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品评《渔庄秋霁图》“高逸”的笔墨画境特征 被引量:1
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作者 李立红 《美术大观》 2014年第5期33-33,共1页
倪瓒是元代文人画家的典型代表,为著名"元四家"之一。他提出"逸笔""逸气"之说的艺术主张被视为文人画审美品评的标准。他开创了与宋代院体画精工细密不同的疏简高逸的文人画新风格,丰富发展了传统山水画... 倪瓒是元代文人画家的典型代表,为著名"元四家"之一。他提出"逸笔""逸气"之说的艺术主张被视为文人画审美品评的标准。他开创了与宋代院体画精工细密不同的疏简高逸的文人画新风格,丰富发展了传统山水画的艺术程式,对后世的绘画发展影响极大。 展开更多
关键词 倪瓒 高逸 画境特征
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In the Song Dynasty painting "selflessness" aesthetic characteristics of artistic conception of the formation process
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作者 Kong Xiaofeng 《International English Education Research》 2015年第1期84-88,共5页
The Song Dynasty painting "realm without me" (i.e. the beauty to nature, not to the individual bit emotional, aesthetic situation calmly silently illuminates), it is a peak China painting history, and after the Yu... The Song Dynasty painting "realm without me" (i.e. the beauty to nature, not to the individual bit emotional, aesthetic situation calmly silently illuminates), it is a peak China painting history, and after the Yuan Dynasty painting "realm" of the United States, constitutes the entire China the history of painting aesthetics of all. This "selflessness" beauty at the beginning did not possess, it is with the development of social economy, politics, literature and art thoughts and slowly spread. This paper will be of the Song Dynasty painting "selflessness" beauty, do a simple analysis, analysis of the seed to the development to the maturity of the aesthetic course. 展开更多
关键词 artistic conception CONFUCIANISM GOD SCHOLARS realm without me
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