiography of Chen Hengzhe （1890-1976） （see Appendix）, a relatively less studied woman writer, historian, and critic in modem China. Through the study in four aspects, namely, the pursuit of modem education, simple appearance, great leaders, and the ambassadors of culture, the author＇s research indicates that Chen＇s construction of＂new woman＂ has been influenced by complex historical and cultural forces such as the Chinese traditional culture, Western culture, and the iconoclastic spirit of ＂the New Culture Movement＂. Meanwhile, Chen＇s gender consciousness is also an important element. Moreover, Chen＇s pioneering standing and her own experiences of studying abroad makes her take the lead in conceiving women＇s leadership and their roles in global culture communications. In the late Qing and the early Republic, traditional values and norms of womanhood were severely challenged. Chen＇s construction of＂new woman＂ is her conscious effort to define a new womanhood and is an integral part of the ongoing exploration of Chinese women for modem womanhood. Through the examination of Chen＇s ＂new woman＂, this paper seeks to enrich our understanding of the complexity of modem Chinese women＇s exploration of modem womanhood.
文摘Happiness, as much a poetic as a philosophical, sociological, and psychological concept, has been, through the ages, at the heart of the needs each individual seeks to fulfil. But today, in a world dominated by technology, driven by productivity and dictated by efficiency, what about Happiness？ Does it feature in works of fiction in any significant way？ May it not have adopted different guises？ ls that ＂duty of happiness＂ that Pascal Bruckner was talking about present in the French novel of the 20th-21th centuries？ And if it is, has its force strengthened or weakened？ This article will discuss the French Novels （of the 20th-21th centuries） that are devoted to or associated with Happiness in a direct or indirect manner. It will contextualize and analyze the transformation of Happiness, within the context of the historical and social events that influenced that period： the Holocaust, consumerism, postmodernism, structural social changes, the various as yet unarticulated new modes of life they created, and so on. To that end, this article will explore the discursive philosophical concept of happiness and its influence on the formation of the French novel. In so doing it will focus on the explicit discourse behind the motifs, the choices made in the process of writing, and the attitudes taken, considering the theme of happiness. Doing so, a significant discussion will be included regarding the paths of happiness, its agents, and the nature of the motifs and metaphors linked to the theme of happiness. The author will also address the dialectical role of the happiness theme in the constitution of an emerging literary discourse reflected in the French novel. By exploring the manifestation of the dogmas, ideas of the intellectual leaders of the 20th century （e.g., Jean-Paul Sartre, Simone De Beauvoir, Albert Camus） as well as the ones of the 21th century （e.g., Pascal Bruckner, Andr6 Comte-Sponville, Gilles Lipovetsky） new insights concerning the hybrid nature of the supposedly ＂authentic happiness＂ will be revealed. The author intend to inspect the theme of Happiness around four dialectical axes as a relevant ethical basis for delimiting the various fields of research： （1） Love, passion, and conjugality; （2） Ageing; （3） ＂The experience of everydayness＂; and （4） ＂The era of emptiness＂. Focusing on the narratives, the article takes into account their specificity in the four distinct fields, all connected to existential and ethical issues, Finally, this article will attempt to analyse the assumed role of literature as a conduit of cultural awareness.
文摘The present paper is talking about the recent situation of the archeological buildings which exist through modern urban environments. Urban expansion has a large effect on the archeological buildings continuity since such type of development impresses several serious challenges which conservation plans as well as preservation polices must deal with. A number of that main challenges are mega-constructions （tunnels, damps, roads, etc.）, pollution, socio-cultural impacts and traffic. Within Um Qias, the archeological buildings face similar challenges consistent with the urban environment where it is presented and that challenges are reviewed in the local community behavior.
文摘The present paper analyses the possibilities of using modern technology and technical engineering in conservation practices. Some examples of heritage abuse are given alongside some innovative ways of presenting relics of the past to society. Methodology consists in the scrutinizing of chosen examples, selecting conclusions and a synthetic presentation of research results. The aim is proper protection of historic architectural resources through documentation and dissemination of knowledge. First part is concerned to rejection of old aesthetics values and implementing a new one on example of Brussels＇ House of the People （the largest work by Victor Horta that opened on 1899 and demolished in 1965 despite a protest of architects） and ridiculous renovation in Krynica, Poland. In second part, it presents tree examples of successful implementation of innovative techniques and technologies as the Pauline fathers realizations of renovation sacred architecture （churches, cloisters）, also valuable digital projects of the reconstruction of the vaults and realization of underground Museum in Krakow, Poland （the outstanding creation of the atmosphere of virtual historic reality by the latest audio-visual techniques）.
