上合组织国家电影节的战略定位和功能分析

2018年上海合作组织成员国元首理事会第十八次会议在中国青岛举办。与此同时,作为本次峰会系列活动之一的首届上合组织国家电影节也在会后拉开帷幕。本文将在上海合作组织的框架下,透过文化多样性的视角,就此次青岛上合组织国家电影节在政治、经济、文化领域所起到的作用进行分析,并就上合组织国家电影节的发展战略进行探索。

美国电影业的产业经济学分析

首先论述美国电影业的几个主要行业特征,进而分析美国电影业的产业结构。美国的电影业结构是六大主流制片公司与大量规模不等的独立制片公司并存。虽然当面临新企业进入的威胁时,六大主流制片公司采取了进入容纳政策,但由于美国电影业的经营特点,大多数独立制片公司最终不是倒闭就是被六大主流制片公司收购。

论电影观众协会的构建对中国电影产业的推动

非营利性组织是不以市场化的营利为目的的组织,目前中国电影非营利组织分为行业协会、基金、产业联盟三块,推动着中国电影产业稳定发展,但也存在自身的问题。本文着重介绍中国电影行业非营利组织的作用、问题及发展机遇,根据市场的诉求,探讨电影观众协会的构建。

电影,改变城市:“电影之都(Heart of Cinema),釜山”

釜山广域市(Busan Metropolitan City)是韩国的第二大城市,也是代表韩国的“电影之都”。釜山市将电影影像领域选定为城市发展战略政策,为了发展成为“亚洲电影中心城市(Heart of Asian Cinema)”,正在研究多种方案。釜山国际电影节(BIFF)的成功、釜山影像委员会(BFC)的活动、联合国教科文组织选定电影创意城市等,提高了釜山的城市品牌,扩大了市民的自豪感并提供了文化优惠。釜山向往成为世界性的电影城市,正在开拓城市的未来。

产业融合下电影制作组织的角色演变研究

媒介间融合改变了电影产业所处的市场结构,使原本市场成熟度低的电影市场竞争加剧;技术引发媒介终端越来越集中,电影消费者家庭观影行为逐渐增加,网络院线受利益驱动谋求全产业链发展趋势下,互联网和数字技术的发展加速了电影产业融合,身处变局中的电影制作组织角色发生哪些变化,存在哪些问题,是本文要回答的问题。

Influence of impurities on microstructure and mechanical properties of ZK60 magnesium alloy

The influence of impurity content on the microstructure and mechanical properties of ZK60 magnesium alloys was investigated by optical microscopy,scanning electron microscopy and tensile test.ZK60 alloys were prepared by changing holding time of alloy melt during semi-continuous casting in order to control the content of impurity elements.The alloy with lower purity content is found to have less second precipitates and larger grain size in the as-cast state.However,in the as-extruded state,reducing impurities brings about a decrease in grain size and an increase in yield strength from 244 MPa to 268 MPa,while the elongations in the as-extruded alloys with different contents of impurities are almost the same.After T5 treatment,impurity content is found to have more obvious effect on the yield strength of ZK60 alloy.The yield strength of ZK60-45 alloys with low impurity content is increased up to 295 MPa after T5 treatment.

＂Beyond the Dreams of Loveliness＂ --Film, Unionism, and Working Class Community Formation in Detroit, 1933-1939

Ever since Lawrence Goodwyn published The Populist Moment, social historians have been keenly aware of the power culture represents when it comes to resistance. Historically, ＂movement culture＂ has been used to create a collective climate and offered political activists a springboard to discuss with the masses the benefits of joining a social movement. ＂Beyond the Dreams of Loveliness＂ uses the cultural outlet of film and the labor movement in the city of Detroit as analytical tools to examine working class community resistance throughout the 1930s. In the midst of the ＂golden age of film＂ community activists and union organizers--some of whom were well-known radicals and some of whom were mainstream unionists--used the institution of cinema to instill a level of class consciousness in the masses and mobilize the working class community against exploitation of employers, reactionary politicians, and white supremacist organizations. Movie-going had been a very popular form of recreation in Detroit since the 1920s and downtown theatres increasingly became the destination of an eclectic array of workers. Movie theaters themselves were bastions of community activity around the thirties and many were located in the heart of the city＇s working class district. Yet it was the films themselves that offered community activists and unionists a chance to converse with workers regarding the socio-economic matters of the day. Hollywood released a good number of films that dealt with working class issues and provided activists with ample opportunities to ＂instruct＂ the audience and carry on the discussion into the factory or union halls. ＂Beyond the Dreams of Loveliness＂ relies on a combination of oral histories, movie reviews, film clips, and union and/or working class organizational records to illuminate how activists in Detroit＇s working class community used film as an outlet to inspire working class resistance. In sum, film provided an accessible form of entertainment that proved to be effective on two fronts： It promoted increased group cooperation, friendship, and alliances while it also fostered a shared culture, making it easier for activists to organize workers in the coming struggles for unionism.

定位当代希腊电影文化：过去,现在,未来,以及危机

本文围绕2009年这个时间节点对希腊电影的发展提供了批判性的背景介绍。2009年是一个重要的时间点——金融危机开始,某些特定希腊影片获得越来越高的国际知名度,草根推动的希腊电影机构变迁,以及英语评论界中希腊电影研究的兴起,都是这一年的重要事件。本文在讨论中指认出当代希腊电影文化的核心面向,并就希腊电影的制作和接受以及批评理解的新框架提出了几个可能的未来发展方向。

Fluorescence microscopy observation of self-organized microstructure formed by a rare earth compound

The morphologies of monolayers containing Eu(TTA)3Phen (TTA=thenoyltrifluoroace-tone, Phen = 1, 10-phenanthroline) were studied at the air/liquid interface on different subphases by fluorescence microscopy (FM). The composite subphase was the basic premise for the stable existence of the rare earth compound at air/liquid interface. The process that rare earth compound phase changes from liquid expanded state to liquid condensed state corresponded to a plateau in the π-A isotherm. In the pure Eu(TTA)3Phen monolayer, rod domains of Eu(TTA)3Phen formed and packed with no order. In the mixed monolayers with stearic acid (SA), phase transition of SA occurred first and formed domains with an electric gradient field, which induced the rare earth compound to form luminescent ring domains. Influence of intermolecular interaction on the self-organized microstructure was revealed.