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文学理论反思性研究的力作——读《20世纪80年代以来文学理论的知识生产及其相关问题》 被引量:1
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作者 张永清 李琳 《中国图书评论》 CSSCI 2019年第12期104-106,共3页
《20世纪80年代以来文学理论的知识生产及其相关问题》,邢建昌等著,人民出版社,2019从"知识""知识生产"的视角反思20世纪80年代以来文学理论的知识状况,无疑是邢建昌等所著的《20世纪80年代以来文学理论的知识生产... 《20世纪80年代以来文学理论的知识生产及其相关问题》,邢建昌等著,人民出版社,2019从"知识""知识生产"的视角反思20世纪80年代以来文学理论的知识状况,无疑是邢建昌等所著的《20世纪80年代以来文学理论的知识生产及其相关问题》更为接近文学理论本质的独特的研究方法或理论视域。文学理论是一门知识吗?是一门什么样的知识?当今时代应该用怎样的方法去介入文学理论知识状况的思考?这不仅是普通学习者追求的问题,更是作为文学理论的书写者与传播者要不断思索解决的问题。 展开更多
关键词 文学理论 《20世纪80年代以来文学理论的知识生产及其相关问题》 反思性研究 相关问题
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古董钢笔身价逾万
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《特区经济》 北大核心 2004年第3期63-63,共1页
关键词 古董钢笔 旧货市场 中国 收藏价值 生产年代 市场行情 价格上涨
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台海军水下武器现状
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作者 耕海 《当代海军》 2007年第12期42-45,共4页
台湾海军目前装备的水下武器主要有鱼雷、水雷和深水炸弹三种。这些水下武器大部分是从美国进口的,只有少部分是岛内自产的。由于生产年代久远,战斗力十分有限。
关键词 水下武器 台湾海军 现状 深水炸弹 生产年代 战斗力
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入世了,蘑菇怎么种?
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作者 曹德宾 《农村科技开发》 2002年第3期16-17,共2页
已经过去的2001年,是食用菌市场有史以来的“利市”之年:菌类产品价格全面上涨,与往年相比,呈现翻番水平甚至更高,生产者大赚了一笔;而由于临近加入WTO及国际关系明显转好,国际市场对我食用菌产品的要货量激增,但受往年“菇贱伤农”的影... 已经过去的2001年,是食用菌市场有史以来的“利市”之年:菌类产品价格全面上涨,与往年相比,呈现翻番水平甚至更高,生产者大赚了一笔;而由于临近加入WTO及国际关系明显转好,国际市场对我食用菌产品的要货量激增,但受往年“菇贱伤农”的影响,栽培面积大幅下降,总体产量急骤减少。 展开更多
关键词 品种选择 反冬季生产 年代生产 蘑菇
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Decadal variations in diatoms and dinoflagellates on the inner shelf of the East China Sea, China 被引量:1
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作者 Rediat ABATE 高亚辉 +4 位作者 陈长平 梁君荣 穆文华 Demeke KIFILE 陈杨航 《Chinese Journal of Oceanology and Limnology》 SCIE CAS CSCD 2017年第6期1374-1386,共13页
Diatoms and dinoflagellates are two major groups ofphytoplankton that flourish in the oceans, particularly in coastal zone and upwelling systems, and their contrasting production have been reported in several world se... Diatoms and dinoflagellates are two major groups ofphytoplankton that flourish in the oceans, particularly in coastal zone and upwelling systems, and their contrasting production have been reported in several world seas. However, this information is not available in the coastal East China Sea (ECS). Thus, to investigate and compare the decadal trends in diatoms and dinoflagellates, a sediment core, 47-cm long, was collected from the coastal zone of the ECS. Sediment chlorophyll-a (Chl-a), phytoplankton-group specifc pigment signatures of diatoms and dinoflagellates, and diatom valve concentrations were determined. The sediment core covered the period from 1961 to 2011 AD. The chlorophyll-a contents ranged from 2.32 to 73 gg/g dry sediment (dw) and averaged 9.81 gg/g dw. Diatom absolute abundance ranged from 29 152 to 177 501 valve/gram (v/g) dw and averaged 72 137 v/g dw. Diatom valve and diatom specific pigment marker concentrations were not significantly correlated. Peridinin increased after the 1980s in line with intensified use of fertilizer and related increases in nutrient inputs into the marine environment. The increased occurrence of dinoflagellate dominance after the 1980s can be mostly explained by the increase in nutrients. However, the contribution of dinoflagellates to total phytoplankton production (Chl-a) decreased during the final decade of this study, probably because of the overwhelming increase in diatom production that corresponded with the construction of the Three Gorges Dam (TGD) and related light availability. Similarly, the mean ratio of fucoxanthin/peridinin for the period from 1982 to 2001 was 6% less than for 1961 to 1982, while the ratio for 2001 to 2011 was 45.3% greater than for 1982 to 2001. The decadal variation in the fucoxanthirdperidinin ratio implies that dinoflagellate production had been gradually increasing until 2001. We suggest that the observed changes can be explained by anthropogenic impacts, such as nutrient loading and dam construction. 展开更多
关键词 anthropogenic impact benthic diatoms pigment signature nutrient concentration Three Gorges Dam construction
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The Aesthetics of Nature in Deleuze's Philosophy
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作者 Takuya Kobayashi 《Journal of Philosophy Study》 2013年第9期880-887,共8页
In Critique of Pure Reason (1996), Immanuel Kant says that the term "aesthetic" means "the science of the laws of sensibility" and suggests giving up usage of it to indicate "the critique of taste" which execu... In Critique of Pure Reason (1996), Immanuel Kant says that the term "aesthetic" means "the science of the laws of sensibility" and suggests giving up usage of it to indicate "the critique of taste" which executes the criticism of the beautiful. It is well known that Gilles Deleuze was inspired by all genres of the arts, namely movies, paintings, music, and so on. However, this paper argues that what is more essential for Deleuzian philosophy is aesthetics as a science of sensibility. What motivated Deleuze, especially from the 1950s to the 1960s, seems to have consisted in discovering the weaknesses of the Kantian aesthetic in order to take it apart. In fact, one of the main themes in Difference and Repetition (1994) was to free "sensibility" itself from Kant's philosophical system. This theme subsisted in his writing even after the 1970s, and led him to develop a "natural philosophy" of sorts. This is because the supposition that "the sensibility itself" is independent from any human faculties gave him an opportunity to carefully consider the multiplicity and productivity of Nature itself. Finally, Deleuze created his own "ethology" that would capture the increasingly interrelated movements within Nature produced by heterogeneous elements. This paper describes the process of Deleuzian thought as outlined above, surveying his view of Kantian philosophy and the development of his natural philosophy as "the aesthetics of Nature." 展开更多
关键词 DELEUZE AESTHETICS natural philosophy Kant ETHOLOGY
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The Consolidation of Youth Lifestyle in the 1960s: Swinging London Through The Drapers'Record Magazine
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作者 Maira Zimmermann 《Journalism and Mass Communication》 2016年第4期221-225,共5页
This paper discusses how consumerism boosted youth lifestyle in the 1960s--mainly through modem magazines (particularly in Britain) and built a territorial symbolic identity through fashion. In the 1960s, the consol... This paper discusses how consumerism boosted youth lifestyle in the 1960s--mainly through modem magazines (particularly in Britain) and built a territorial symbolic identity through fashion. In the 1960s, the consolidation of youth culture becomes an international phenomenon. With the development of ready-to-wear, adolescents begin to be target as a consumer market. The music and fashion industries unite to create and advertise youth lifestyle. The fashion shifts from Paris to London. Magazine articles and publicity set the latest trends. The method applied is research in primary source--the British journal The Drapers' Record aiming to recognize fashion transformation and juvenilization in this period of time. The magazine shows ads and fashion editorials (mainly feminine), articles and news about fashion trend. There is also a brands guide for shoppers and retailers. The magazines used in the research are from 1964 to 1967, July and August issues, when the fall-winter trends are shown. From 1964 on, we notice the orientation towards a juvenile market and style, but these trends will only fully materialize through 1967. It leads to the conclusion that between 1965 and 1967 fashion juvenilization developed, reached its peak and global range. 展开更多
关键词 youth culture 1960s trend media
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草业的作用与开发前景
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作者 朱仲权 《中国农垦》 2003年第2期28-29,共2页
关键词 草业 作用 开发前景 国民经济 社会发展 效益 新疆生产建设兵团五十年代团场
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仿古瓷的特征及鉴定要点(上) 被引量:1
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作者 高阿申 《收藏家》 2010年第11期45-50,共6页
古瓷收藏的关键是求真与断代。在中国,鉴别瓷器的优劣真伪,长期以来靠人的肉眼目测。事实亦是,任何一件新旧陶瓷,都可以通过器形、釉料、纹饰、胎质(包括制作工艺)及其款识所显示的特征,让有识之士感悟到它的品质和生产年代。
关键词 仿古瓷 鉴定要点 制作工艺 生产年代
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如何识别普洱茶中的“老茶”
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作者 陈杰 《普洱》 2017年第4期74-76,共3页
普洱茶有一个特殊现象,市场习惯将生产年代稍远并留存下来的普洱茶称为“老茶”。其中以“号级茶”“印级茶”为代表。一个有意思的现象是,对于这些茶没有采用“陈茶”的称谓,而是冠以“老茶”头衔,不仅仅是将普洱茶保质期无限延长... 普洱茶有一个特殊现象,市场习惯将生产年代稍远并留存下来的普洱茶称为“老茶”。其中以“号级茶”“印级茶”为代表。一个有意思的现象是,对于这些茶没有采用“陈茶”的称谓,而是冠以“老茶”头衔,不仅仅是将普洱茶保质期无限延长,更有赋予更高品质的含义。 展开更多
关键词 普洱茶 识别 生产年代 保质期
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专业性和售后服务制约电商发展
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《经济展望》 2014年第10期137-137,共1页
目前,汽配电商刚起步,专业性是其发展的最大瓶颈。比如,同一个型号的车部件,当它的生产年代不一样,相应的配件就不一样,这需要大最的平台才能查阅到,从而正确选择。所以,通用性的常规配件更适合电商,具有特殊性和需要持续保养... 目前,汽配电商刚起步,专业性是其发展的最大瓶颈。比如,同一个型号的车部件,当它的生产年代不一样,相应的配件就不一样,这需要大最的平台才能查阅到,从而正确选择。所以,通用性的常规配件更适合电商,具有特殊性和需要持续保养的产品就不太适合。 展开更多
关键词 服务制 生产年代 通用性 特殊性 配件 部件
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将113块碎片神奇还原 拼图大师“救活”清代花瓶
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《收藏.拍卖》 2006年第9期16-16,共1页
英国剑桥菲兹威廉博物馆保存的3只名贵中国清代花瓶今年初被一名参观者不慎打碎。经过专家几个月的努力,其中的一只已经得以修复,并于目前重新在博物馆内展出。这套花瓶一共5只,每只高1米左右、大约45公斤重,它们的生产年代在17世... 英国剑桥菲兹威廉博物馆保存的3只名贵中国清代花瓶今年初被一名参观者不慎打碎。经过专家几个月的努力,其中的一只已经得以修复,并于目前重新在博物馆内展出。这套花瓶一共5只,每只高1米左右、大约45公斤重,它们的生产年代在17世纪晚期或18世纪早期,当时中国正处于康熙年间,距今至少已有300年了。菲兹威廉博物馆于1948年获得了它们。在过去几十年间,这套古董花瓶一直是博物馆最珍贵的馆藏,并被摆放在显著位置上, 展开更多
关键词 花瓶 清代 还原 碎片 大师 拼图 博物馆 18世纪 17世纪 生产年代
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