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简述日本筝流派的形成与传承 被引量:3
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作者 符丽琴 《浙江艺术职业学院学报》 2014年第4期74-78,共5页
日本的奈良时期(710—794),十三弦筝随着中国的燕乐传入日本,成为日本雅乐管弦合奏的乐器之一,称为乐筝。后来一部分流落到寺院和民间,先后形成了"筑紫筝"和"俗筝",产生了生田流、山田流两个俗筝流派。明治维新以后... 日本的奈良时期(710—794),十三弦筝随着中国的燕乐传入日本,成为日本雅乐管弦合奏的乐器之一,称为乐筝。后来一部分流落到寺院和民间,先后形成了"筑紫筝"和"俗筝",产生了生田流、山田流两个俗筝流派。明治维新以后,筝家们对筝进行了较大改革,但是受日本民族性、家元制度等因素的影响,传统的生田流和山田流在传承中还是保守的,他们依然严格遵守师承制度,很好地保存了不同流派各自的风格特色。 展开更多
关键词 日本筝 流派 生田流 田流 传承
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The shape character and development stage of nebkha 被引量:1
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作者 武胜利 《High Technology Letters》 EI CAS 2009年第4期440-445,共6页
Based on statistical analysis on morphological data of nebkhas surveyed in the Hotan River Basin,Xinjiang, the changing regularity and characters of nebkhas’ morphology in different development stageshave been discus... Based on statistical analysis on morphological data of nebkhas surveyed in the Hotan River Basin,Xinjiang, the changing regularity and characters of nebkhas’ morphology in different development stageshave been discussed. Results indicate that there exist better correlation among length, width and altitudeof all kinds of nebkhas, but there are certain various shape characters in different nebkhas and the sametype of nebkhas in differential development stages. On account of analysis on mathematical imitation ofnebkhas’ shape characters, regional ecological environmental and aeolian characters, the development ofthe nebkha can be divided into a growing stage, a stabilizing stage and a declining stage. 展开更多
关键词 nebkha shape character growth stage Hotan River Basin
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