This study seeks to establish the major relevance of the ironic vision embodied in the narrative structure in George Orwell＇s early novel Nineteen Eighty-Four. After providing a comprehensive satisfying examination o...This study seeks to establish the major relevance of the ironic vision embodied in the narrative structure in George Orwell＇s early novel Nineteen Eighty-Four. After providing a comprehensive satisfying examination of the cultural phenomenon that goes by the name of ＂Modernism＂, the world in which the young George Orwell began his literary career; the study will present a critical analyses exploring Orwell＇s novel concerning the past-war ironic dystopian vision, with special reference to his experiment with the ironic narrative techniques and structure.展开更多
Due to the limited cognition of meridian structure, the study of the essence of meridian phenomenon is faced with obstruction. This paper aims to expound on the multi-substantial structures of meridians and put forwar...Due to the limited cognition of meridian structure, the study of the essence of meridian phenomenon is faced with obstruction. This paper aims to expound on the multi-substantial structures of meridians and put forward hypothesis on multi-substantial structures of meridians based on embryology.展开更多
In Turkey, from the second half of the nineteenth century, the shaping of an art of painting on the basis of Western understanding was realized with state support. From this period, certain art movements were seen as ...In Turkey, from the second half of the nineteenth century, the shaping of an art of painting on the basis of Western understanding was realized with state support. From this period, certain art movements were seen as the means of modernization and Westernization. Therefore, impressionism, cubism, realism, and classicism were supported by the state as a formal artistic understanding. This attitude continued until the 1940s and artists painted certain subject matters on the basis of these art movements. The main theme and subject matters were the presentations of an idealized society such as palace＇s life, attractive women in Western appearance, happy peasants, war heroes, and beautiful views from the country. In the early 1940s, significant breakup began to take place in point of the theme and the subject matter of art. Social realism began to take shape for the first time in art in Turkey. The artists of Yeniler Grubu （Newcomers Group） focused on social phenomena related disadvantaged social groups rather than an idealized society. Some artists among the 1950 generation, especially Nedim Gunsur, Nuri iyem, and Miimtaz Yener, focused on migration and social problems that occurred correspondingly in the 1960s and 1970s. This paper aims to investigate how these artists depicted and interpreted the migration and its consequences.展开更多
文摘This study seeks to establish the major relevance of the ironic vision embodied in the narrative structure in George Orwell＇s early novel Nineteen Eighty-Four. After providing a comprehensive satisfying examination of the cultural phenomenon that goes by the name of ＂Modernism＂, the world in which the young George Orwell began his literary career; the study will present a critical analyses exploring Orwell＇s novel concerning the past-war ironic dystopian vision, with special reference to his experiment with the ironic narrative techniques and structure.
文摘Due to the limited cognition of meridian structure, the study of the essence of meridian phenomenon is faced with obstruction. This paper aims to expound on the multi-substantial structures of meridians and put forward hypothesis on multi-substantial structures of meridians based on embryology.
文摘In Turkey, from the second half of the nineteenth century, the shaping of an art of painting on the basis of Western understanding was realized with state support. From this period, certain art movements were seen as the means of modernization and Westernization. Therefore, impressionism, cubism, realism, and classicism were supported by the state as a formal artistic understanding. This attitude continued until the 1940s and artists painted certain subject matters on the basis of these art movements. The main theme and subject matters were the presentations of an idealized society such as palace＇s life, attractive women in Western appearance, happy peasants, war heroes, and beautiful views from the country. In the early 1940s, significant breakup began to take place in point of the theme and the subject matter of art. Social realism began to take shape for the first time in art in Turkey. The artists of Yeniler Grubu （Newcomers Group） focused on social phenomena related disadvantaged social groups rather than an idealized society. Some artists among the 1950 generation, especially Nedim Gunsur, Nuri iyem, and Miimtaz Yener, focused on migration and social problems that occurred correspondingly in the 1960s and 1970s. This paper aims to investigate how these artists depicted and interpreted the migration and its consequences.
