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Identification of a high frequency of chromosomal rearrangements in the centromeric regions of prostate cancer patients
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作者 BALACHANDAR V. LAKSHMAN KUMAR B. +3 位作者 SASIKALA K. MANIKANTAN P. SANGEETHA R. MOHANA DEVI S. 《Journal of Zhejiang University-Science B(Biomedicine & Biotechnology)》 SCIE CAS CSCD 2007年第9期638-646,共9页
The aim of the present investigation was to study the major chromosomal aberrations (CA) like deletion, translocation, inversion and mosaic in prostate cancer patients of Tamilnadu, Southern India. Totally 45 blood ... The aim of the present investigation was to study the major chromosomal aberrations (CA) like deletion, translocation, inversion and mosaic in prostate cancer patients of Tamilnadu, Southern India. Totally 45 blood samples were collected from various hospitals in Tamilnadu, Southern India. Equal numbers of normal healthy subjects were chosen after signing a consent form. Volunteers provided blood samples (5 ml) to establish leukocyte cultures. Cytogenetic studies were performed by using Giemsaanding technique and finally the results were ensured by spectral karyotyping (SKY) technique. In the present investigation, major CA like deletion, translocation, inversion and mosaic were identifed in experimental subjects. Results showed frequent CA in chromosomes 1, 3, 5, 6, 7, 9, 13, 16, 18 and X. In comparison with experimental subjects, the control subjects exhibited very low levels of major CA (P〈0.05). In the present study, the high frequency of centromeric rearrangements indicates a potential role for mitotic irregularities associated with the centromere in prostate cancer tumorigenesis. Identification of chromosome alterations may be helpful in understanding the molecular basis of the disease in better manner. 展开更多
关键词 Prostate cancer Chromosomal aberrations (CA) Giemsa-banding Spectral karyotyping (SKY)
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中国重彩画源流考辨
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作者 牛金梁 《上海文化》 CSSCI 2019年第12期105-110,127,共7页
重彩画在我国有着悠久的历史,它萌芽于我国新石器时代的彩陶艺术及岩绘艺术,两汉魏晋时期逐渐走向成熟,隋唐五代时期达到鼎盛。宋以后,随着社会的发展变迁,水墨画逐渐占据画坛地位,重彩画渐行渐微。20世纪八九十年代,重彩画再度复兴,焕... 重彩画在我国有着悠久的历史,它萌芽于我国新石器时代的彩陶艺术及岩绘艺术,两汉魏晋时期逐渐走向成熟,隋唐五代时期达到鼎盛。宋以后,随着社会的发展变迁,水墨画逐渐占据画坛地位,重彩画渐行渐微。20世纪八九十年代,重彩画再度复兴,焕发出新的艺术活力和生命力。"重彩"一词被人们广泛使用和称呼只是近60多年的事,之前,人们把这种色彩浓郁,表现精细的绘画主要称之为"丹青"。重彩画和工笔画有着密切的联系。"重着色"和"着重色"成为重彩画的重要特征,天然矿物色这一古老的画材被人们重新认识并焕发出勃勃生机,为现当代中国画的发展注入了无限生机活力。 展开更多
关键词 重彩画 丹青 重着 着重色 天然矿物
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