This paper, based on his observation of the two shell - made animal masks at the Royal Ontario Museum of Canada, argues that the traditional technology of lacquer article inlaid with mother-of-pearl must have begun at...This paper, based on his observation of the two shell - made animal masks at the Royal Ontario Museum of Canada, argues that the traditional technology of lacquer article inlaid with mother-of-pearl must have begun at least in the late Shang Dynasty. It further points out that the lacquer articles inlaid with mother-of-pearl appeared only in the tombs of high social rankings such as the Shang kings and the heads of fangguoz states and the Haidai area might have been one of the origins of this technology.展开更多
加拿大皇家安大略博物馆(Royal Ont ario Museum,下文简称ROM)中国艺术与文化展厅内陈列着十八件画像空心砖[图一],其中绝大多数来自河南洛阳。此类出自洛阳的画像空心砖,在ROM还有很多。ROM为何会收藏众多体量巨大、运输不易的画像空...加拿大皇家安大略博物馆(Royal Ont ario Museum,下文简称ROM)中国艺术与文化展厅内陈列着十八件画像空心砖[图一],其中绝大多数来自河南洛阳。此类出自洛阳的画像空心砖,在ROM还有很多。ROM为何会收藏众多体量巨大、运输不易的画像空心砖呢?它们又如何从中原地区远涉重洋来到加拿大?展开更多
文摘This paper, based on his observation of the two shell - made animal masks at the Royal Ontario Museum of Canada, argues that the traditional technology of lacquer article inlaid with mother-of-pearl must have begun at least in the late Shang Dynasty. It further points out that the lacquer articles inlaid with mother-of-pearl appeared only in the tombs of high social rankings such as the Shang kings and the heads of fangguoz states and the Haidai area might have been one of the origins of this technology.
文摘加拿大皇家安大略博物馆(Royal Ont ario Museum,下文简称ROM)中国艺术与文化展厅内陈列着十八件画像空心砖[图一],其中绝大多数来自河南洛阳。此类出自洛阳的画像空心砖,在ROM还有很多。ROM为何会收藏众多体量巨大、运输不易的画像空心砖呢?它们又如何从中原地区远涉重洋来到加拿大?
