Challenging traditional Western painting rules, modem paintings depict one object from multi-angles and advocate the autonomy of art. Seldom do people know that Faulkner loved painting when he was young and modem pain...Challenging traditional Western painting rules, modem paintings depict one object from multi-angles and advocate the autonomy of art. Seldom do people know that Faulkner loved painting when he was young and modem paintings exert a subtle influence on him. In his Yoknapatawpha, William Faulkner breaks the time and space order and the consistency of plot in traditional novels, which demonstrates aesthetic effect of modem painting and embodies the allegation of modern painting that art is autonomous. This paper will analyze the deep influence of modern painting on Faulkner＇s writing techniques and language characteristics, providing a new perspective to aonreciate the art of Faulkner＇s Yoknapatawpha.展开更多
At least since Hegel identified Heraclitus as a philosopher who dealt with becoming, it has seemed obvious to perhaps most scholars that he was in some way a philosopher of process rather than a philosopher of being. ...At least since Hegel identified Heraclitus as a philosopher who dealt with becoming, it has seemed obvious to perhaps most scholars that he was in some way a philosopher of process rather than a philosopher of being. （For the views of Hegel and some early interpreters, see Graham 1997, 46-50.） Indeed, ancient sources say that for him all things are in flux, and one cannot step twice into the same stream. Yet for all that, many interpreters of Heraclitus perhaps unwittingly portray him in ways that are inconsistent with his being a process philosopher. And there are those who wish to downplay the role of flux in his system as well. In any case, to call him a process philosopher remains a vague claim until an interpreter specifies in what sense he is committed to process. Even more important, perhaps, is the question whether Heraclitus can maintain a coherent theory of process, given interpretations both ancient and modem that portray him as violating the principle of non-contradiction---often precisely because of his theory of flux. In this paper I shall attempt to argue that Heraclitus is indeed a process philosopher, and more importantly to spell out in what way he is, and to defend his theory as a consistent and indeed philosophically sound starting point for understanding the world as a process; I will end by pointing out some ways in which his theory accords with modem scientific explanations of the world.展开更多
Peter Burke once said, using images as historical evidence could not only stand as proof of political events, economic trend, and social structure, but also as an illustration of the history of daily life, material cu...Peter Burke once said, using images as historical evidence could not only stand as proof of political events, economic trend, and social structure, but also as an illustration of the history of daily life, material culture, mental state, and physical body. Photography is the extension of human vision, the appearance of which has changed the way in which people see the world, molded the subject identity of modernity, and participated in the social construction of visual modernity. To witness the history is not the only purpose of studying on photograph-based pictorials in the republican period, for which it is more important to provide visual reference for the construction of China＇s modernization, and to witness the multiplicity, mobility, and inner-diversity of modernity.展开更多
文摘Challenging traditional Western painting rules, modem paintings depict one object from multi-angles and advocate the autonomy of art. Seldom do people know that Faulkner loved painting when he was young and modem paintings exert a subtle influence on him. In his Yoknapatawpha, William Faulkner breaks the time and space order and the consistency of plot in traditional novels, which demonstrates aesthetic effect of modem painting and embodies the allegation of modern painting that art is autonomous. This paper will analyze the deep influence of modern painting on Faulkner＇s writing techniques and language characteristics, providing a new perspective to aonreciate the art of Faulkner＇s Yoknapatawpha.
文摘At least since Hegel identified Heraclitus as a philosopher who dealt with becoming, it has seemed obvious to perhaps most scholars that he was in some way a philosopher of process rather than a philosopher of being. （For the views of Hegel and some early interpreters, see Graham 1997, 46-50.） Indeed, ancient sources say that for him all things are in flux, and one cannot step twice into the same stream. Yet for all that, many interpreters of Heraclitus perhaps unwittingly portray him in ways that are inconsistent with his being a process philosopher. And there are those who wish to downplay the role of flux in his system as well. In any case, to call him a process philosopher remains a vague claim until an interpreter specifies in what sense he is committed to process. Even more important, perhaps, is the question whether Heraclitus can maintain a coherent theory of process, given interpretations both ancient and modem that portray him as violating the principle of non-contradiction---often precisely because of his theory of flux. In this paper I shall attempt to argue that Heraclitus is indeed a process philosopher, and more importantly to spell out in what way he is, and to defend his theory as a consistent and indeed philosophically sound starting point for understanding the world as a process; I will end by pointing out some ways in which his theory accords with modem scientific explanations of the world.
文摘Peter Burke once said, using images as historical evidence could not only stand as proof of political events, economic trend, and social structure, but also as an illustration of the history of daily life, material culture, mental state, and physical body. Photography is the extension of human vision, the appearance of which has changed the way in which people see the world, molded the subject identity of modernity, and participated in the social construction of visual modernity. To witness the history is not the only purpose of studying on photograph-based pictorials in the republican period, for which it is more important to provide visual reference for the construction of China＇s modernization, and to witness the multiplicity, mobility, and inner-diversity of modernity.
