Fruiting bodies(500 g per site) of Tricholoma matsutake and the surface layer of soils collected from 20 spatially distant areas with pristine backgrounds across China were analyzed for potassium,magnesium,calcium,zin...Fruiting bodies(500 g per site) of Tricholoma matsutake and the surface layer of soils collected from 20 spatially distant areas with pristine backgrounds across China were analyzed for potassium,magnesium,calcium,zinc,iron,copper,manganese and cadmium using inductively coupled plasma optical emission spectroscopy.In terms of the bioconcentration and bioexclusion concept,K,Mg,Zn,and Cu were highly bioconcentrated,and their bioconcentration factor values varied between 75-615,2-107,38-603 and 7-76,respectively,across the 20 sites.Fe,Mn and Cd were moderately bioconcentrated and their bioconcentration factors(BCFs) varied between 0.6-34.0,0.4-37.0 and 0.9-7.0 respectively.However,Ca was excluded(BCF<1).T.matsutake is a species that is harvested in the wild as a valuable food and can contain a wide spectrum of both essential and hazardous mineral compounds that accumulate at elevated concentrations even if grown in pristine areas.The estimated intake rate of Cd in the fruiting bodies indicates cause for concern associated with this metal resulting from the daily consumption of between 200 and 400 g of fruiting bodies on a frequent basis during the mushrooming season.展开更多
The journal Truth, Beauty, and Goodness was the main field where ZENG Xu-bai published his literature works; in response to the miscellaneous ＂revolutionary literature＂ at that time, he put forward the idea that lit...The journal Truth, Beauty, and Goodness was the main field where ZENG Xu-bai published his literature works; in response to the miscellaneous ＂revolutionary literature＂ at that time, he put forward the idea that literature should be a combination of unity and artistry, and emphasized self-expression of literature on the basis of popularization of literature. With these literature views, his works also had shown his pursuit for the specialty and artistry of literature, as well as a transition from technique-oriented writing to a balance of emotion expression and technique usage. Anyway, during his translation of French literature and creative practice, the rich literature nutrition he received led to his unclear and complex thoughts which he neutralized with carefulness, and hence his unique literature views.展开更多
The theme of the cast-away has inspired numerous literary works. This paper develops a philosophical reading of two important examples, Coetzee＇s Foe （1987） and Bowles＇ The Sheltering Sky （1951）, in terms of the...The theme of the cast-away has inspired numerous literary works. This paper develops a philosophical reading of two important examples, Coetzee＇s Foe （1987） and Bowles＇ The Sheltering Sky （1951）, in terms of themes such as isolation, silence and truth. But who authors, or authorizes ＂truth＂？ As Merleau-Ponty （1970） saw, the ego cogito of phenomenology symbolizes the quest for ＂global truth＂ where ＂what is evident for him＂ is or could be for all, for he ＂speaks for everyone＂. These two works, however, challenge the standard that ＂he speaks＂, and she does not： that women ＂as such＂, as it would seem, have always already been spoken for. Instead, the focus here is on ＂the self＇ not as neutral ground but as always engendered, in every sense of that word--always emergent as well as creative always acculturated, situated, embodied, sexed or de-sexed--always speaking, or remaining stubbornly silent, and always refusing, like truth itself, to be ＂pinned down＂展开更多
基金funded by the National Science&Technology Pillar Program of Sichuan(2013NZ0029,2015NZ0092&2014FZ0004)the Youth Foundation Program of the Financial&Innovational Capacity Building Project of Sichuan(2014CXSF-030)
文摘Fruiting bodies(500 g per site) of Tricholoma matsutake and the surface layer of soils collected from 20 spatially distant areas with pristine backgrounds across China were analyzed for potassium,magnesium,calcium,zinc,iron,copper,manganese and cadmium using inductively coupled plasma optical emission spectroscopy.In terms of the bioconcentration and bioexclusion concept,K,Mg,Zn,and Cu were highly bioconcentrated,and their bioconcentration factor values varied between 75-615,2-107,38-603 and 7-76,respectively,across the 20 sites.Fe,Mn and Cd were moderately bioconcentrated and their bioconcentration factors(BCFs) varied between 0.6-34.0,0.4-37.0 and 0.9-7.0 respectively.However,Ca was excluded(BCF<1).T.matsutake is a species that is harvested in the wild as a valuable food and can contain a wide spectrum of both essential and hazardous mineral compounds that accumulate at elevated concentrations even if grown in pristine areas.The estimated intake rate of Cd in the fruiting bodies indicates cause for concern associated with this metal resulting from the daily consumption of between 200 and 400 g of fruiting bodies on a frequent basis during the mushrooming season.
文摘The journal Truth, Beauty, and Goodness was the main field where ZENG Xu-bai published his literature works; in response to the miscellaneous ＂revolutionary literature＂ at that time, he put forward the idea that literature should be a combination of unity and artistry, and emphasized self-expression of literature on the basis of popularization of literature. With these literature views, his works also had shown his pursuit for the specialty and artistry of literature, as well as a transition from technique-oriented writing to a balance of emotion expression and technique usage. Anyway, during his translation of French literature and creative practice, the rich literature nutrition he received led to his unclear and complex thoughts which he neutralized with carefulness, and hence his unique literature views.
文摘The theme of the cast-away has inspired numerous literary works. This paper develops a philosophical reading of two important examples, Coetzee＇s Foe （1987） and Bowles＇ The Sheltering Sky （1951）, in terms of themes such as isolation, silence and truth. But who authors, or authorizes ＂truth＂？ As Merleau-Ponty （1970） saw, the ego cogito of phenomenology symbolizes the quest for ＂global truth＂ where ＂what is evident for him＂ is or could be for all, for he ＂speaks for everyone＂. These two works, however, challenge the standard that ＂he speaks＂, and she does not： that women ＂as such＂, as it would seem, have always already been spoken for. Instead, the focus here is on ＂the self＇ not as neutral ground but as always engendered, in every sense of that word--always emergent as well as creative always acculturated, situated, embodied, sexed or de-sexed--always speaking, or remaining stubbornly silent, and always refusing, like truth itself, to be ＂pinned down＂
