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看屈原画感
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作者 野鹤 《黄河之声》 2015年第19期29-29,共1页
离骚慢奏 远眺江心舟 一簔橹动点波头 独处汨罗悠悠
关键词 诗歌 《看屈原画感 中国 野鹤
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《敦煌佛教感通画研究》介评
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作者 张善庆 《敦煌学辑刊》 CSSCI 北大核心 2016年第4期168-173,共6页
《敦煌佛教感通画研究》以敦煌感通画为研究对象,内容涵盖了与古代印度、于阗、汉地三个区域有关的瑞像类、圣迹类、神僧类、传说类图像,时间从北朝跨越到宋元,考察视野则以敦煌为中心,扩展到丝绸之路沿线各大重要佛教中心。此文是对该... 《敦煌佛教感通画研究》以敦煌感通画为研究对象,内容涵盖了与古代印度、于阗、汉地三个区域有关的瑞像类、圣迹类、神僧类、传说类图像,时间从北朝跨越到宋元,考察视野则以敦煌为中心,扩展到丝绸之路沿线各大重要佛教中心。此文是对该书研究内容和研究角度所作的介评。 展开更多
关键词 《敦煌佛教研究》 瑞像图 圣迹图 神僧图
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云想衣裳花想容——评青年艺术家王云裳的系列画作
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作者 卢巧琴 《中国民族博览》 2016年第9期207-210,共4页
青年艺术家王云裳擅长丹青且能诗会文,画染诗意,诗融画素。执着于精神的清野,则是其画、其文、其诗的风景主轴。画之外延讯息的诗性编码与诗意内涵的画感填充,赋予线条以无声的节奏与韵律。诗画叠加的"云"式笔法自觉彰显着审美姿态的... 青年艺术家王云裳擅长丹青且能诗会文,画染诗意,诗融画素。执着于精神的清野,则是其画、其文、其诗的风景主轴。画之外延讯息的诗性编码与诗意内涵的画感填充,赋予线条以无声的节奏与韵律。诗画叠加的"云"式笔法自觉彰显着审美姿态的嬗变序列,多重隔断以及行进序列中有意识的变化转折构铸的多维图景,拓展了抒情主体和图形世界衔接的路径与范畴。 展开更多
关键词 多维图景 美学立足点 画感填充 诗性编码 “云”式笔法
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“画”解意象——古诗词意象教学的必要路径
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作者 王伟龙 《中文科技期刊数据库(全文版)教育科学》 2022年第11期122-124,共3页
意象教学是翻译、赏析中国古典诗词的重要内容和必要环节。诗词意象的感知与描述却是现实中同学们面临的巨大困境。明晰诗词意象的类型及其内部关系,培育以画面解读意象的能力,特别是想象之画、语言表达之画的能力,乃至具体的画感能力,... 意象教学是翻译、赏析中国古典诗词的重要内容和必要环节。诗词意象的感知与描述却是现实中同学们面临的巨大困境。明晰诗词意象的类型及其内部关系,培育以画面解读意象的能力,特别是想象之画、语言表达之画的能力,乃至具体的画感能力,乃是有效和必要的方法。除纯抒情性、纯议论性作品外,绝大部分中国古典诗词依靠形象或意象来传达自身的思想内涵、情感意蕴、艺术旨趣。诗词研究者一般只将景物类形象称为意象,这里的意象是狭义的。 展开更多
关键词 意象分类 意象特征 想象之 语言之 画感
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Sharing Culture and Belonging Through Cross-Cultural Collaborative Painting
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作者 Vanessa Maree Barbay 《Journal of Literature and Art Studies》 2014年第6期483-488,共6页
The topic of this paper is animals in painting and the investigative process undertaken by the artist Vanessa Barbay during her practice--led Ph.D.. Her aim was to discover a way to present deceased animals that retai... The topic of this paper is animals in painting and the investigative process undertaken by the artist Vanessa Barbay during her practice--led Ph.D.. Her aim was to discover a way to present deceased animals that retained their agency as individuals by challenging the objectifying nature of representation. The foundation of this method was the collaboration between artist and dead animal subjects through harnessing the natural decomposition of the subject in order to generate their image. A related stream of Barbay's research was learning about the art and culture of Kunwinjku speaking artists living in Kunbarlanja Western Amhem Land where artists have painted images of animals on rock shelters and on bark from ancient through to contemporary times. The significance of their form of animal representation is a mythopoeic relationship between locally found pigments and animal bodies. Paintings are considered as collaboration between matter, subject, and artist, which Barbay extends in her current work centred on collaborative painting involving more than one artist. 展开更多
关键词 PAINTING ANIMALS PIGMENTS Kunwinjku SHROUD decomposition
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On the initiative of painting style --Speaking from Disney animation
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作者 Manxian Mo 《International Journal of Technology Management》 2014年第1期123-125,共3页
Why it needs to take the initiative in the shape in the painting? Refine images of the shape of the objective initiatively, not only can enhance the artistic appeal and creators emotions, can also highlight the aesth... Why it needs to take the initiative in the shape in the painting? Refine images of the shape of the objective initiatively, not only can enhance the artistic appeal and creators emotions, can also highlight the aesthetic orientation creators to make their paintings to impress the audience and resonate, so works of art have a higher aesthetic value. Similarly, in the entire animation movie, animation character modeling also has an important position, and a good cartoon must have a good role model to fully convey the story and character. This article attempts to analyze the shape of the image of the Disney animated start, make deep analysis on necessity of initiative modeling in the art of painting and development of initiative modeling, to enhance the performance of artists and diverse personality development, which is a requirement of modem art, but also the law of development of the arts. 展开更多
关键词 MODELING INITIATIVE Disney style.
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Brief talk about the application of Chinese painting elements on animation design
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作者 Qinggang Sun 《International Journal of Technology Management》 2014年第1期108-110,共3页
Animation design has comprehensive artistic features, so its unique creative and artistic modes decide that animation decision has a certain complexity. Whether in artistic conception design or expression design, Chin... Animation design has comprehensive artistic features, so its unique creative and artistic modes decide that animation decision has a certain complexity. Whether in artistic conception design or expression design, Chinese paintings all have the unique mode of thinking. The application of the design elements, thinking elements and performance elements of Chinese painting in animations will let the form, content, style more abundant. Scientific use of Chinese elements can create animation works with Chinese cultural connotation and Chinese aesthetic emotion. It can express the aesthetic needs and aesthetic ideals of Chinese culture, thereby creating a classic cartoon art image with Chinese characteristics. The paper mainly analyzes the application of Chinese painting elements in animation design. 展开更多
关键词 Chinese painting elements animation design and application.
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