论李金发现代象征主义诗歌创作的传统思维特点

理论界对李金发现代象征主义诗歌的研究,多着眼于其"异质性"、"西方象征主义"、"现代象征诗"等特性方面,但在李金发的象征主义诗歌中,也有对中国传统诗歌的暗合或继承,比如"远取譬"的诗歌创作特点与古典诗歌创作艺术的暗合,"漂泊意象"、"香草意象"、"瘦绿意象"等极具中国古诗特质的传统诗歌意象等,笔者对此进行了分析论述。

诗歌艺术的探索与革命——析中国现代象征主义诗歌的产生与发展

两千多年的中国古代文学有着自己完备而稳定的体系 ,但到了五四时期 ,这种稳定而封闭的体系 ,受到了来自西方各种主义和思潮的有力冲击和挑战 ,于是古老、封闭、保守的文学体系开始解体了 ,文学的特质、本体、观念以及艺术追求都发生着深刻的变化。作为反映时代变化最敏锐的诗歌 ,在这个新旧交替的时代 ,率先挣脱了传统的羁縻 ,以其崭新的姿态 ,呈现在国人面前。中国诗坛所发生的这种最根本性的变化最重要的表现便是象征主义诗歌运动。中国诗坛所发生的这场革命 ,动摇了中国传统的诗学观 ,使得中国的诗歌创作从以往那种封闭的、单一的模式中解脱出来 ,迈向了开放的、多元的选择。

The Major Western Cultural Influences on the Incubating Process of Ezra Pound＇s Early Poetics

This paper intends to study Ezra Pound＇s early poetics and his modernist poetry through a close research of the various elements in the shaping process of his poetics, and the significance and influence of his poetic thoughts on the American New Poetry Movement. It studies firstly the early translations and romantic lyrics of Pound, trying to demonstrate that part of the influence on his early poetics is from the Western traditional cultural inheritance and that the emphasis on musicality that Pound inherited from traditional forms of poetry turns out to be one of the major principles that Pound advocates in his early poetics; then it comes to the discussion of the new translation concepts and poetics in ＂The Seafarer＂ （1911）, which is a great work Pound translated based on an Old English poem; next this paper will focus on the influence of Robert Browning＇s dramatic monologues and Yeats＇ Symbolism on Pound＇s transition from subjectivity to objectivity.