In analysing a speech genre, genre analysis is applied. Genre analysis is a recent trend in discourse analysis. It combines socio-cultural and psycholinguistic aspect of text construction and interpretation. This anal...In analysing a speech genre, genre analysis is applied. Genre analysis is a recent trend in discourse analysis. It combines socio-cultural and psycholinguistic aspect of text construction and interpretation. This analysis aims to show what extent surface linguistic forms align with given standardized communicative events. To construct a text, a speaker should master its schematic structure. The schematic structure consists of organizing the rhetoric. It covers the macro-stages which can be classified into introductory stage, body stage, and concluding stage. The rhetorical organization/structure (micro moves) of a speech genre includes "opening marker", "gambit", "narration", and "marker" in the introductory stage; "claim", "confutation", "confirmation", and "concession" in the body stage; "marker", "appeal/recommendation", and a closing in the body stage. By studying the schematic structure, it can be recognized how the students construct the genre, whether they follow the linear pattern offered or their construction of speech is influenced by their native cultural way of thinking. In sequencing the micro moves, the students followed the sequence offered in the framework of speech genre. Although there was a slight difference in sequencing the moves, in general the students have conformed to the proposed sequence. The variety of sequencing the moves was prompted by the native language and cultural background (Javanese and Chinese). Since rhetorical organization varies from culture to culotte, it can be tolerated that the students have a variety in sequencing the moves.展开更多
This paper examines how the socio-cultural contexts have affected readers' responses to particular Saudi novels. It draws on Fish's concept of "interpretive communities", which argues that interpretation is an ins...This paper examines how the socio-cultural contexts have affected readers' responses to particular Saudi novels. It draws on Fish's concept of "interpretive communities", which argues that interpretation is an institutional practice, and that consequently readers hold shared prior assumptions that constrain their interpretive strategies (Fish 1980). Not surprisingly then, some responses to Saudi authors are based on the ideological belief that their novels consist of acts of rebellion against a conservative culture. A close reading of the conflict between Saudi novelists and the social responses to their works can reflect how cultural and social contexts shape the reception of contemporary Saudi novels, and can also help to construct public attitudes toward these texts. Saudi novelists have faced a number of social constraints and factors which have affected the development of the novel in Saudi Arabia. For example, works by al-Gosaibi, Munif, Khal, al-Hamad, al-Mohaimeed, Alsanea, and al-luhani have all been banned because they were seen to pose a major threat to the dominant, patriarchal Saudi ideology. While the social controversy around these writers was raging, some other writers applied self-censorship to avoid touching upon what were perceived to be the most sensitive issues.展开更多
This research compares a sample of the mainland Chinese university students (N = 325) and a sample of the British university students (N = 51) from a cross-cultural perspective by examining the relationships betwe...This research compares a sample of the mainland Chinese university students (N = 325) and a sample of the British university students (N = 51) from a cross-cultural perspective by examining the relationships between individual values and communicative competence. Specifically, it aims to gain an insight into cultural impact both on the Chinese university students' self-perceptions of communication competence in the Chinese cultural context and on the British university students' self-perceptions of communication competence in a Western cultural context. The findings suggest that the mainland Chinese university students' interdependent/independent self-construals best predict their self-perceptions of communication competence. Results indicate that both Western and Chinese social values influence the two samples' interdependent and independent self-construals, and the two samples' self-perceptions of communication competence and interdependent self-construals differ significantly展开更多
Pragmatic rationality and scientific and technological developments in modem society have jointly put an end to classical myth and consigned it to the historical museum of the spiritual culture. However, mythical thin...Pragmatic rationality and scientific and technological developments in modem society have jointly put an end to classical myth and consigned it to the historical museum of the spiritual culture. However, mythical thinking and consciousness are synchronically hidden in our psychological structures and still exert an important influence on civilizations and cultures. In the modem and postmodem historical and cultural context, myth hides in our spiritual and cultural activities in various altered forms. Having evolved into a mythic form in the contemporary sense, it continues to play a powerful psychological role and to act as a midwife of conscious activities and forms. Contemporary myth typically comprises science myth, consumption myth and hero myth. It has inherited the symbols and structures of traditional myth, but with some developments and variations; in particular, by means of science and technology, it has acquired broader and richer social ingredients and swift and intensive modes of transmission, producing a widespread and far-reaching influence on various aspects of society.展开更多
文摘In analysing a speech genre, genre analysis is applied. Genre analysis is a recent trend in discourse analysis. It combines socio-cultural and psycholinguistic aspect of text construction and interpretation. This analysis aims to show what extent surface linguistic forms align with given standardized communicative events. To construct a text, a speaker should master its schematic structure. The schematic structure consists of organizing the rhetoric. It covers the macro-stages which can be classified into introductory stage, body stage, and concluding stage. The rhetorical organization/structure (micro moves) of a speech genre includes "opening marker", "gambit", "narration", and "marker" in the introductory stage; "claim", "confutation", "confirmation", and "concession" in the body stage; "marker", "appeal/recommendation", and a closing in the body stage. By studying the schematic structure, it can be recognized how the students construct the genre, whether they follow the linear pattern offered or their construction of speech is influenced by their native cultural way of thinking. In sequencing the micro moves, the students followed the sequence offered in the framework of speech genre. Although there was a slight difference in sequencing the moves, in general the students have conformed to the proposed sequence. The variety of sequencing the moves was prompted by the native language and cultural background (Javanese and Chinese). Since rhetorical organization varies from culture to culotte, it can be tolerated that the students have a variety in sequencing the moves.
文摘This paper examines how the socio-cultural contexts have affected readers' responses to particular Saudi novels. It draws on Fish's concept of "interpretive communities", which argues that interpretation is an institutional practice, and that consequently readers hold shared prior assumptions that constrain their interpretive strategies (Fish 1980). Not surprisingly then, some responses to Saudi authors are based on the ideological belief that their novels consist of acts of rebellion against a conservative culture. A close reading of the conflict between Saudi novelists and the social responses to their works can reflect how cultural and social contexts shape the reception of contemporary Saudi novels, and can also help to construct public attitudes toward these texts. Saudi novelists have faced a number of social constraints and factors which have affected the development of the novel in Saudi Arabia. For example, works by al-Gosaibi, Munif, Khal, al-Hamad, al-Mohaimeed, Alsanea, and al-luhani have all been banned because they were seen to pose a major threat to the dominant, patriarchal Saudi ideology. While the social controversy around these writers was raging, some other writers applied self-censorship to avoid touching upon what were perceived to be the most sensitive issues.
文摘This research compares a sample of the mainland Chinese university students (N = 325) and a sample of the British university students (N = 51) from a cross-cultural perspective by examining the relationships between individual values and communicative competence. Specifically, it aims to gain an insight into cultural impact both on the Chinese university students' self-perceptions of communication competence in the Chinese cultural context and on the British university students' self-perceptions of communication competence in a Western cultural context. The findings suggest that the mainland Chinese university students' interdependent/independent self-construals best predict their self-perceptions of communication competence. Results indicate that both Western and Chinese social values influence the two samples' interdependent and independent self-construals, and the two samples' self-perceptions of communication competence and interdependent self-construals differ significantly
文摘Pragmatic rationality and scientific and technological developments in modem society have jointly put an end to classical myth and consigned it to the historical museum of the spiritual culture. However, mythical thinking and consciousness are synchronically hidden in our psychological structures and still exert an important influence on civilizations and cultures. In the modem and postmodem historical and cultural context, myth hides in our spiritual and cultural activities in various altered forms. Having evolved into a mythic form in the contemporary sense, it continues to play a powerful psychological role and to act as a midwife of conscious activities and forms. Contemporary myth typically comprises science myth, consumption myth and hero myth. It has inherited the symbols and structures of traditional myth, but with some developments and variations; in particular, by means of science and technology, it has acquired broader and richer social ingredients and swift and intensive modes of transmission, producing a widespread and far-reaching influence on various aspects of society.