Sister＇s founders in sociology as a coin term are formed by Mary ]o Deegan, in order to explain, reintroduction to female stream sociological theory. Even though there are more than 52 women considered to be founders...Sister＇s founders in sociology as a coin term are formed by Mary ]o Deegan, in order to explain, reintroduction to female stream sociological theory. Even though there are more than 52 women considered to be founders of sociology, they are still not recognized in sociology, especially in Bosnia and Herzegovina. Aristotle＇s distinction between male and female, according to authoress Shipley, represents the key moment to ideological foundation of the women exclusion from academia and public life, because of their identification with natural and irrational. Results of wars, global ecological movements, and movements for the rights of the minorities were joined together in creation of significant subversion and counterpart of male stream patriarchal ordained theories in eco-feminist movement. The women and nature in male stream theories are considered to be the insignificant other, formed as counterpart for male principal which is culture, reason, and activity. Logic of dominance with its objectification, imperialism, colonialism, patriarchy, and European West racism must be rendered with the logic of nurturing as the prevailing concept of successful bioregional cooperation and interpersonal relationships, pacification and peace agreements. Postmodern sociology especially in works of Rosemarie Tong supports the admissions of all ＂exiled, alienated, deviant and marginal people＂, therefore, the posthuman society must involve the egalitarism in works of female and male in the sociology.展开更多
Modern Algerian literature, unique among Arab national literary traditions, features a cultural blend of Arabic, Berber and French influences. The literature reflects their love of Algerian culture and thought, and th...Modern Algerian literature, unique among Arab national literary traditions, features a cultural blend of Arabic, Berber and French influences. The literature reflects their love of Algerian culture and thought, and their revolt against French colonialism. The Algerian-born Arab author Muhammad Dib （1920-2003） wrote in French, mainly about the Algerian struggle for independence. Expelled in 1959 for supporting the Algerian revolution, he settled in Paris. Considered a pioneer of Algerian literature, he was the first Arab Algerian to write Western-style novels. His Algerian trilogy, La Grande Maison, L ＇lncendie, and Le Mktier ~ tisser, was published between 1952 and 1957. Though autobiographical, the books trace both rural and urban life in pre-revolutionary times. Dib＇s 1959 thematically driven novel Un Otd Africaine （An African Summer）, analyzed here, rather than depicting the Algerian revolution itself, describes its effect on the characters and their lives. Nevertheless, the novel, framed around a cross-section of Algerian society, reflects colonial government abuses and the common people＇s sacrifices for their dream of independence. Dib also depicts France＇s colonialist attitudes as a betrayal of the ideals of the French Revolution and claims to humanitarian values.展开更多
While there has been significant scholarly attention to the Showtime Series Dexter （2006-13） and the fundamental choice between being good or evil that its protagonist Dexter Morgan must make, this article advances ...While there has been significant scholarly attention to the Showtime Series Dexter （2006-13） and the fundamental choice between being good or evil that its protagonist Dexter Morgan must make, this article advances scholarship in three ways. Firstly, it examines Dexter＇s final twist in plot and the decision Dexter makes to finally embrace his ＂dark passenger＂ to argue for the necessity of the plot twist to the series, which scholarship has not yet performed. Secondly, by situating Dexter＇s decision within a framework focused on reproductive futurism, a revised and more nuanced approach to Dexter＇s ontological dilemma can be proffered. Finally, by locating Dexter＇s dark passenger within the theoretical frames of reproductive futurism and community this article adds an important dimension to notions of the monster conventionally rooted in theories of identity and subjectivity. In the final moments of the series everything changes for Dexter as his identity is redeemed for a reproductive future without guarantees, which this article argues is germane to considerations ofbiopolitics and community in the contemporary period.展开更多
文摘Sister＇s founders in sociology as a coin term are formed by Mary ]o Deegan, in order to explain, reintroduction to female stream sociological theory. Even though there are more than 52 women considered to be founders of sociology, they are still not recognized in sociology, especially in Bosnia and Herzegovina. Aristotle＇s distinction between male and female, according to authoress Shipley, represents the key moment to ideological foundation of the women exclusion from academia and public life, because of their identification with natural and irrational. Results of wars, global ecological movements, and movements for the rights of the minorities were joined together in creation of significant subversion and counterpart of male stream patriarchal ordained theories in eco-feminist movement. The women and nature in male stream theories are considered to be the insignificant other, formed as counterpart for male principal which is culture, reason, and activity. Logic of dominance with its objectification, imperialism, colonialism, patriarchy, and European West racism must be rendered with the logic of nurturing as the prevailing concept of successful bioregional cooperation and interpersonal relationships, pacification and peace agreements. Postmodern sociology especially in works of Rosemarie Tong supports the admissions of all ＂exiled, alienated, deviant and marginal people＂, therefore, the posthuman society must involve the egalitarism in works of female and male in the sociology.
文摘Modern Algerian literature, unique among Arab national literary traditions, features a cultural blend of Arabic, Berber and French influences. The literature reflects their love of Algerian culture and thought, and their revolt against French colonialism. The Algerian-born Arab author Muhammad Dib （1920-2003） wrote in French, mainly about the Algerian struggle for independence. Expelled in 1959 for supporting the Algerian revolution, he settled in Paris. Considered a pioneer of Algerian literature, he was the first Arab Algerian to write Western-style novels. His Algerian trilogy, La Grande Maison, L ＇lncendie, and Le Mktier ~ tisser, was published between 1952 and 1957. Though autobiographical, the books trace both rural and urban life in pre-revolutionary times. Dib＇s 1959 thematically driven novel Un Otd Africaine （An African Summer）, analyzed here, rather than depicting the Algerian revolution itself, describes its effect on the characters and their lives. Nevertheless, the novel, framed around a cross-section of Algerian society, reflects colonial government abuses and the common people＇s sacrifices for their dream of independence. Dib also depicts France＇s colonialist attitudes as a betrayal of the ideals of the French Revolution and claims to humanitarian values.
文摘While there has been significant scholarly attention to the Showtime Series Dexter （2006-13） and the fundamental choice between being good or evil that its protagonist Dexter Morgan must make, this article advances scholarship in three ways. Firstly, it examines Dexter＇s final twist in plot and the decision Dexter makes to finally embrace his ＂dark passenger＂ to argue for the necessity of the plot twist to the series, which scholarship has not yet performed. Secondly, by situating Dexter＇s decision within a framework focused on reproductive futurism, a revised and more nuanced approach to Dexter＇s ontological dilemma can be proffered. Finally, by locating Dexter＇s dark passenger within the theoretical frames of reproductive futurism and community this article adds an important dimension to notions of the monster conventionally rooted in theories of identity and subjectivity. In the final moments of the series everything changes for Dexter as his identity is redeemed for a reproductive future without guarantees, which this article argues is germane to considerations ofbiopolitics and community in the contemporary period.
