When it came to power in 1927, the Chinese Nationalist Party （KMT） gave priority to the propaganda and control function of ideology, making the Nationalist doctrine of ＂the Three People＇s Principles＂ the sole com...When it came to power in 1927, the Chinese Nationalist Party （KMT） gave priority to the propaganda and control function of ideology, making the Nationalist doctrine of ＂the Three People＇s Principles＂ the sole commanding and guiding ideology with the aim of creating a new state and new national identity, and consolidating its rule. As the cinema had a wide-ranging influence upon ordinary people, the Nationalist Party began immediately to set out laws and regulations for film management, from the Shanghai Film Censorship Commission, the Film Censorship Committee （FCC） constituted by the Ministry of Education and the Interior Ministry to the Central Film Censorship Committee （CFCC）. A film censorship system led by the Nationalists was set up and gradually perfected. Meanwhile a body was set up and gradually improved for Nationalist management and control of films, one which had a special place in its overall and was a significant part of its whole system of ideological control.展开更多
文摘When it came to power in 1927, the Chinese Nationalist Party （KMT） gave priority to the propaganda and control function of ideology, making the Nationalist doctrine of ＂the Three People＇s Principles＂ the sole commanding and guiding ideology with the aim of creating a new state and new national identity, and consolidating its rule. As the cinema had a wide-ranging influence upon ordinary people, the Nationalist Party began immediately to set out laws and regulations for film management, from the Shanghai Film Censorship Commission, the Film Censorship Committee （FCC） constituted by the Ministry of Education and the Interior Ministry to the Central Film Censorship Committee （CFCC）. A film censorship system led by the Nationalists was set up and gradually perfected. Meanwhile a body was set up and gradually improved for Nationalist management and control of films, one which had a special place in its overall and was a significant part of its whole system of ideological control.
